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ITT: 10/10 moments
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Down Colorful Hill
6:36
>Anna you're lost in a shadow there
>CINDER AND SMOKE HANGING IN THE AIR
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2:30-3:20
>I'M NO FUCKING BUDDHIST, BUT THIS IS ENLIGHTENMENT
OFF HIS ROCKER HE'S OFF HIS ROCKA PLEASE MR OFFICER I ONLY HAD A VODKA
What a cool intro
first 20 seconds
more like YOU SUSSED IT OUT DIDN'T YOU
(actually the whole album but yes)
>YET AGAIN WE'RE THE ONLY OOONNNESS
>NO SURPRISE, THIS IS OFTEN HOW IT GOES
The last 3 minutes of Runaway
The end of the solo in Iron Maiden's "The Duelists." The guitars really feel like two fencers matching each other's steps perfectly.
How to Disappear Completely 4:32: Thom does a short sustain on the note and lets it drop slightly.
The outro of captain, reminds of Halo 3 OST
>So the crab feeds his astral plane
>Assimilating and distributing all he receives
>Slowly, until it becomes apart of you
>WHAT THEY'VE SEEN IS JUST A BEAM OF YOUR SUN THAT BANISHES WINTER
>AND I MISS I MISS I MISS YOUR HEART
>The part from "IN THE SHALLOW WATER" to "FOLLOW ME MY SWEETEST FRIEND" in Only Skin
There are too many 10/10 moments in this album but these make me go absolutely insane
>the seagull weeps...
>"SOOOO LOOOONNNGGG"
The interlude to All of the Lights.
IF I COULD JUST LEAVE MY BODY FOR THE NIGHT
Yes
May I suggest you:
GET FUCKED
I MISSSSS YOUUUU
oops, start 17:12
Your shell is hollow, so am I
The rest will follow, so will I
Go to :40 and listen
I'M A PUNK ON THE WEEKEND
OKAY
DRUNK AND REBELLIOUS... FOR TWO DAYS
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>I'M IN THE FIELD WITH A SHIELD AND A SPEAR, NIGGA
>I'M IN YO GIRL WITH HER HEELS IN THE AIR, NIGGA
TUNE ANY EYE INTO THE IIIIIIVVVVVVVYYYY
>I've never had a cat before *dododooo
"Father
Yes son?
I want to kill you"
The music's coming through me
the rolling-stones overdosed on THC/10
yes
>PRAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYERS
is also a 10/10 moment
That line always makes me cringe
i cried to this
INSIGHT
"Motheeeer!
I-want-to.....
WAAOOAJSIWNFOSKDOWKFOWNF
COME ON NOW"
Gotta love the smell of napalm in the morning
>the tempo change in Heading For The Door
>the riff of gold dust
>the drop in Echo bravo
>the build up in Reed to Hillsborough
this tbqh
>Child in Time
>Simplistic but marvelous piano intro
>Ian's savage high notes
>Ritchie pulling fire in that solo
Hole song's a 10
The metal outro to HOLY fucking shit: 40000
It's perfect desu
>SOMEBODY ONCE TOLD ME
Closing moment to What's Going On
Inner City Blues
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>chord changes finally
>"someone in my dictionary's up to no good"
hnggggg
>not the climax of The Pecan Tree
I AM MY FATHER'S SOOOON
I AM NO ONEEEE
I CANNOT LOOVE
ITS IN MY
BLOOOOOOOOOOOOOOOOD
So dry your eeeeeyes
And turn your head awaaaaay
USELESS CLIMATE, STARING AT ME
YEARNING.....YEARNING TO BE FREED....
agree
the entire final verse on Medicine Bottle is 10/10 imo
Listening to Creep at half-volume through iPhone speakers
Came here to post this
what is this?
String section in tannhauser
The end of in the aeroplane over the sea
what
>The drop and arpeggios in I see it too
>The akira samples before a map of the stars and during "he never existed in the first place"
>The tetris attack samples in (through hallways)
>The drums in every fucking song
I just realised this is a meme
>second time I fell for this shit
>both of those times with favorite albums of mine
>GUERRILLA WAR STRUGGLE IS A NEW ENTERTAINMENT
that and the Earthmover outro
indifferent, but distanced perfectly, projected endlessly
it's so fuckin beautiful
That whole album is a 10/10
panda's part in Loch Raven
>iiiiiiiiiiii wiiill noooooot giive uuuuuuuup oon yoooouuu
6:40-7:07
In middle it became a 10/10
...
>"Won't Always Be on the Receiving End" into Map of the Stars
>IIIIIIIIIIIIIIIIIIII CAN'T DO THIIIIIIIIIIS ANYMOOOOoooooooOOOREEEEEEEEEEEE
Oh my fucking godddd!!
A M A Z I N G
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I LOVE YOU SO MUCH
BUT DO ME A FAVOR BABY DON'T REPLYYYY
CAUSE I CAN DISH IT OUT, BUT I CAN'T TAKE IIIIIIIIITTT
1 2 3 4
IT'S A LONG LIFE
I prefer 3:02
I don't get it
>Vocals come in on Blanks of Night
The acoustic guitar part on In The Shadow of Horns
Alternatively : I'M NOT FUCKIN AROUUUUUUUND I'M NOOOOOOOOT I'M NOOOT etc.
And the synth solo a little later on. Gets me every time.
suffy is a good lookin dood
>Nooo I know it wa-
>sn't saaafe, it wasn't safe to breathe at all
>(vocalizes until he runs out of breath)
>(inhales)
>(continues to vocalize until the tempo changes)
I've always maintained that this is their best song
it matters where you are
>i wont go until you follow
>i cant feel anything stuck in the passing lane
>break wait stop pick up the
>IT'S TIME NOW
>MY TIME NOW
>GIVE ME MY
>GIVE ME MY WIIIIIINNNNNGGGGSS
WELL LATE LAST WINTUH DOWN BELOW THE EQUATOR
THEY HAD A SUMMER THAT WOULD
MAKE YOU BLISTER
AND
OH. MY. MIND IS ALL.
OH. MY. MIND IS ALL.
OH MY MIND IS ALLL MADE UP SO I'LL HAVE TO SLEEP IN IIITT
You know, you know where you are with
You know where you are with
Floor collapsing, falling
Bouncing back and one day, I am gonna grow wings
TWENTY FOUR BEFORE MY LOVE AND ILL BE THEEEEEEEEEEEEEEEEEEEEEEEEEERE
>KEYBOARD SOLO
now...
fade...
and
Tired of Reaching
For the lampshade
Baby reading
Baby love me
RUUUUUUUUUUUUUUUUUUUUUUUUUUUN
>YOU MUSTA BEEN
>HIIIIIIIIIIIIIIIIIIIIIGH
www youtube com/watch?v=QC5gebGthAs
2:14-2:37
But really 0:01- 13:06
>I really know this shit is as good as it gets
>And I know it seems hard to accept
>But you've got your demons, and she's got her regrets
>But you've got your demons, and she's got her regrets
Break On Through (to the other side) is a near perfect opener, I'll give strYou that, but I still don't think the album is The Greatest
Revolver has one per track at the very least:
>"One, two, three, four... *rewind* One, two- three four!" on Taxman
>Eleanor Rigby's intro that just cuts from nowhere
>I'm Only Sleeping's backwards guitar solo
>Love You To when after about 30 seconds of George toying around with the sitar the rest of the band starts playing together
>The way Here There and Everywhere starts off in a way, then switches to a similar but not quite way
>Yellow Submarine when it turns into a mini-skit
>She Said She Said's intro including the drum fill
>Good Day Sunshine's piano solo
>And Your Bird Can Sing in its entirety, I just love the interplay between bass and guitar in that song
>For No One and the french horn that sounds so melancholic
>Doctor Robert's "Well, well, well..." sequence and how it switches back to the guitar doing psychodelic dance-ish stuff seeminglessly
>the end of I Want To Tell You when Paul decides to explore his entire range at once
>Got to Get You Into My Life after the guitar kicks in and Paul switches from Mototown to full-on Soul Music
>Tomorrow Never Knows as a whole, how it builds up, the drums, every instrument, even how it ends by going from a fading chaos of effects and sounds to a piano playing an entirely unrelated melody and dueling with the brass
It's just such a great album.
WHERE IS THE FIGHTING MAAAAAAAAAAAN
AM I HEEEEEEEEEEEEEEEEE
YOU WOULD TRADE EVERY TRUTH
FOR HOLLOW VICTORIEEEEEEEEEEEES
I agree. It is unbelievably beautiful.
SHE WAVES A NAZI DAAAAGGEEERRRR
>WHERE IS YOURRRRR SAVIORRRRR NOWWWW
This, fucking this
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3:20 onward evokes in me the most specific emotion out of anything I ever heard in music. I straight up cry every fucking time.
DUT DUT DUT DUT
VROOOWREEEE VROOOOOWREEEEEEE
and
ONCE THERE WERE MOUNTAINS ON MOUNTAINS AND ONCE THERE WERE SUNBIRDS TO SOWAR WITH AND ONCE I COULD NEVER BEEEE DOWN
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Go to 0:47 and 4:20
BABY PLEASE!
EAT THA CHEESE!