Is there a bigger laughingstock in the industry?

Is there a bigger laughingstock in the industry?

Shinbo

OP

Yamada

OP is one of the most respected members of the cock sucking industry though.

>Gets an ego after choreographing the Hare Hare Yukai
>Kyoani give him his directorial debut with Lucky Star
>He did such an awful job that he got fired from Kyoani
>Goes on an insane tangent to "SAVE ANIME!"
>Panders to those who believed that anime was dying and not taking enough creative risks, manages to get himself quoted along with industry veterans like Satoshi Kon
>The entire fucking Fractale debacle happens
>Even the woman doing the manga adaptation went on about how shit the series is
>And in the end his only real hit was a shitty Idol anime

Sasuga Yamakan

...

You forgot the best part.

>that shitty idol anime got a S2
>and he isn't even in the staff for it anymore

Someone post the "Yamakan thinks anime is too close to the fans, in a feedback loop" vs. "Shinbo thinks being salable is all that matters for anime"

miyazaki

Didn't he sakuhara hara yukai someone at Kyoani too?

What is he doing?

>Gets an ego for choreographing Hare Hare Yukai
>Forced out of Kyoani; develops intense resentment toward it and most modern anime
>Spends the rest of his career making increasingly worse "boutique" productions

Is he the Don Bluth of anime?

Wu Tang duh

>>Kyoani give him his directorial debut with Lucky Star
He wasn't even finished his job on it. Takemoto replaced him since episode 5 which is the first good episode of Lucky Star

>not appreciating thoughtful and engaging discussions on chocolate coronet consumption

The dude has had a complex about Lucky Star for years after he got fired, he gave all the girls cameos in Kannagi and he directed that Lucky Star spinoff that nobody liked.

Yamakan was truly ahead of his time

Yamakan actually never said he was going to "save anime."

The only hit he has was fucking Kannagi.

That's bullshit. The coronet conversation is one of my favorite scenes in all of anime.

...

Don Bluth made some quality work, he is just one of these folks who want to believe the world does not change when they get out of phase and must adapt or disappear unless their name is big enough to sell alone.
In that way he is closer to Miyazaki.