>C G Am F
C G Am F
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>all chords and notes in the song are diatonic
G Em C D
these threads always make me sad because i can't read a note of music, and therefore can't understand any of the jokes posted
Can confirm as someone with absolute pitch and playing both back in my head, this is much much worse.
learn it, ya dip, the basics aren't hard
you don't even have to memorise scales or anything to know half of this shit lol
G B C Cm
G Am C D
I IV ii iii
G B7 Em A7 D7
Bm F# A E G D Em F#
Dude that's not even a fixed scale the fuck
Jimmies rustled
How about a bit of Proclaimers?
C E Am F
how does this work
>Am F C G
C Em Am F G
But In the Aeroplane Over the Sea is pretty much "G Em C D - the album" proving that those chords can be done pretty well.
>song is just one chord
Gem CD :^)
E7 Eb Ab6 Ab D
What is non guitar music lmao :^)
B F# Gadd7 A
C5 A5 F5 G5
A# A# A# A#
More than 1 chord, usually
ii7b => V => I or VI
be careful with parallel 5th there
who here is playing all these on their keyboard right now
you guys don't get that a chord progression without the melody, metric, polyphonic elements, root notes etc. doesn't mean anything. It could be bad, but it could also be good. Most Mozart or Beethoven sonatas are not much more complex if you just take the basic harmonic changes. On the other hand something can have crazy chord changes and be dull and boring
ha ha wow
Listening in head
no need, play it in my head
it's creep
>be careful with parallel 5th there
EAT SHIT BAX
what?
C F dm em (e.g.)
Is it just guitar players who think in chord progs all the time?
every Jazz and Pop fag and people who didn't go the way polyphonic->homophonic
>plebs don't even know roman numberal analysis
maybe they do and dislike the progression in only one key
that one's hotel california you moron
sorry I meant key not scale, durr
>american notation
>What is James Brown
Either on guitar or in head if it's simple. I'm doing other stuff, so yea.
Quads of Jeopardy
musicians in general? what tonal songs dont use them?
Gm F D# Dsus4=>Dmaj
makes me cum
sax players, etc. ?
do they think more in notes than progs?
what the fuck is a Gadd7
you're still playing notes within the context of a chord
True.
I play bass and think more lines than chords, whereas they guitar players I know, think seem to only think in chord terms.
how did you learn this
do lots of ear training
start with guessing intervals
HOT PANTS
SMOOOOOKIN'
Lots of playing and practice. Also a little studying in music theory. You just start remembering what they sound like after a while.
For monophonic instruments, yes, unless you have the chord names written in above the staff. Obviously if you see a bunch of arpeggios or have a good ear, you could quite easily figure out chord progressions, but in general there are other things to think about while playing.
thank you. Reassuring to read that, I thought you needed some kind of special talent, like absolute hearing to pull this off. not to diminish what you are able to do though.
D A Em G
^^
Lol Gadd7. Do mean G7no5?
The root chord (Let's say E Major) you know it's major because it's upper case. Then the fourth chord in the key, or "subdominant". It's also major in a major key, and you know for sure, because it's upper case. The subdominant of E would be A major. Then the second chord, which, in a major key, is always minor. You can tell it's minor becausr the 2 is lowercase. That would be f# minor. Finally, the third chord, also minor, in this case, a g minor.
The major key is I-ii-iii-IV-V-vi-vii* the asterisk is there becausr the seventh chord is diminished. Its basically to figure out if the chord is major or minor in a key.
>0-8
>0-8
>0-8
>0-8
>0-8
>0-8
but it is, it has only #
as he lights an american spirit
he asks how i can smoke such shit
ii6 - V64-53 - I
I told him there's nothing like chain smoking gcp cigarettes, because any smokes will kill you, but these will make you feel like it.
>Fmaj7 D-7 G-7 C7 Fmaj7 D-7 G-7 Eª7 A7 D- Bb-6/Db F/C A-7 Ab-7 G-7 C7 A-7 D-7 G-7 C7
>secondary dominants
my musical fetish
>G#m > B >F# > E
can you explain this, what does this mean
C G E (repeat)
THEEEREEE IIISN'T MUUUCHHHH
THHAAATT III FEEELLL I NEEEED
...
not him but,
Say we're in C major.
>the dominant is the chord where the root is a 5th above the tonic
>the dominant of C is a G major chord
>now suppose we're in the key of G major, the dominant of C
>the dominant of G is a D major chord since D is a 5th above G
So in C major, the dominant of a dominant (secondary dominant for short) is a D major chord.
Secondary dominants resolve to the original dominant chord. So in C major, a typical progression would be D - G - C. Since the D chord has a non-diatonic F# that strongly wants to resolve to G, it's a much stronger progression than a typical Dm - G - C.
THIS IS A STORY OF OUR FIRST TEACHER
thanks
F5 A#5 G#5 C#5
What the hell am I doing here?
Great analysis. I never knew that that was referred to as a secondary dominant, but I love the interval since the F# in that example has a Lydian effect and I'm a sucker for Lydian mode.
Cmaj7-C Cmaj7-C Em-EmAdd#5 Em-EmAdd#5 Asus2-Am Asus2-Am G#9
Lydian is fuckin sick as hell but mixolydian is the most bad ass imo
F# A7 Bm D D D D C#
>use non standard hertz for A to throw off chordfags
>dat chord sequence
I totally stole it for one of my own songs. it's great and a little dissonant. Thanks Thom
>||:i-iv6/4-i:||
It's all relative anyways.
"Don't copy that floppy!" sound effect with reverb.
>hey user play that guitar
--0--3--5-----0--3--6--5-----0--3--5-----3--0--
>A G D E
F# B# C B#
Em9 F#m7 Em9 F#m7 Em9 F#m7 C#madd4 G A
>hey goth user, play that guitar
ok
youtu.be
>G# B F# E A
>Sup Forums has degraded to the point that they're just posting random letters
L M N O P *#
P isn't a note you silly
I, I/IV, I, I, IV, IV, I, I, V, V/IV, I, I/V
B5 F5 Dsus2 A5 A#5
Lydian's the best. Mixolydian is basic as fuck.
C B G B's
>sus
>le I just learned what pop chords are
Nice shitpost faggot
That would be Eb not D#