>song bleeds into the next song retaining central themes/chords/melody
Song bleeds into the next song retaining central themes/chords/melody
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I want examples NOW
in the aeroplane over the sea
First two tracks of Since I Left You, along with a shit load of other tracks on that album
was meant for
brave little abacus, both just got back from the discomfort and masked dancers do this constantly
ok, but what about non-gay music?
waterfall into don't stop on stone roses s/t
what about non-gay user
The Cars
In Stereo/Its All Messed Up
>last track loops back to the first.
Gorillaz Don't get Lost in Heaven into Demon Days
I don't know if it's what your talking about, but Airbag to Paranoid Android is totally orgasmic.
first three songs, highly recommend
how the shit hasnt anyone posted this
xtc- summers cauldron into grass on skylarking
>final refrain is a single key higher than the rest
Brand New - Sowing Season > Millstone
Autechre - Eidetic Casein > Uviol
Death Grips - Up My Sleeves > Billy Not Really
A bunch of Gorillaz songs do this
>the song is more than 5 minutes long
literally this: the album
The whole thing sounds the same.
it even bleeds into the next album
How about Wonderful into Song for Children into Child Is Father of The Man or Hereos and Villains into Plymouth Rock from the Beach Boy's album SMiLE.
Now that I think about it, even Heroes and Villains contains the harpsichord phrasing that is at the beginning of Wonderful, so truly Heroes and Villains -> Child is Father of the Man is pretty much exactly what OP describes.
brain damage/eclipse on dark side of the moon
music is gay
Shame on you people for not mentioning this one earlier.
Idioteque into Morning Bell
Sweet Thing Suite
...
>last song on the album is a mashup of all the songs before it
>songs make a new song when played at the same time
examples of this?
Aphrodite's Child - 666, Queen - Jazz