ITT People who did nothing wrong

ITT People who did nothing wrong.

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Technically, he did nothing wrong

He lost.

Ouma Shu

>tfw literal God confirms that you are objectively right

Can't wait for this shitshow to get animated.

>people

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Too bad he's the ultimate jobber.

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Thats because he got unlucky and MC figured his weakness

That means he was wrong. If you lose that means your wrong.

Why would you need to post this?

He did everything right.

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Why do I have the urge to punch this fat rat in the face?

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>squealer
>people

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He was a cunt, regardless if what he was doing was right (debatable), he was a complete dick about it, and not very efficient in how he tried to accomplish his goals

More human than the Cantus fucks. The rats advanced their society while the "humans" kept regressing.

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I can't believe I fell for the Shinsekai Yaoi meme, and had never watched it for all these years. Until last month. Fuck.

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If you thought Squealer was a morally bad person, you hate liberty, equality, and justice. And probably humanity itself.

There was no moral ambiguity in SSY, unless you believe in the virtue of a morally bankrupt totalitarian state or something. I guess it makes sense being Japanese, they have a history of submitting to tyrannies.

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I almost dropped it because the kids kept coming back even though they knew they would be brainwashed again and it was mostly a chore until Squealer did his thing

Yeah, I watched it recently too, it was really awful, minus one exciting episode at the start of the last timeskip. I'm actually surprised it's gained such a following.

>Automatically assumed to be guilty of ridiculous crimes with no evidence whatsoever
>hunted down like some sort of animals.
>strip of all their rights including due process and right to fair trial by a jury of their peers

Let's all admit that humans were the real monsters their

BRA did nothing wrong

>character himself realizes he's wrong and contemplatively awaits his own death
>edgelords on Sup Forums insist he's right anyway

>kill innocent people just to prevent the world from knowing the truth about your governments dark past
Literally jew-tier.

>the kids kept coming back
I mean, two of them didn't come back and shit went down.

It was a novel and had the pace of one for the world and "emotions" development.

It was the worst written show I've seen in years.

If she did nothing wrong why is she dead?

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Probably the only one who actually deserves to be here. It's humanity's fault he got corrupted.

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Still a better father than most anime dads.

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literally

All jokes aside, was this guy ever in the wrong? He was portrayed as an antagonist but it seemed like he was always righteous while the Kogan school was unjust.

Can we stop pretending this guy did something wrong, and finally acknowledge that he's actually a victim?
>strong, reliable soldier
>wants some pleasure to distract him from war
>legally makes a deal with guts' father
>claims his rights
>treats guts with love and tenderly affection
>murdered in cold blood by the psychotic freak
>the same kid who later killed his own father

>squealer
>liberty, equality and justice
He was an Asian commie incarnate

Is there a single user who wouldn't have been taken out by the board of education?

He was too greedy and ambitious for his own good. He could have not played around with that mistress.
The thing is that he was right and the most skilled, but too arrogant.

Reminder that the entire point of this manga/show is that it was traditional Japan that was wrong.

I'm only on episode fifteen, but so far this guy hasn't done anything wrong.

His personality makes him evil? What kind of shit logic is that?

He rescued the 'mistress' from her tormentors

I've always felt that he was a Gary Stu.

>*teleports behind board of education*
>Can't fool me with your phony gods anymore

The story’s theme from the outset is the effect of a cruel world on the people within it. When the manga starts you could be forgiven for thinking the source of all evil is Kogan and that his disciples, once set on his path, are trapped in a destructive cycle. But already, we have been introduced to Lord Tadanaga at Sunpu Castle, the insane and selfish lord who sets in motion the final duel. He, like Kogan, is cruel, abusive and depraved. And, as the story continues, we see many peripheral characters who are simply sadistic or evil for the sake of it. If not, they are soon corrupted by those around them.
Thus the scene is set. The world is a cruel and corrupt place and the heroes (a rather oblique use of the term, I admit) are set on escaping from it in one way or another.
Irako and Fujiki come from the same background. Both are poor and of a lowly social class. Both are horribly bullied by the samurai classes and both derive their motivation from this abuse.
The difference is that, while Irako fights against the system, murdering his way up through the ranks to prove that there is no truth in the hierarchy, Fujiki buys into the samurai ideology. He endeavours to rise up in the world through duty and loyalty to the clan that adopted him. Meanwhile, the world continues to corrupt both men. Their decisions lead them both to commit terrible atrocities and become little more than instruments for death, Irako for himself and Fujiki for those around him.

Mie is no different from Irako and Fujiki inasmuch as she, like them and, indeed, like Iku, needs to escape the horrors of the world around her. Being a woman, she has no recourse to position and social power, so she turns to the two men whom she has the potential to wed. Initially, she hangs her star on Irako, the man who is “not a puppet,” the one who, at that time, has the potential to save her from the life she is living.
But, and this is an important "but”, about halfway through the story and, at the point where the three “monsters” are born, Mie makes a terrifying realisation: Irako is just as bad as Fujiki. His ambition to overturn the system has corrupted him just as much as the system itself has corrupted Fujiki. Both are products of this terrible world and neither will offer her redemption.
“Mie” comes from the verb “to see” or be “visible”. She is, in the end, the only one of the three monsters who is whole, and perhaps the only one who sees the truth. Irako, who is successful in his ambitions, is unable to see that those same ambitions have turned him into the one thing he was fighting against. In contrast, Fujiki may be able to see the corruption but, crippled by duty, he cannot act.
Hence Irako, the samurai who cannot see, is blinded. And Fujiki, the samurai who cannot act, loses his arm.
Mie remains true to her desire to love whichever man is not a puppet, whichever can rise above the corruption. While this is Irako at the beginning, very slowly, the balance shifts to Fujiki.
By the time he murders Kogan, Irako has become a monster. His behaviour worsens as the story continues. He finds it easier and easier to kill. He takes many lovers, despite Iku’s devotion to him, and ends up murdering several, seemingly for pleasure. Even with Iku, he acts depraved, demonstrated most vividly by the point at which he makes love to her on a desecrated statue in a Buddhist shrine.

>get killed 15 years ago by a cat monster.

In the final chapters, Fujiki undergoes an extraordinary change. He, like Irako, has been completely corrupted by the world around him. This comes to a head both spiritually and physically when he challenges and mutilates a young student on Sasahara’s estate. Sasahara cries “he’s just a child!” and something seems to click in Fujiki’s head. The narrator describes his heart as “festering”. And at the depths of his moral and spiritual corruption, his body gives in and he falls into a coma. This time can be considered a kind of symbolic death and resurrection for the character. Afterwards, he is entirely transformed and reborn for the first time as a man who is able to think for himself.
Having barely spoken throughout the manga, he suddenly pledges his love to Mie. He chooses to marry her - importantly, as it is unclear if he, like her, had had much choice in the matter before. His will to kill Irako, which previously was born of vengeance, now comes from a desire to end his old life and start a new one with Mie, an idea given form in their decision to consummate the marriage on the day Irako dies.
More importantly, by the final match, Irako and Fujiki have, in their own ways, made peace. They are the same, two sides of one coin.
When Iku explains Fujiki’s past to Irako, he at last recognises they share the same motivations. In turn, he delivers the monkey’s head medicine that effects Fujiki’s “resurrection”.
Then, even as he is about to kill him, Fujiki comes to an understanding of Irako’s nature: remembering how Irako was sick after being ordered to kill by Kogan - “Irako was sick at the idea of having to kill for others” - Fujiki is said to feel a sudden respect for him.

In the end, they are not enemies. Irako must die because the corruption has defeated him. His life of depravity and murder has caused him to become death itself, and he is depicted as a fleshless corpse. His redemption is through death.
Fujiki has already undergone death and resurrection and, no longer a puppet and uncorrupted, is able to deliver a final merciful blow to his rival without vengeance on his mind.
At the instant of Irako’s death, both men have achieved what they strove for: escape from the cruelty of the world. It is an idea given further impact by Iku’s decision to follow Irako into the next world; the text describes her as having achieved Buddhist enlightenment, in keeping with the whole theme of the manga. With Irako’s death, Iku’s final earthly tie has been cut and she is free.
Then the awful truth comes home to the survivors, stated at the beginning of the battle, “everything is a sham; death is the only sincerity.” As the lord starts to shout at Fujiki, forcing him to decapitate Irako’s corpse and promising him a future in the service of Tadanaga, the truth is revealed: the corrupt world demands Fujiki return to being a puppet.
Mie understands that. The instant he stoops to take Irako’s head, the man she loves is gone. The puppet has returned. For the first time too, Fujiki understands this consciously, which is why he is at once drained of life and strength. In those last few frames, Fujiki is just as dead as Mie.
It could not have ended any other way. If Irako had killed Fujiki, corruption would have won. If Fujiki had killed Irako out of vengeance, corruption would have still won. If Mie had gone on living and allowed herself and her husband to serve Tadanaga, corruption would have won.
The beauty of the story is that, for a moment, all three monsters transcended the world that made them monsters.

fag

Pitou and Meruem

His was an emotional and spiritual evolution from ignorance to understanding and enlightenment. Physically he was completely overpowered but that was kind of the point.

He is a rat, a literal rat and liking him makes you a rat which is fitting. Loser.

I never said he was evil, just that he could have waited a fucking year to be the next head of the dojo.
But noooo, he had to fuck around. He was wrong to give a shit about the mistress.

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OP said people who did nothing wrong, not people who actively tried to destroy someones drive so that they wouldn't amount to their potential.

>qt killing anarchist fag
>did nothing wrong
No.

Nice writeup, that really explains it well. Thanks dude.

sometimes bad things happen to good people

Stupid incest fag

She was retarded, caused Kirino to develop an unhealthy obssession with her brother. She did everything wrong.

glad she died.

he did Everything wrong.

>They decided to kill the entire nation just to become respectful Marleys
>They actually killed millions
>T-they did nothing wrong.
Sure.

This ideology again

This doujin got an animation?
Wasn't it a dude fucking a squid?

Makishima Shogo.

STOP THIS FUCKING MEME.

Meanwhile Kirino is riding that onii-chan cock while megane cries.

A true hero

Fuck him

Porn needs to be purged anyway.

I have a feeling it's more the qt killing part you have an issue with. I agree with you though, but because I don't agree with Makishima's attitude towards Sibyl. Yeah, Sibyl is fucked up on so many levels but after seeing the outside world in the movie where most countries are completely fucked up I'd take Sibyl over that sort of anarchy. At least with Sibyl the majority of people get to live in peace while only a few criminals suffer. On the other hand, without Sibyl the majority of people will die while a few criminals survive and thrive. Makishima was completely wrong in that regard. But then again, guy was a psychopath.

Squealer wasn't some benevolent hero seeking to save his race from the oppressive cantus humans. That might be the official line he uses but his actions show otherwise. He wanted to replace the cantus humans with himself at the top. His revolution could have succeeded if he played the long game and decided to slowly build up the rebellion, advance their own tech in secret and kidnap more children to breed more akki. Of course, he would die of old age long before he could see the revolution succeed but it would inevitably succeed in the future, maybe generations later. But his greed and lust for power made him rush that shit, and he paid the price for it.

Power wise maybe. He had the most character development out of anyone in that arc and probably the whole manga. He went from a literal child who didn't know shit about the world to understanding other races like humanity and accepting them and even coming to love one of them and ultimately died in peace, not in battle. The guy basically overcame his own nature as an ant and became a good person at heart.

>PEOPLE who did nothing wrong.

Nigga ain't human.

Falling in love makes you crazy. His husbando didn't accept his marriage proposal, so he just wanted to try again. Nothing wrong with that.

He just wanted to be a hero

He was also intoxicated. Literally none of it was his fault.

I loved the comfy pacing

>equality
More like vengence. Most people side with squealer because they see the cantus users as evil because they made the molerats. But when they started killing off the potentially evil children their society no longer remained psychopathic.
The goodie two shoes descendants imo do not deserve to be punished for the crimes of their psychopathic ancestors.

>war, war never changes
What the anime was actually about

>literally just broke the wall probably by accident considering their kids and don't know what their doing
>due to the xenophobic humans , BRA let human bigotry convince them they are to blame just for being different
>literally just trying to survive and live peacefully among ungrateful humans
>they are good boys and girls who just join the military police to get their life back together

They didn't do nothing
They good kids

He was made to be the "perfect" ce-ahem ant.

Gary Stu is bit of a disservice. He's made to be God incarnate. His power dominates everyone and he shows this well. Instead of pure curbstomp and end to story, he changed his character, his outlook and the character turned from a literal God to a humble king that learned humility.

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Came here to post this.

>God was so pure when he arrived, like freshly-fallen snow, free of emotions and sin, here to provide gifts to humanity beyond their wildest imaginations.
>Then Shindo came along and tempted him. In learning emotions, he learned love. He wanted to keep the one he fell in love with close to him, even going so far as offer him a place among the gods, but having become humanized in little more than a month, he had the emotional maturity of a child. Shindo didn't respond immediately to the offer, dumbstruck as he was, so God assumed he'd made a mistake. To fix his mistake, he wanted to erase the last few hours of Shindo's memories so he could try again, because he loved him so much he couldn't imagine not having him by his side.
And people call him evil for becoming a real boy and falling in love.