It's Bandcamp shilling time my friends
It's Bandcamp shilling time my friends
Jason Edwards
Other urls found in this thread:
coredelay.bandcamp.com
thepaywalls.bandcamp.com
mkultramusic.bandcamp.com
epiglottis.bandcamp.com
starmanjunior.bandcamp.com
tarzandragon.bandcamp.com
scrugley.bandcamp.com
saturngold.bandcamp.com
ageorgianminister.bandcamp.com
umbralash.bandcamp.com
chiaro.bandcamp.com
bluehole.bandcamp.com
venn-dc.bandcamp.com
triteicerecords.bandcamp.com
thagodfahim.bandcamp.com
comatosemedia.bandcamp.com
noiseblackcat.bandcamp.com
youtube.com
tonystroke.bandcamp.com
90sneptune.bandcamp.com
numbthoughts.bandcamp.com
apmacroeconomics.bandcamp.com
sainttomorrow.bandcamp.com
3edgy5u.bandcamp.com
nnamdiogbonnaya.bandcamp.com
gabrielgabriel.bandcamp.com
nirgal.bandcamp.com
5cmrecordings.bandcamp.com
itknows.bandcamp.com
hypergiantsasmr.bandcamp.com
nebulosads.bandcamp.com
azureish.bandcamp.com
talltowers1.bandcamp.com
bimby.bandcamp.com
cereal7.bandcamp.com
shonshi.bandcamp.com
catsjam.bandcamp.com
reptilebrain.bandcamp.com
columnaris.bandcamp.com
haemolacria.bandcamp.com
twitter.com
Levi Price
coredelay.bandcamp.com
>prog folk, freak folk, early music, acoustic, bedroom folk, analog synthesizer, baroque-folk, experimental, vocal, classical
Download for free and enjoy it in the sun!
Logan Rodriguez
thepaywalls.bandcamp.com
>indie rock
>jangle pop
Brayden Nguyen
Eli Gonzalez
Gonna shill this few more times and then I'll be back to make my new release a reality
>"Atonement" is a three-way ambient split based on the idea of mortality, death and funeral. Each of us created an epic relying on these themes trying to provide the emotions that surround these dark days which haunts us all.
>dark ambient split
epiglottis.bandcamp.com
>Other stuff you might like
epiglottis.bandcamp.com
MARK YOUR CALENDARS: MAY 1ST
Me likey:
Jeremiah Wilson
starmanjunior.bandcamp.com
>synth-y sad songs, some piano
>kind of ambient-y in some spots i guess
Christian Ward
>this is an album about death, loss, depression, anxiety, and above all, loneliness
>uses a meme-y "quote" of Nietzsche
Oh the irony of that! Now I know you're being serious good sir
Aiden Ward
sorry user :c
Grayson Brown
Joshua Hernandez
>depressive/melancholic music
>each release is different
>now you can get 11 releases for just 0.50usd
reccing
fucking love your stuff
Gabriel Butler
>hip hop
>rap
>synth
>chill
Andrew Jones
Dylan Johnson
umbralash.bandcamp.com
>grindcore, noisecore, blackend power electronics
recs
i listened to your track last night and really liked it. real gloomy stuff
lots of interesting ideas going on. really liked the first 2 tracks
Ethan Myers
Blake Morales
>Psychedelic
>Space Rock
>Noise Pop
>Shoegaze
>One Man Band
>Instrumental
>Music To Watch Rain Fall To
N E W S O N G
E
W
S
O
N
G
Recommendations
Daniel Cook
im liking this dude, very creative
venn-dc.bandcamp.com
>shoegaze
>dream pop
>for fans of mbv, slowdive, nothing, etc...
Joshua Williams
>Experimental, Label, Various Genres
>A LABEL ALWAYS OPEN FOR SUBMISSIONS OF ANY GENRE!
>We finish Morte March off with three new releases.
>Windowlistener
>Descent
>Electronic, Experimental, Glitch.
>The Birdman Cult
>Broken Hell Mirror 1
>Richmond, Virginia, Ambient, Dark Ambient, Harsh Noise, Industrial, Industrial Techno, Noise, Power Electronics, RVA.
>Soleca
>तमस्
>Pennsylvania, Abstract, Avant-Garde, Harsh Noise, Industrial, Instrumental Music.
Support, scrobble, or review on RYM. Any feedback of any kind would be greatly appreciated. Thank You. :)
Solo Bandcamp:
jacobhutto.bandcamp.com
Proud Supporter Of:
Samuel Sullivan
Jace Hall
This seem right up my alley, will definitely hear it through to the end later.
comatosemedia.bandcamp.com
>ambient
>dark
>drone
>pseudo- post-rock elements on some tracks.
Ian Wood
will shill for these
extra shilling for these guys
>noise
>dark ambient
>power electronics
playing with the chick from Ritual Chair on the 15th of April
youtube.com
Daniel Rivera
>bedroom pop
>blues
>gospel piano i guess
Evan Myers
>hip hop
>some EPs
Brandon Carter
>emo
>experimental
>lofi
>dreampop
>sad
this makes me feel like im dead
i feel emotions listening to this that dont have names
uhh ok cool
Logan Jackson
Hey all, I used to post on here a lot, but I haven't recently because I've been working on this new album. I'd love some thoughts on it, and I'd gladly return all feedback, and will give full listens for full listens.
apmacroeconomics.bandcamp.com
>bedroom pop
>alternative rock
Hudson Sanchez
Really liking what im hearing from your stuff so far
Josiah Reyes
Really liked "outside of myself and you", nice chill vibe
James Lopez
>this is my latest project, three albums by this artist i created using MIDI and freely "coloring" them with instruments, sometimes in a frenetic manner.
> Portuguese speakers may relate better to the concept.
> the title of the first album translates to: "Lots of cool MIDIs with cooler instruments alternaded with self-help phrases spoken by synthetized voices".
im intrigued by this. im a good way. so many universes collapse in this work.
Anthony Bennett
EH WACHIN! corte quebracho!
Andrew Ramirez
nnamdiogbonnaya.bandcamp.com
>rap
>experimental R&B
>freejazz
>"tomfuckery"
Ethan Kelly
good good good good good
This is the debut single from a band I've been in since 2013 basically. The single is the group's first real release. I'm not actually on this release but I'll be on the full length, the lineup is loose. Full length COULD come out late this year, we're not sure yet.
>indie
>bedroom
>art pop
>electronic
>bowed banjos, singing saw, typewriter percussion, the instrumentation is all over the place
gabrielgabriel.bandcamp.com
Nathan Morris
nirgal.bandcamp.com
>harsh noise
>harsh noise wall
>blackened noise
Someone asked me what techniques I used in one of the previous threads but it died while I was sleeping, so hopefully you'll see it now. the first three tracks on here were made using Puredata run through some guitar effects and then with some very minor editing afterward, the last two were made from short recordings of different objects and what not that I cut up and manipulated
I'm liking this new track quite a bit
Other recs:
Connor Cox
amura amigo, no me kb 1
Anthony Thompson
5cmrecordings.bandcamp.com
>sludge metal/noise rock split
Hunter Phillips
New album just released
>post post punk
itknows.bandcamp.com
I really like this. It sounds very cosy
>noiseblackcat.bandcamp.com
Eerie stuff. Feels like one could levitate to this
Sounds like a soundtrack. Very visual
Isaac Watson
Nice Aesthetic
hypergiantsasmr.bandcamp.com
>S p a c e b e a t s
Grayson Allen
nebulosads.bandcamp.com
>dark ambient
>dungeon synth
Released my track from the Dungeon Synth Compilation "Keepers of the Shadow Realm" on my own bandcamp accompanied by some great artwork a friend made for it.
Recs
Aaron Gutierrez
couldn't get over the absolutely sterile singing voice. no vocal range at all not even as a cute look at me i'm so innocent and indie thing
Hunter Jones
Leo Morgan
talltowers1.bandcamp.com
>indie, alt-country, lo-fi
Oliver Powell
dope af, love the diversity
Carson Wilson
Noah Taylor
Released only an hour ago. 10 track album.
cereal7.bandcamp.com
>Hip hop, rap, trap, loud, quiet
Lucas Long
>meme-y
>heavy post math rock twist
>grindcore, noisecore
>drone
>noise
>Lots of cool MIDIs with cooler instruments alternaded with self-help phrases spoken by synthetized voices
>harsh noise wall
>sludge metal
>post post punk
>alt-country
>trap
Tyler Ward
Guitar Shreshonshi.bandcamp.com
Robert Sullivan
>original genre
catsjam.bandcamp.com
Nathan Ward
Anyone remember me?
;_;
Jace Smith
Nah. Who are you again?
Michael Harris
Will Recc:
Caught your stuff in an earlier thread that died and didn't get to comment. Just curious how you go about both recording and editing your work, I liked the sound but felt there was some crunch missing, but agree that the use of varying tones etc is nice on the noise walls. Do you edit and cut much from improvised recordings or?
Some nice stuff over here if you sought through it
My stuff:
www.mountkuma.bandcamp.com
>noise
>Ambient
Luis Sanders
>Caught your stuff in an earlier thread that died and didn't get to comment. Just curious how you go about both recording and editing your work, I liked the sound but felt there was some crunch missing, but agree that the use of varying tones etc is nice on the noise walls. Do you edit and cut much from improvised recordings or?
Are you sure you didn't get to comment? I saw the thread after I got up today and someone had asked the exact same question. I actually addressed it in my post there but it looks like you missed it:
>Someone asked me what techniques I used in one of the previous threads but it died while I was sleeping, so hopefully you'll see it now. the first three tracks on here were made using Puredata run through some guitar effects and then with some very minor editing afterward, the last two were made from short recordings of different objects and what not that I cut up and manipulated
I checked out your stuff, I really like how you can effectively do more atmospheric parts, rhythmic stuff and just pure harsh noise. Keeps it from getting boring like some pure noise can
Connor Jenkins
>experimental rock
>weird sounds
>sampled electronic
>ambient
Colton Bailey
Hey man, sorry I didn't get around to responding to you from the last thread. Listening your stuff now; I agree the rythmic noise seems to mesh well with the regular harsh noise. Keeps it nice and dynamic. You're from Melbourne, I see. Do you know the guy from Lost Salt Blood Purges?
>experimental
>ambient
>bowed guitar
Raw house interview today; three-way split hopefully within a week or so. Stay crunchy, m'lads.
Oliver Reyes
thanks, was just interested in your approach as I'm new at trying this out. yeah, I must have missed it, perhaps time differences or something.
Currently I'm just recording everything onto a loop pedal and then cutting down usually a 15 minute file to a 3-5 minute end product. Removing some of that filler which can be boring, esp in a non-live format.
Ayden Lewis
haemolacria.bandcamp.com
>dark ambient, ambient, Gothic horror, lo-fi dungeon synth
I'm going to prison in under 48 hours so I don't have time to make a full album, sorry.
Recs:
Liam Ward
I'm pretty new at actually focusing on this stuff too, I've done some experiments with sample manipulation and stuff before but now that I'm actually recording material I'm trying to use more varied techniques to keep my shit from getting stale.
The way I tend to deal with that filler problem you're talking about is instead of going in blind and editing it down later, before I record something I'll play around with whatever technique I'm using for the track to figure out how to get various types of sounds, then once I have a handle on that I'll start recording. It allows me to do longer tracks that are still mostly if not entirely improvised, with minimal stuff I need to cut out later