Elder God Tier
>Rock
>Folk
God Tier
>Jazz
>Classical
Great Tier
>Pop
>Soul
Good Tier
>Techno
>Indie
>Disco
Pleb Tier
>Punk
>Dubstep
>R&B
Absolute Fucking Shit Tier
>Rap
Discuss.
Elder God Tier
>Rock
>Folk
God Tier
>Jazz
>Classical
Great Tier
>Pop
>Soul
Good Tier
>Techno
>Indie
>Disco
Pleb Tier
>Punk
>Dubstep
>R&B
Absolute Fucking Shit Tier
>Rap
Discuss.
No one gives a fuck.
Why is rap listed? It's not even music.
I somewhat agree.
>Elder God Tier
>>Rock
ahahahahaahahaha
Go back to your Kanye thread, kiddo.
>Kanye
ahahahahahaaha
>rating genres
Metal ?
Elder God Tier
>Classical
God Tier
>Jazz
Great Tier
>Academic Electronic
Good Tier
>Rock
>Blues
>Folk
Absolute Fucking Shit Tier
>Electronic
>Rap
>Pop
A subgenre of rock
Absolute fucking dogshit for manchilds Tier
Elder God Tier
>Classical
God Tier
>Academic Electronic
Great Tier
>Jazz
>Traditional Folk
>Funk
Absolute Fucking Shit Tier
>Rock
>Electronic
>Rap
>Pop
>God Tier
Classical
>shit tier
everything else
someone had to say it
Elder God Tier:
Traditional Country
Vocal Jazz
God Tier:
Traditional Folk
World Folk
Rockabilly
Blues
Punk
Good Tier:
(First-Wave) Ska
Roots Reggae
Gangsta Rap
Indie
Classical
Garage Rock
Pleb Tier:
Soul
R&B
Funk
Metal
Top 40
Absolutely Shit:
Trap
The Holocaust:
Techno
radio "country"
Kek
True Elder Patrician God tier
>Harsh noise
Pleb tier
>Rock
>Folk
>Jazz
>Classical
>Pop
>Soul
>Techno
>Indie
>Disco
>Dubstep
>Punk
>Hip-Hop
>Rap
>R&B
>Blues
>Metal
>IDM
>Trap
>Country
>Drone
>Any other genre
...
Traditional Folk AND world Folk, huh
...
>Elder God-tier:
Classical
>God-tier:
Jazz
>Great-tier:
Traditional folk/"world music"
>Good-tier
Hip-hop/Rap
>Shit-tier
everything else, literally
kpop>all those
>>Good-tier
>Hip-hop/Rap
Bottom tier garbage: EDM, Classic Rock, Metal, Hip Hop, Swing Jazz, Movie Soundtrack core (Zimmer, Williams, etc), Minimalism
Low but has value: Bebop, Jazz Rock, a good amount of uninspired Free jazz, things like Krautrock, etc.
Value: Eclecticism (Zappa, Zorn, etc.), Romanticism in many of of its respectable forms (Wagner era Romanticism, for example -- not that stuff that usually wins Pulitzers now), Neoclassicism, free Atonality, Pantonality, Serialism (only because it's a century old and composers still lining up matrices and cashing their tenure checks are just as much as a problem as niggers making hip hop -- in its time, The 2nd Viennese School were absolutely incredibly groundbreaking)
Groundbreaking: Stochastic and modeled music (starting to get a bit old, Xenakis broke out half a century ago, which is a long time), Tape Music (old concept, but I firmly believe there are more barriers to break with this -- also, when I mean tape music I don't mean all of these hippie trash people who are repeating the concepts of In C and experiments from the 30s-50s and pretending they're groundbreaking), research into microtonal composition (unfortunately it's losing traction because so many untalented metal/rock/untalented composers latch onto it and give it a bad name; also it's starting to get a bit old), anything falling under the New Complexity umbrella
Elder Master Grand Patriciandom Tier:
>The Music I like
Stupid Dumb Stinky Poo Poo Tier:
>The Music YOU Like
replace with Jazz and you're set
xD
What if I like what you like.
Okay, Sup Forums trash aside: about a century ago there was a big split between "academic" music and "good sounding" music, mostly the Schoenberg v. Stravinsky rivalry, respectively. The gap has only grown larger, and because of this, the "easy" music has been adopting ideas from the "academic" music years, decades, or even centuries afterwards, if at all. It's a loop of regression that only rigorous taste-training, learning history, and having smarts can break one out of. The problem is that there is so much more for composers to learn before composing "groundbreaking" music than ever before -- not just counterpoint, performing, orchestration and harmony -- but also now Jazz theory (and advanced topics such as tonal gravity a la Lydian Chromatic Concept), alternative notation, timbral studies, pointilism, computer models, advanced mathematics, electronics and sound engineering, physical distortion and tape cutting, aleatoric and randomized music, non-standard tunings and physics, etc. AND THEN, from there, finding something new to do with the medium that has never been done before, and make something new from that knowledge. It's daunting, driving more people towards easy music like experimental rock or jazz or w/e than ever before.
Multiversal Omnipresent Ultra Mega Super Eldest God Tier:
Traditional
Medieval
Chants
Demigod tier:
20th Century Classic, Post-Bop onwards
Superhuman tier:
Romanticism, Baroque, Bop, Trad Jazz
Subhuman tier:
Rock, Pop
Unmusic tier:
Rap, Electronic
NO ME GOOD TASTE U NOT >:(
you are hurting my feelings ;_;
shit tier:
music
get f*cked buddy
this
literature and painting are for true patricians
>paintings
lmaoooooooooooo
no way, paintings's content are almost always just childish visual puns
only literature is the true art