11/10 music moments

11/10 music moments
>I WILL SEEEEEE YOUUUU IN THE NEEEXT LIFEEEE

the first second of the first song

The drums in She Said She Said

>and in the, chooooooooir
>well I saw our sad messiah
>he was bored and tired of my laments
>said "I'd die for you one time, but never again"
>"never again"
>"never again"
>"never again"

>well I love you so much, but do me a favor don't reply
>cos I can dish it out, but I can't take it

And the rest of the song.

>I could've sworn
>I wasn't alone
>...
>...
>BWAAAAAGHJHKGHKGHASD

>"it's time to get the seeds into the cold ground, takes a while to grow aaaaanyyyythiiiiing"
>"WHERE YOU'VE BEEEEEEEEN"
>"taaaake me out toniiiiight"
>"THE SIGNAL INTERRUUUUUPTS"
>"what did you learn tonight"
>"SO PRAAAAAAAY"
>all of Welcome To Bangkok
>"the storm is COMING IIIIIIIN"

>I wanted to believe in all the words that I was speaking
>As we moved together in the daaaaaaaaaaark

>IN THE COURT OF THE CRIMSON KIIIIIIIIIIIIIING AAAAAAAAAAAAAAAH

>It's not meant to be a strife
>It's not meeaaant to be a struggle uphill
>*wintry choir* OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOH
>UNDO! UNDO!
>OOOOOOOOOOOOOOOOOOOOOOHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

&

>With her on knee
>ANAMINEAAAAAAAAAAAAAAA ALLLLLT SLANALMANEEEEA AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
>AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH
>oooooooooooooh

YOU CAN TRYYY THE BEST YOU CANNN
YOU CAN TRYYY THE BEST YOU CANNN
THE BEST YOU CAN IS GOODDDDD ENNNNNOUGGGGHHHHH

AAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHAHHHHHHHHHHHHHAHHHHHHHHHHHHHHHAHHHHHHHH

>What's that twitching, is it still aliIIIIIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

>even more, they were boys
>in their cars, summer jobs
>OH MY GOOOOOOOOOOOOOOOOOOOOD

>FIIIIIIIIIIIIIIIIIIIREWOOOOOOOOOOOOORKS
>AND HUUUUUUUUUUUUUUUUUUUUUUUUURRICAAAAAAAAAAAAAAAAAAAAAAAAAAAAANES
agreed, but also
>all of Eleanor Rigby

>BA BAAAAAA
>THIS IS THE SOUND OF SETTLING

IN THIS LIIIIIIIIIIIFE

>And I know they buried her body with others,
>Her sister and mother and five-hundred families.
>And will she remember me fifty years later?
>I wished I could save her in some sort of time machine.
>Know all your enemies.

>We know who our enemies are.

>Know all your enemies.

>We know who our enemies AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

One of my favorite AnCo tracks of all time

>when drums kick in dream house
>the last I WANT TO DREAM and the wall of guitars following and exploding
>IT'S 5 AM AND MY LIFE FLOURISHES AT EACH PASSING MOMENT ALWAYS AND FOREVER
>when bass really strikes hard in vertigo's intro
>the middle section of pecan tree slowly exploding into I AM MY FATHER'S SOOOOOOOOOOOOOOOOOOOON

I know, and it's completely underrated here.

>I'm not heeEEEEEEEEEEERRE

RRRRRRRROW dundundundundundunDAdun
Down On the Street dude.

this album is a great example of how not to do vocals, i see it praised and i cant even understand him, what gives

>the end of Seance In The Sixth Fret

>There's a bull and a matador dueling in the sky

>The synths on Skyline To

>When Frank's regular voice comes in on Nikes

>AHHHHHOOOOHHOOOOOHHHO
>I AM ONLY TURNING OUT TO YOUUUUU
>AHHHHHOOOOHHOOOOOHHHO
>I AM ONLY FELT AND SEEN BY YOU
>AHHHHHOOOOHHOOOOOHHHO
>A WORLD I'N IN TO TAKE WITHIN YOUR HANDS
>AHHHHHOOOOHHOOOOOHHHO
>A WORLD WE BOTH TAKE THROUGH NO CONTACT LENS

>WHOOO WOULD HAVE KNOWNNN
>WHOOOOOOOOOOOOAHHHHHHHHHHH
>WHO WOULD HAVE KNOWWNNNWWWNNNNNN

abso-fuckin-lutley

Bjork is so sexual without being dirty, its really something that isnt common

>the harp loop at the end of Unison
>actually, all of Unison

DOOOEEESSS ANYONE IN HEERREE GET HIT WITH INSIDE FEVEEERRRR

the synths on skyline to made me cry.

>ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS ARROWHEADS
>I DON'T LOOOOOOOOOOVE I DON't FEEL AAAAAANYTHING I DON'T FEEL AAANYTHING WHERE THIS LOVE SHOULD BEEEEEEEEEEEEE
>AN ARMY OF THE GOLEMS IS STAAAALKING NOW THE HEART'S LANDS up until WEEEEEEEEEEEEEE WISH WEEEEEEEEEEEEEE WERE DEAAAAAAAAAAAAAD
>DUM DUM DUUUUUM DUM
>BZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHOLYFUCKINGSHITBZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ

>I...DONT...WANT....TO...GO...INSANE
>I DONT WANT TO HAVE SCHIZOPHRENIAAAAAAAAAAA

I get you, but at the same time
>he slides inside
>he's still inside meeeeeeeeeeeeee

>all of it

yes!
the harp solo at the end of Undo gives me an eargasm as well

>when the bass comes in on Can't You See
>that 7/8 time signature of Heat Distraction
>In this place you call your hooooooooooooooome
>all of Penal Colony
>well Bells starts to swell
>that first AAAAAAAAAHHHHHHHHHH in China Steps
>but really just all of China Steps
>the fucking great chord progression of Untogether
>the beginning of Drag Open that makes you want to smash shit
>the last third of Locust Valley
>Torched by the burning sand
>Touched by a folded hand
>the fucking beautiful fade out at the end of Eyesore

Yeah just a perfect album

Yes, especially when Ringo switches the beat for the fade-out

Yeah, China Steps is just transcendental

>WE WERE SNEAKING IN-
TO THE AQUAAAAARIUM

11/10

name? is the artist Women?

Don't know how to google image search, newfriend?

The album is Public Strain and the band is Women. One of my favorite albums ever. Just full of incredible moments. No one here is exaggerating how great it is.

As silly as this may sound, the guitar bend in Hello Goodbye

BUT THATS LIFE

im running on really shitty internet so it takes a while, a post here is seconds

not new, just stuck

Word, sorry for being a dick

>DOLL
>STEAAAAAAAAK
>*hmhm*
>TEST
>MEEEEEEEEEAT

>JESUS CHRIST, JESUS CHRIST WHY IS LOOOVE SO LOONELYYYY?

>WHEN WE DAAAAAAAAAAAAAAAAAAAAAAAAAAAAAANCE
>DO YOU HAVE SOMETHING AGAINST DOOOOOOGS?

>MYYYYYYYYYYYYYY

>RATTLESNAKE RATTLESNAKE RATTLESNAKE RATTLESNAKE

but you're still a newfriend for not knowing that album ;)

Apology accepted

>AMERICA AMERICA NOW I'M COMIN AFRICA
>MY DEATH IS MONEY

>RUNNING OVER THE SAME OLD GROUND, WHAT HAVE WE FOOOOUND? THE SAME OLD FEARS. WISH YOU WERE HERE

>BLOOD GUSHIN, I THINK I HEAR SIRENS-*WOOOOOOOOOOOOOoooOOOOoOOOOOOOOOOOOOOOOOEEEEEEEEREREEEEEEEEE*

>my body is a
>BWAAAAAAAAA

>*organ playing*
>THUD
>WOOOOOOOOOOULDN'T

The beat switch on Real

...

>when the band comes in on Thunder Road

Saw Brian live a few days ago and nearly shat my pants in excitement when I heard the intro

IF I COULD JUST LEAVE MY BODY FOR THE NIGHT...

...

Yep

Is it just me or does post ok computer radiohead seem like the perfect music to jack off and climax too?

>Black beauty, I love you soooo
>So
>So
>So
>DAAAAAAAAAAAAAaaaAaAAaaa

>YOU'RE STILL LYIIIIIIIIIIIING

AND YOU CAAANNNTTTT BLAME YOUR MOTHER SHE'S TRYING NOT TO SEE YOU AS HER WORST MISTAAAAKEEEE

you kinda suck but I don't blame you.it's not conventional at all, but, for me at least, it worked so well

>SUMMER'S FREEZING HEEEEEREEEE
>PLEASE COME BACK NEXT YEEEAR

>PUSSY SMELLIN' LIKE COOL RANCH DORITOS

closing track goat

I've started to really dig "Corpus Christi Carol"

>AND NOW SHE KNOWS SHE'LL NEVER BE AFRAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAID!!!

>GO AWAAAAAAAAAAAAAAYYYYYYYYYYYYYY
>GO AWAAAAAAAAAAAAAYYYYYYYYYYYYY

>CAUSE TRAMPS LIKE US BABY WE WERE BORN TO RUN
>CAUSE TRAMPS LIKE US BABY WE WERE BORN TO RUN
>TRAMPS LIKE US
>BABY WE WERE BORN TO RUUUUUUUUUUUUUUUUUNNNNNNNNNNNNNNNN

RUN AWAY
RUN AWAY
RUN AWAY
RUN AWAY

The entirety of Sonata for Loudspeakers.

>i think you're craaaaaazyyy
>MAAAAAAAAAAAAAAAYYYYYYYYY
>BEEEEEEEEEEEEE

>last ~2 minutes of Terminus

>EVERY THOUSAND YEARS
through
>WHAT ARE YOU GONNA DO?

>I AM A KNIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIFFFEEEEEEEEEEEE

>THERE'S GOT TO BE MUCK MORE TO LIFE THAN THIS

>HYSTERICAL AND USELESS, HYSTERICAL AND LET DOWN

or

>the climax to climbing up the walls

>I take it all back

That song is just amazing in general.

the entirety of samaruai sword is fucking indescribable. One of the best moments of the last century.

anyways, the trumpet breakdown in not today

>instrumental break on love will save you

>descent into madness in fittier happier

>I'VE PUT MY TRUST, IN YOUUUUUU

>you... tried to take the best of me... GO AWAY!!!!

>lying my way from YOUUUUUU

>ONE MINUTE YOU'RE ON TOP

>the transition from Breaking the Habit to From the Inside

>transition from Shadow of the Day to What I've Done

>the climax on Valentine's Day

>I
>I WONT BE THE ONE
>BE THE ONE TO LEEEEAVE THIS
>IN PIEEEEEECES

>DO YOU FEEL COOOOOOLD AND LOOOST IN DESPERAAAAAAAATION

>when the vocals come in on The Requiem

>Iridescent drums

>the piano part of The Catalyst

>BLACK OUT BLOOD IN YOUR EYE

Wew

>NOW IN MYYYYYYYYYYYYYYYYY REMAINS

>when the guitar comes in on I'll Be Gone

stop

>NO CONTROOOOOOOOOOOOOOOOL
>NO SURPRIIIIIIIIIISE

>the heavy guitar on Mark the Graves

>when Chester starts singing on A Line in the Sand

>Goddamn, this business is really lame
>Holy sweet goddamn, you left your cello in the basement.

>When does this bus leave
>My little chocolate girl
>RUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUN

10/10 album

BABY READING
BABY LOVE MEEEE
RUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUN

SO GOOD MY LITTLE CHOCOLATE GIIIIIIIRL
OH WONT YOU LIKE AN AAAAAAAAAA

we were on the same time nice thinking

>It hurts for me to see you so, and I can't take you back no more