>G Em C D
G Em C D
Parker Powell
Grayson Carter
WHAT A BEAUTIFUL PLACE
Kayden Bell
G D Em C
Grayson Cook
Many songs have used that chord progression. Which are you referring to?
Samuel Reed
A AMaj7 D Dm
Evan Sanders
G A C
Asher Bell
Em and chug
William Richardson
>Am D7 Fm C
Lucas Williams
Engine
Daniel Ward
I - IV- V- I
Jacob Fisher
For I am an engine and I'm rolling on
Thomas Peterson
C G
Aiden Reed
Palm muted E string with a few power chords chucked in
Isaac Hernandez
Em A Em A
Gavin Gomez
But real fast and all down strokes
Jayden Sullivan
Dm G C Am
Joshua Baker
>I-V-vi-IV
I have no respect for anyone that does this, and I cannot comprehend how anyone that takes themselves seriously as a musician could use it unironically.
Jonathan Gomez
no power chords, only pulling off on the G B
Nathan Cox
D9
Julian Bennett
A
Andrew Brown
>D dorian
>Eb dorian
>D dorian
Ryder Diaz
It sounds good. People like it for a reason even if it's cliche and boring musically.
Get over yourself lol.
Zachary Nguyen
KAAAAAAAMAAAA
POH LEEESE
Josiah Johnson
>It sounds good.
for shame.png
Jose Cruz
DON'T LET THE DAYYYS GOOOO BYYYYYY
GLYCERINE
Thomas Bennett
Lost
Nolan Harris
>i bVII IV i
Chase Gray
Em C F#m F
Jaxson Robinson
This stuff doesn't make any sense.
Why "dorian" it's just C and key switches to Db and back
Cameron Nelson
Welcome to modal jazz
Oliver Mitchell
Modes are for losers
William Nguyen
The tonal center is D, then Eb, then D.
While the notes of D dorian match those of C, it is the tonal center of the passage that is important.
Jaxon Gray
It could also be written like this:
>Dm11
>Ebm11
>Dm11
...but then, of course, soloing on the tune is more or less based on dorian scales anyway, so it's always dorian no matter how you slice the cake.