Sounds like Korn without a turntable or slap bass

Sounds like Korn without a turntable or slap bass

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I wish Korn messed with dual guitar lines, subtle dynamics, more than two approaches to vocals, and varying time signatures like this album does.

umm
they did all that in the first 4 albums

their debut does all of that though

>umm
tumblr

most korn songs do that lmao

urrr durr i can tell wat website ur from cuz teh rhetoric xD

>subtle dynamics, more than two approaches to vocals, and varying time signatures like this album does.

Most prog metal does this yet you fucks will shit on it for some reason yet praise Spiderland for doing it.

auto erotic asphyxiation-slipknot

How do I into shouty vocals?

I think the answer is I don't and I just leave the genre and never come back.
Seriously though, I cannot enjoy screamo or shouty shouty which means I struggle to enjoy lots and lots of popular music and I just dun geddit

have you ever even listened to them? Their first album is literally post-punk

youtube.com/watch?v=sWKR7uLa77A
the instrumental sounds like something off tweez. vocals sound like they were influenced by dadaist sound poetry and avantprog groups like ruins.

>dual guitar lines
Nope. It's usually just one guitar line that consists of simple chords.
>Subtle dynamics
I wish, it's more of that Pixies inspired junk where it's just two dynamics. Not to mention this doesn't count for drums at all where Slint does this the most. Most rock doesn't do this for drums actually it's a more jazzy thing.
>more than two approaches to vocals
The reason I mentioned two was because that's what Korn does. Jonathan has this cutesy high pitched thing then the other one which sounds like a more distorted Pearl Jam/generic post-grunge scream thing.
>varying time sigs
>in a Korn song
Lmao

Start posting some evidence of tracks my boys cuz you guys are embarrassments.
Not at all. Prog's dynamics are nowhere near as subtle as Spiderland's mostly. Most prog does that high pitched vocals thing and not much else. Prog definitely brings the time sigs but that's really it. Not only that, prog's one of the handful of genres that often gets its own thread where a ton of people love it, so don't give me this "y'all shit on prog" thing. If you're gonna use the "spiderland is Sup Forumscore" argument, well, we have ITCOTCK as mucore and we used to have OK Computer as mucore as well which are both either prog rock or damn close to it.

Not at all. It's got no dynamic play going on, and it doesn't have two guitar interplay, just one guitar doing the riff and the other doing the lead. Like, I understand that it does have a mathy sound to it, and you can compare this to like Botch or something, but not Slint.

I used to feel the same way user, i think Slint is a great introducer to shouty vocals, they dont overdo in the scream department, and the shouts are really well placed dinamically with the build ups and such.
If you want to get into this kind of stuff i suggest you look for bands that use screams specially for song climaxes, at least thats how i got into to it.

>tfw koRn is a bit good

Which Korn song has turntables?

wtf i love korn now

so is comparing good bands to numetal a meme then? seen the same shit said about Refused

Reminder that Scaruffi rates Korn higher than Radiohead
And he's right

>>varying time sigs
>>in a Korn song
>Lmao

so when the song slows down during the verse, that's not a change of the time signature?

youtube.com/watch?v=5_hIojjA3A4

Time signature =/= tempo

Refused was undoubtedly partly responsible for influencing nu-metal. Linkin Park probably would not have existed without The Shape of Punk to Come.

Linkin Park was basically Deftones for normies

Take this (You), OP. You made me laugh.