Wow

Wow...

Really makes you think.

Yeah it sucks hey.

why was he a fishman

Its fucking kino as fuck. Satoshi Kon was taken from us too soon

You children have your own boards for animated garbage. Fuck off.

>He said as he posted the 8th capeshit thread that day

That bit at the end where she breaks the fourth wall kinda ruins what was a pretty damn good cartoon.

Really nuts that the best giallo in decades came from weeb shit

What bit would that be user?

DOKI DOKI

It would be that bit at the end where she breaks the fourth wall.

Aronofsky bought rights to Perfect Blue, just so he could replicate one scene from it in Requiem For A Dream.

don't forget black swan

Or inception.

Satoshi Kon was truly taken too soon.

>She didnt break the fourth wall so I will be an asshole to avoid owning up to that fact

She literally turns to the camera and addresses the audience you mongo.

Last scene right before the credits she looks right at the camera and says something along the lines of "yes, it's really me". It ruined the film for me.

The end is still a movie in the movie

I don't really like the endings of the Satoshi Kon films I've seen so far. First two acts are usually great then the third act is a bit messy.

>Roger Corman
What the hell? He saw this? Based.

Pretty much.

>Satoshi Kon is dead
>Ikuhara and Miyazaki will be next
>More and more the only creative people in that medium will die
>We will be left with nothing but people who make generic otaku shit.

All according to keikaku.

>He hasn't watched the Animator Expo
The future is in safe hands

There are enough good films for me to watch.

>then the third act is a bit messy.
The third act of Paprika is the best part user. The resolution of the detective's story is such an amazing turn that completely redefines the movie to that point.

Kon was a fantastic director, and he elevated his works above the medium.

Oh, come on.

Most of inception is a blatant copy of paprika