I'm a relatively successful filmmaker who is not interested in promoting the downfall of western civilization and / or identity / victim politics. My last 6 pitches have been rejected - I think because they are too redpilled / reactionary. I have been told that my career is fucked because I'm white and I have also been told the same thing because I'm male - I will not accept this because everything I've done I've earned through almost two decades of dedication and hard work. I have been hired to write film for female directors who completely fucked it up and I'm sick of this bullshit. The tide is sure to turn soon and this cancer will implode but until then I still need to work. Give me some ideas for a premise that appears on the surface to be more leftist propaganda but may actually redpill some brainlets. I believe that the idea of the 'curse' should be bought back because its initial social purpose was to discourage people from pretending to be victims and for others to avoid people who considered themselves victims at the risk of death. If you're a victim then you are cursed and should be avoided - not helped and promoted and deified. That may help spark some ideas.
Narrative in a nightmare
Other urls found in this thread:
change.org
theblairpartnership.com
twitter.com
Make a movie about landsknechts.
>european culture without jews being able to scream nazi
>not done before or in a long time
>lots of unkown little wars in that period makes a great backdrop
>get some huge buff krauts able to swing a landsknecht.
Seems good - mercs
>I'm a film maker
films are done, the quicker you realize it and get out of it the quicker you can move onto more noble pursuits
>films are done
I make a lot of narrative work. Its still rather lucrative regardless of platform.
Bro, just say that you're maori. I'll even vouch for you and say you're part of my iwi
>interiorized
make a documentary on the marxist infiltration of universitys across the west
Also, if you want to do something about a curse or whatever then maybe make something about the japs that survived the bombs on hiroshima and nagasaki. They were treated as out casts and unclean but maybe make it into a horror or some shit where they are actually cursed by it
I pitched a story about that black kid who worked his way out of the ghetto and his community pitched in for him to go to college but while at college he was taken under the wing of a liberal professor and taught to 'fight for his rights' and ended up in prison with the rest of his neighbourhood. - I can't even remember his name now. Problematic because I'm white.
I liike the story 'the boy who cried wolf'. I like the idea that when something really bad actually happens to these fuck ups - no one will come to their aid because nobody believe them or because they've castrated everyone who could help them.
what about something using the "me too" movement where women get together and use sexual assault allegations to get all the men above them in a company fired until said company is completely run by women, but that results in it being run incompetently and getting crushed by a rival company.
You could also just tell the story of rhodesia/ zimbabwe for people getting what they wanted and having it back fire on them
I pitched three separate films about / around this. One from the perspective of a women who was gaslighted into thinking she was raped, one that was about guy who was falsely accused of rape on social media by the boyfriend of the girl who he supposedly raped - it ruin both his and her life, and one the was about a guy who was responsible for enforcing social justice rules who gets accused himself. Nobody will touch this shit... maybe I could crowd fund? I don't know... I used to be able to get decent budgets without dancing around bullshit - just a lot of convincing and hard work.
It would be interesting to do a doco on crisis actors? Like Bana Alabed
>hey bro i have this idea for a film thatll go against everything youre pushing and points out how retarded your subjects and how evil you truly are
What did you expect?
This is why I'm asking for a way in. There have already been some great suggestions.
My apologies, I forgot the Germans don't do subtlety.
Here you go, you can just acknowledge Walter in the credits.
I see you're a kiwi, so the post slavery thing might be hard for you so maybe you can adapt it to an abo or something. Basically, after some traumatic dislocating event, the black, comes into an inherited sheep farm and actually eventually teaches himself(hey this is the movies) through many ugly failures involving culling the genetics necessary to ensure that his her remains healthy. It can be a dusty old notebook or something left by the farm's previous owner with tables and stuff. The old farmers old diary also talks concernedly about all the difficulties of feeding his family etc. After a half a lifetime and actually starting to survive and having a family on this farm, a white family moves into the farm nearby. They are actually descendants of the old white farmer that left the diary. There are a few initial nicety meetings helping with this or that, but then some of the boys of each farmer get into a spat over hanging out at a cool stream spot not on either's property. This situation is brought to a serious head when one of the black farmer's boys takes an interest in the other's daughter. The young boys fight about it and are racist towards each other. Finally, with the old dusty diary sitting on the table in the background the black farmer dad explains to his son that he needs to keep with his people and he travels with him to some neighboring town where he can find a girl. The white farmer father is appreciative and gives a prize ewe to the other farmer for recognition and appreciation and they have a short talk about the genetics of maintaining the their herds in such a remote harsh location.
yeah I think trying to make it subtle enough to sneak past the money men while revealing the true meaning upon repeat viewings is the way to go
Ancient Rome provides lots of redpilled material. Also there is surprisingly little material that has tried to do authentic European knights in the heyday of feudalism. Why don't knights have their own genre like cowboys in the U.S. or samurai in Japan? Very underused.
>blablablabla
>I believe that the idea of the 'curse' should be bought back because its initial social purpose was to discourage people from pretending to be victims and for others to avoid people who considered themselves victims at the risk of death. If you're a victim then you are cursed and should be avoided - not helped and promoted and deified. That may help spark some ideas.
this
>I make a lot of narrative work. Its still rather lucrative regardless of platform
>My last 6 pitches have been rejected
Apparently it isn't or are you carrying a pair of tits you would like to unleash for emotional support ?
TV is quickly dying, everything that makes money is produced by a small group of hollywood jews that you aren't a part of, if you're producing straight to dvd filmfestival crap you obviously aren't making money.
Why don't you get with the times and independently produce things you want to produce and push them on the internet?
>Problematic because I'm white.
By the way man, I wasn't joking about the whole pretending to be maori thing. I will actually say you're part of one of my tribes. They you just get a bit of a tan and maybe change your name to hemi or a maori version of whatever your name is now and you'll be set, they fucking throw money at hories who have half decent ideas
i.e. what I do
Make him get the face tattoos.
because of the nature of the pitches. the user above is right - they don't want to fund anything that doesn't tow the bullshit. i could pitch something and get the financing without too much struggle but i want to do something that doesn't tow their line... the only way is for them not to notice.
how about something exploring how female teachers are discriminating against male students. You could wrap it in the language of how men are failing which those cunts will loves, but then drop truth bombs about how feminist teachers are cunts who try to ruin mens lives and back it up with stats from unicef and shit
Do you do tv or film
Are you willing to work animated features
agreed - Rome is a great reference - i spend a lot of time there. i feel like game of thrones raped ancient Rome for a lot of its political content. European knights is a good idea - the round table and all that. its almost like going back to LOTR... which my country is already branded for alongside Spartacus (until they ran out of models who were willing to get nude) / xena / Hercules /power rangers etc etc.
yeah I could sort that out for him, I'll even do the design myself
I might be a little more well known than you think. I can't pretend to anyone that I have Maori heritage.
>because of the nature of the pitches
If you are honestly that weak or virginal to not engage your brain then you deserve what you get. Women cannot accomplish anything on their own. Stop acting like a bunch of beta faggots and challenge them to this fact, they will surrender every fucking time. They get their funds from us. The moment a group of 4 or more women are put into a single room chaos erupts, they are like fucking toddlers emotionally and should be treated as such.
sure you can, unless they have a detailed history of your family they can't proves shit. On most forms you just have to name what iwi you're part of then have someone in that iwi act as a reference (me). It's fucking easy, just say that you've only recently gotten in touch with your tikanga or some such bull shit they'll eat it up
yes, I am engaging my brain. Thank you for the advice.
no that's not what you do. You said you pitch ideas to people and get knocked down, independent film makers don't worry about 'pitching' ideas
So why are you lacking when it comes to emotionally pitching your projects to a bunch of toddlers. Tell them what they want to hear, make your shit and when the results blow their PC bullshit out of the water they are left with two choices. Admit you are right and keep making money or admit the agenda takes center stage and profit was never the motive. To defeat the joo you must out maneuver the joo. You need to play this game their way and beat them at it.
Something about a historic socialist/communist uprising. Main figures would be male, goal would be to show discipline, bravery, masculinity, and sacrifice as heroic and noble.