y'know what to do
Bandcamp thread
Ethan Campbell
Other urls found in this thread:
tcho.bandcamp.com
sosia.bandcamp.com
jakeorluca.bandcamp.com
epiglottis.bandcamp.com
ivonnevancleef.bandcamp.com
gardanta.bandcamp.com
expandingsponge.bandcamp.com
simoncameronfletcher.bandcamp.com
exitsave.bandcamp.com
strawberrys.bandcamp.com
laura.bandcamp.com
vnilla.bandcamp.com
benwylie.bandcamp.com
demonspawnblackcauldron.bandcamp.com
gurglesplat.bandcamp.com
08thelifeofaannddyy06.bandcamp.com
08thelifeofaannddyy06.bandcamp.com
connorleary.bandcamp.com
scrugley.bandcamp.com
earthwalkerrecordings.bandcamp.com
twitter.com
Isaiah Gomez
>Glitch, Instrumental
Cameron Cruz
Fuck off shill, you could wait a bit and not bump yourself first. Attention seeking faggot
Blake Mitchell
>ambient, instrumental, post-rock
for now it looks like a bunch of ideas put together, but i will refine my style with some experience
Joseph James
>lo fi, mountain goats, general acoustic whining
hanging round to recc
Adam Howard
r00d
Josiah Morris
me
really like lucid dream and silence, where do you wanna go with this?
Elijah Evans
starting a feedback stream again
twitch tv airbornmartin
Dominic Gutierrez
thanks and well, i don't know really
this alias i have is a free space that i have to just put up music that i do by myself
nothing serious so far obviously, but i like composing ambient textures
Jace Flores
I think you do a great job with that, I wasn't a fan of the louder tracks but that might just be a personal preference. I think if you found a way to really reconcile both the ambient stuff and the kinda more abrasive stuff that'd be really cool
Henry Ortiz
Alright. Let's get them started!
epiglottis.bandcamp.com
>Single for the upcoming release "The Dance"
>Loop-based ambient music
>Decay of one's mind
>The construction of mortality
That's one of the better whining, I tell ya. Although I still prefer "Eastridge".
Heard "Rojas" and "72". There are some good fundamentals but holy crap does your tracks goes wanky fast. The "drum kick" on "Rojas" is just disorientating and the lead around 1:20 on "72" is mixed terribly; it feels like it's just been added there out of filling space. I've sadly heard better things on SC threads. Main concern - expand your fundamentals and work around making your mixing skills better. Both of the tracks I've heard feel in-cohesive to each other at all. I'm fairly disappointed.
Definitely preferred more "ambient" tracks (i.e. 1 and 3). The second one, especially the beat, are annoyingly generic. I would avoid that kind of drum inclusion if you want to go more post-rock-ish. Mainly because they don't add anything and they disturb the space of a solid texture in front of it. I could see this work and, since it's only ideas, I wish you the best in perfecting what you have in mind. Making stuff is not the hard part. The hard part is finding your own voice in all of this mess.
Oh, and "In Focus" is NOT a good track. At all. It feels washed down to the extreme.
As you always do. You gain any revenue from those?
Jaxon Phillips
i'm not really good at equalizing lol and also reminiscence was an "alternative" beat that i made for a rapper, i think it doesn't really fit the ep but i personally like the end of it
btw your stuff is really cute
i'll look forward to concile this stuff, it's something that i'd love to do
Carter Green
still sosia here, i bookmarked your bc page, it's really interesting and also thanks for your comment!
Owen Mitchell
Danke, I hope you'll enjoy it!
Benjamin Foster
> rural psychedelia, lo fi, portastudio, drone, ambient, bedroom recordings
rec/like
Noah Taylor
fuck off
Gavin Howard
John Evans
...
Henry Martin
Good mate overall
Good dog but too E D G Y
Josiah Hernandez
expandingsponge.bandcamp.com
>spongestep
>tcho.bandcamp.com
i will not pass you any butter because please lower your hat? the waves went well with the music should have brought them in sooner?
agree with aer that track two is some whiplash inducing shit (that i am a hypocrite for caring about) also are the leads supposed to fall out of time?
dat colour scheme.
second track starting out gnarly as all heck and that text to speech! i giggle but you made it sound pretty good. also my cat is now purring in time to this and it's pretty eerie, the small mic drop/jack sound that's going on through the calm part held everything together really nicely.
Joseph Gray
I have no mouth and I must kek.
Sorry mate, I've really, REALLY tried.
William Brooks
simoncameronfletcher.bandcamp.com
>bedroom pop from toronto
>folky stuff
>acoustic lofi stuff
>stuff like elliott smith, early sebadoh, daniel johnston, alex g, ween's first few albums
-----
recs:
Elijah Murphy
You look cute in a dress.
Adrian Sanchez
jacobhutto.bandcamp.com
>Experimental, Various Genres
>TWO BRAND NEW ALBUMS
>Into The Storm.
>Alt-Country, Ambient, Bedroom Pop, Folk, Folktronica, Freak Folk, Healing, Lo-Fi, Mental Health, Orchestral Pop, Singer-Songwriter, Soul.
>Where's The Humanity?
>Ambient, Chillwave, Field Recordings, Hypnagogic Pop, Lo-Fi, Musique Concrete, Noise, Progressive Electronic, Synthpop, Vaporwave.
Support, scrobble, or review on RYM. Any feedback of any kind would be greatly appreciated. Thank You. :)
NEW MATERIAL AUGUST 20TH
Also, my friend released a new EP on my record label. Check it out!
Triteicerecords.bandcamp.com
Bud
Adam Walker
C'mon buds, don't be shy
Liam Johnson
Aiden Flores
How do i make a good album cover?
Kevin Torres
A SHITTY GUIDE TO COVER ART
1. Define what sounds you are trying to portrait on the particular release
2. What is the most important theme of the album? What's the story to it?
3. If
a) it's just a bag of songs with no thematic correlations - make/find an aesthetically pleasing thingy which grabs attention and use the colors on it which gives a strong resemblance of the release's sound (warm colors for happy, cold colors for sad etc.)
b) there is a theme to the release - think of an image which would represent the best the idea of the release and use it
Avoid Paint and making your own covers without any knowledge of graphics design. A simple photography/painting/picture manipulations would do.
Also, it's good to know, in general, to look at your fav albums and ask yourself why such cover exist on that particular release and is there a better/worse example of a cover which would fit that album.
It's all try and error. But avoid Paint like a fucking plague.
Grayson Moore
>paint is lame
you have a modern normie alt dads taste
Isaiah Jenkins
>not posting a good paint-made cover art
I may. But I'm quite happy with my covers in general.
Aiden Cox
Thanks for this advice now i just have to find the right colors for it.
Ryder Martin
thank you, me and the girl who did eastridge are trying to flesh out a full album and release it, also why is your project ending?
RECC:
Leo Thompson
>me and the girl who did eastridge are trying to flesh out a full album and release it
Yes. That's what I like to hear.
>why is your project ending?
Basically I've started to get too emotional about it. Making music for Epiglottis was just way too much self-hate and too little enjoyment when the release was out. Gonna try and make myself in a new thing, probably in the next year; getting myself cracking on new stuff, composing things and getting myself more into modern classical music
Oliver Hughes
damn dude well I'm glad to hear you're still doing stuff and that you'll be feeling better. modern classical would be sick, i'd love to hear that when it's done
Ryan Jones
>Old Project
>New Project
>IF YOU LIKE IT DOWNLOAD IT AND SCROBBLE IT ON LAST.FM AND RATE IT ON RYM
>FFO: LIL PEEP, GBC, WICCAPHASE
>GENRES: EMO, HIP HOP
How about that new brand new album tho guys!?
I'm not a biggest fan of the tones as they sound a bit generic and small. The glitch is okay but it's nothing I'd listen to
This is really well made ambient, not problems with it keep it up
This is good I love the mix a lot I don't know what you did to it but it's a great mix I love it a lot
rec:
Christian Rogers
vnilla.bandcamp.com
>ambient-ish repetitive electronic music
>Instrumental
>Swedish
--------------------
reqs:
Guitar tone is very ITAOTS
Vocals kinda remind me of Twin Fantasy
I always fuck with ambient shit
Robert Kelly
>electroacoustic
>improvisation
>experimental
>lo-fi
>orchestra of speakers
>BASS
it's free so download if you like!
RECC
really unique song structures and super interesting sounds
favorite of the thread so far!! love everything about it
Wyatt Foster
These track titles are way too big-ish. At least to me anyway. When I've read "repetitive electronic music" I did not expect much of a chill-out sweet sounds and that's basically what I've got. Although I do feel like the whole mixing is pretty okay I think these tracks doesn't go out much beside their standards. There is little to no experimentation which makes this whole thing quite cookie-cutter music which is a bit disappointing. The last track's noisy synth is, I think, a bit too loud-ish and not exceptionally good of an addition.
Overall - not terrible but I think you can do better than just be another electronic music maker making chillwave or whatever in a cookie-cutter way.
>acousmonium
Fuck. Yes. Senpai.
Also, thanks for listening, appriciate it!
Landon Morris
new egghead song up tonight I think lads be excited its
VERY GOOD
Noah Sullivan
me
I am very about the new project, your production is A1 and it's just some straight forward good shit, I really like 2:34am and text me back
and thank you, for the mix I just went pretty bare bones, put another vocal two octaves up which distorts a little and threw it in the back, and filtered it a bit to add resonance and a little more lo fi sound
thank you for the kind words, and this is very College like and very upbeat. I''m not so much a fan of the vinyl sample and the extra percussion on i haven't been born into this world but I like the 2nd section of scared of hot and cold a lot, real nice instrumentation and melody you got going there. I think is giving you some solid advice also
Ryan Thompson
demonspawnblackcauldron.bandcamp.com
demonspawnblackcauldron.bandcamp.com
demonspawnblackcauldron.bandcamp.com
the greatest band on the planet - DSBC - in all their raw glory - beheld in the hand of the red infinite darkness being shroud clam death beam prepare for 50 releases by nights middle for a second year anniversary of their gracing bandcamp with their catalog of soul jams so be ready
Andrew Wright
gurglesplat.bandcamp.com
>electronic
>music
Jonathan Jackson
eggheadsandjellytreads.bandcamp.com
new spoken word dystopian track coming out in 5 seconds.
be excited
Leo Scott
ok not 5 seconds but still v soon gotta get my album cover
Grayson Butler
ok done
Ian Sullivan
coolstuff
>chillhop
>chillwave
>vaporwave
>ambient
08thelifeofaannddyy06.bandcamp.com
08thelifeofaannddyy06.bandcamp.com
Dominic Hall
it's uploaded now
Jacob Scott
connorleary.bandcamp.com
> baroque pop
> synthpop
> sounds like beach boys, elo, eiichi ohtaki
had a pretty good time making this and hopefully you have a pretty good time listening. I mostly tried to combine japanese city pop with 70s softrock, as well as my own eccentricities
Hey!! I also live in toronto, and I've been to a lot of shows/hung out sometimes at the supermarket! I wonder if we ever ran into each other while eating overpriced food. It sucks that you didn't get paid though. Your vocals are really pure sounding and well done. I'd say the recording job was good, but I guess you didn't have much control over that. I'm enjoying your direct, yet emotional lyrics. Definitely I'd say lyrics and vocals are the strongest points of this. The weaker point here is definitely the songwriting. You tend to get a chord progression that fits the vibe of your song and then you just stick with those 2/3/4 chords for the entirety of the song. There's strong melodies, I just wish maybe you could go for a B section in your music or something. a chorus/verse thing maybe? Maybe put a bridge in. You show a little bit of that in Why. I really like that song. If you can get that down, you'll have some solid solo folksy stuff, which you could even dress up with bigger production if you want.
Really enjoy the drum programming here. I'd say that's your strongest point. There's a lot of great subtle developments in the drums, which keeps these tracks fresh throughout. I can see what you're going for with the synths, and sometimes they hit the mark. Often though they fall short. I think a lot of it could be solved by tweaking around the attack/decay settings because sometimes it sounds like you just went with the defaults. The last song is definitely the most developed and I can tell that some of these are probably older than others. Also the stuff other than the drums is occasionally too simplistic.
Brody Edwards
what in the fuck is going on here
Easton Green
This shit is fucking amazing. It's like a less ambient eraserhead soundtrack.
Jonathan Gutierrez
>depressive / melancholic
>each release its different
>now you can get all my music for just 0.50usd
>one man band
reccing
this is kinda nice desu
dad
this is 7/10 you have something going on, keep it up dude
will check and maybe buy some stuff later
Zachary Lee
earthwalkerrecordings.bandcamp.com
>Noise
>Drone
>Ambient
>Experimental