>director uses a fast zoom shot for something minor
Cinematic tricks that give you a boner
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that is every single Tarantino movie
>director uses sound design to put the main character in tension
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my bad >needle-in-the-haystick shot
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>when bob zemekis gets creative
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>dolly zoom
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>tracking shots
I don't care if they're a meme at this point, I get a boner every time.
>Character breaks the 4th wall on the climax
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damn, that was great
nice
>uninterrupted long-takes
Every time, it's impressive
It slightly bugs me when they fake it and splice two cuts together, but even then I still love it
that video is spoopy
90 degree camera turns, wes anderson does it a lot. Love it
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around the :50 mark
>star wipe
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That was the most Wes Anderson shot I've ever seen
long tracking shots
>violent scene with a happy song
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I like this too, I wonder if Dr strangelove was the first to do it
Fucking one of my favourite tropes
probably first hollywood guy
There was probably some German expressionist that did it once in a 30s art-film that no-one's ever heard of
>editing style reflects the drugs/emotional state of the character
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how not to do it:
Quantum of solace
>Spielbergian zoom
>Music swells
I love it in Indiana Jones, where he cuts to a Swastika and we get glorious Williams fare.
>when brian depalma splits the screen
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Abrupt big ass title text
spoilers for anyone who hasn't seen drag me to hell
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Its really effective in the theater, when the screen is huge
when someone has been unconscious/sick/knocked out or whatever, and the picture is out of focus with muffled voices, then slowly goes back to normal. not much of a trick but i like it a lot.
>seduction scene
>in 20 seconds
>rhythm from editing and camera placement only
>without any dialogue
so.fucking.good.
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Greetings Sup Forums. I just got acess to the scripts for the remaining episodes of the Walking Dead season 7, and partail season 8. I work with AMC, so, i'll probably lose my job after this. Ask questions, and i'll answer.
post the entire script now yo prove you are indeed what you say you are, or stay a liar.
I don't get it
The blonde starts thinking about knives. Eventually the only word she hears is knife and it just makes her focus on knives even more.
>Hitchcock's 'Blackmail' (1929) in this example of expressionist sound design, manipulates dialogue through the subjective viewpoint of a disturbed character.
the "disturbed character" has killed someone with a knife and is obliviously very nervous.
>different color clothing
was this a choice? quite glaring.
When the name of the movie is said in the movie. Really love that cinema trick!
>roll credits!
xD so funny
Fuck. I never noticed it!
Too busy thinking on how it was shot, prob
maybe it was a done on purpose to show how people would probably not notice it since it's a neat trick.
Absolute master.
that was very cool.
why couldn't people act in the 70s? that shit is ridiculous
>the 70s
u wot
What are those shots called where they put a camera on the end of something like a gun and it faces towards the characters face and focus and rotates on their head as they move it around?
Such meme shit but I love it every time
I don't care about the rest of the film but when this scene came up and Hans Zimmer starts blasting I swear to god I've never been so erect!
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From around 0:25
Cabin in the Woods got me, too
same, but i actually like the rest of the film, with all its hokeyness.
Can't find a scene on Youtube, but:
>When a character turns off the light in a room and it's supposed to be dark, but instead they flip on a dim blue light to simulate the moon or whatever coming through the window. Some old TV shows did this. Bonus points for a 1 second delay between the character turning off the light and the blue light coming on.
I like it enough, it's something I can get cozy and relax watching every now and then, just don't really rate it high.
Anything that has to do with mirrors.
>Illusion of several people on a room
>Various angles of an actor's face through mirrors on a single shot.
>Movement seen through a mirror.
>Character intendedly looks at the camera through reflection.
>Practical effects on the set with them.
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>There is a shot in Foreign Correspondent, that nobody has ever askied me how i was shot. When the plane falls to the sea, the camera is in the cockpit. Then, without any cut, water comes in through the window and both men get drown.
>I made them build a rice paper screen, with footage shot from a stunt plane diving on the ocean, rear projected on rice paper in front of a cockpit set. Also behind the rice paper were two chutes aimed at the cockpit's windshield connected to large tanks of water. With the press of a button at the right moment, water came crashing through the rice paper, into the plane simulating the plane crashing into the sea from the cockpit view.
>eeeeeeeeeEEEEEEEEEEEEEEEEEEEEEEEEEE
This, every fighter scene which starts like this
Christof is a genius