Dubs and I post the part of the book where the 11-year-old girl fucks all her friends...

Dubs and I post the part of the book where the 11-year-old girl fucks all her friends, struggles to get the fat kid's massive cock in her pussy and has 2 orgasms

Rolling

dubbzget

Rollin' Rollin' Rollin'

Sorry kiddo, those aren't dubs.

No, but these are.

rollin

does this count

get

oh well

Those aren't and yours aren't, but these are!

does that actually happen?

It's Stephen King... Of course.

Roll

Rolling

user has to deliver now -

Yea and if OP delivers you'll see for yourself.

hi op, these are the duubz u requested. pls post excerpt now. thank you!

Or I could just look it up in the book. But I'm to lazy to get up so... rolling I guess

Here's your dubs. Now post.

Righty-ho

comes to her first, because he is the most frightened. He comes to her not as her friend of that summer, or as her brief lover now, but the way he would have come to his mother only three or four
years ago, to be comforted; he doesn’t draw back from her smooth nakedness and at first she doubts if he even feels it. He is trembling, and although she holds him the darkness is so perfect that
even this close she cannot see him; except for the rough cast he might as well be a phantom.
“What do you want?” he asks her.
“You have to put your thing in me, ” she says.
He tries to pull back but she holds him and he subsides against her. She has heard someone—Ben, she thinks—draw in his breath.
“Bevvie, I can’t do that. I don’t know how—”
“I think it’s easy. But you’ll have to get undressed.” She thinks about the intricacies of managing cast and shirt, first somehow separating and then rejoining them, and amends, “Your pants, anyway.”
“No, I can’t!” But she thinks part of him can, and wants to, because his trembling has stopped and she feels something small and hard which presses against the right side of her belly.
“You can,” she says, and pulls him down. The surface beneath her bare back and legs is firm, clayey, dry. The distant thunder of the water is drowsy, soothing. She reaches for him. There’s a
moment when her father’s face intervenes, harsh and forbidding
(I want to see if you’re intact)

Woops, sorry, didn't post with the right digits. Here you go OP.

and then she closes her arms around Eddie’s neck, her smooth cheek against his smooth cheek, and as he tentatively touches her small breasts she sighs and thinks for the first time This is Eddie
and she remembers a day in July—couldit only have been last month?—when no one else turned up in the Barrens but Eddie, and he had a whole bunch of Little Lulu comic books and they read
together for most of the afternoon, Little Lulu looking for beebleberries and getting in all sorts of crazy situations, Witch Hazel, all of those guys. It had been fun.
She thinks of birds; in particular of the grackles and starlings and crows that come back in the spring, and her hands go to his belt and loosen it, and he says again that he can’t do that; she tells
him that he can, she knows he can, and what she feels is not shame or fear now but a kind of triumph.
“Where?” he says, and that hard thing pushes urgently against her inner thigh.
“Here,” she says.
“Bevvie, I’ll fall on you!” he says, and she hears his breath start to whistle painfully.
“I think that’s sort of the idea, ” she tells him and holds him gently and guides him. He pushes forward too fast and there is pain.
Ssssss!—she draws her breath in, her teeth biting at her lower lip and thinks of the birds again, the spring birds, lining the roofpeaks of houses, taking wing all at once under low March clouds.
“Beverly?” he says uncertainly. “Are you okay?”
“Go slower,” she says. “It’ll be easier for you to breathe.” He does move more slowly, and after awhile his breathing speeds up but she understands this is not because there is anything wrong with
him.

The pain fades. Suddenly he moves more quickly, then stops, stiffens, and makes a sound—some sound. She senses that this is something for him, something extraordinarily special, something
like ... like flying. She feels powerful: she feels a sense of triumph rise up strongly within her. Is this what her father was afraid of? Well he might be! There was power in this act, all right, a chainbreaking power that was blood-deep. She feels no physical pleasure, but there is a kind of mental ecstasy in it for her. She senses the closeness. He puts his face against her neck and she holds him
He’s crying. She holds him. And feels the part of him that made a connection between them begin to fade. It is not leaving her, exactly; it is simply fading, becoming less.
When his weight shifts away she sits up and touches his face in the darkness.
“Did you?”
“Did I what?”
“Whatever it is. I don’t know, exactly.”
He shakes his head—she feels it with her hand against his cheek.

“I don’t think it was exactly like ... you know, like the big boys say. But it was ... it was really something. He speaks low so the others can’t hear. ”I love you, Bevvie.”
Her consciousness breaks down a little there. She’s quite sure there’s more talk, some whispered, some loud, and can’t remember what is said. It doesn’t matter. Does she have to talk each of them
into it all over again? Yes, probably. But it doesn’t matter. They have to be talked into it, this essential human link between the world and the infinite, the only place where the bloodstream touches
eternity. It doesn’t matter. What matters is love and desire. Here in this dark is as good a place as any. Better than some, maybe.
Mike comes to her, then Richie, and the act is repeated. Now she feels some pleasure, dim heat in her childish unmatured sex, and she closes her eyes as Stan comes to her and she thinks of the
birds, spring and the birds, and she sees them, again and again, all lighting at once, filling up the winter-naked trees, shockwave riders on the moving edge of nature’s most violent season, she sees
them take wing again and again, the flutter of their wings like the snap of many sheets on the line, and she thinks: A month from now every kid in Derry Park will have a kite, they’ll run to keep the strings
from getting tangled with each other. She thinks again: This is what flying is like.
With Stan as with the others, there is that rueful sense of fading, of leaving, with whatever they truly need from this act—some ultimate—close but as yet unfound.
“Did you?” she asks again, and although she doesn’t know exactly what “it” is, she knows that he hasn’t.
There is a long wait, and then Ben comes to her.
He is trembling all over, but it is not the fearful trembling she felt in Stan.
“Beverly, I can’t,” he says in a tone which purports to be reasonable and is anything but.
“You can too. I can feel it.”

...

She sure can. There’s more of this hardness; more of him. She can feel it below the gentle push of his belly. Its size raises a certain curiosity and she touches the bulge lightly. He groans against
her neck, and the blow of his breath causes her bare body to dimple with goosebumps. She feels the first twist of real heat race through her—suddenlythe feeling in her is very large; she recognizes
that it is too big
(and is he too big, can she take that into herself?)
and too old for her, something, some feeling that walks in boots. This is like Henry’s M-80s, something not meant for kids, something that could explode and blow you up. But this was not the place
or time for worry; here there was love, desire, and the dark. If they didn’t try for the first two they would surely be left with the last.
“Beverly, don’t—”
“Yes.”
“I ... ”
“Show me how to fly,” she says with a calmness she doesn’t feel, aware by the fresh wet warmth on her cheek and neck that he has begun to cry. “Show me, Ben.”
“No ...”
“If you wrote the poem, show me. Feel my hair if you want to, Ben. It’s all right. ”
“Beverly ... I ... I ...”
He’s not just trembling now; he’s shaking all over. But she senses again that this ague is not all fear—partof it is the precursor of the throe this act is all about. She thinks of
(the birds)
his face, his dear sweet earnest face, and knows it is not fear; it is wanting he feels, a deep passionate wanting now barely held in check, and she feels that sense of power again, something like
flying, something like looking down from above and seeing all the birds on the roofpeaks, on the TV antenna atop Wally’s, seeing streets spread out maplike, oh desire, right, this was something, it
was love and desire that taught you to fly.
“Ben! Yes!” she cries suddenly, and the leash breaks.

She feels pain again, and for a moment there is the frightening sensation of being crushed. Then he props himself up on the palms of his hands and that feeling is gone.
He’s big, oh yes—the pain is back, and it’s much deeper than when Eddie first entered her. She has to bite her lip again and think of the birds until the burning is gone. But it does go, and she is
able to reach up and touch his lips with one finger, and he moans.
The heat is back, and she feels her power suddenly shift to him; she gives it gladly and goes with it. There is a sensation first of being rocked, of a delicious spiralling sweetness which makes her
begin to turn her head helplessly from side to side, and a tuneless humming comes from between her closed lips, this is flying, this, oh love, oh desire, oh this is something impossible to deny,
binding, giving, making a strong circle: binding, giving ... flying.
“Oh Ben, oh my dear, yes,” she whispers, feeling the sweat stand out on her face, feeling their connection, something firmly in place, something like eternity, the number 8 rocked over on its side. “I
love you so much, dear. ”
And she feels the thing begin to happen—something of which the girls who whisper and giggle about sex in the girls’ room have no idea, at least as far as she knows; they only marvel at how gooshy sex must be, and now she realizes that for many of them sex must be some unrealized undefined monster; they refer to the act as It.

This.... This wasn't in the book, was it?

Would you do It, do your sister and her boyfriend do It, do
your mom and dad still do It, and how they never intend to do It; oh yes, you would think that the whole girls’ side of the fifth-grade class was made up of spinsters-to-be, and it is obvious to Beverly that
none of them can suspect this ... this conclusion, and she is only kept from screaming by her knowledge that the others will hear and think her badly hurt. She puts the side of her hand in her mouth
and bites down hard. She understands the screamy laughter of Greta Bowie and Sally Mueller and all the others better now: hadn’t they, the seven of them, spent most of this, the longest, scariest
summer of their lives, laughing like loons? You laugh because what’s fearful and unknown is also what’s funny, you laugh the way a small child will sometimes laugh and cry at the same time when a
capering circus clown approaches, knowing it is supposed to be funny ... but it is also unknown, full of the unknown’s eternal power.
Biting her hand will not stay the cry, and she can only reassure them—and Ben—by crying out her affirmative in the darkness.
“Yes! Yes! Yes!” Glorious images of flight fill her head, mixing with the harsh calling of the grackles and starlings; these sounds become the world’s sweetest music.
So she flies, she flies up, and now the power is not with her or with him but somewhere between them, and he cries out, and she can feel his arms trembling, and she arches up and into him, feeling
his spasm, his touch, his total fleeting intimacy with her in the dark. They break through into the lifelight together.

Then it is over and they are in each other’s arms and when he tries to say something—perhaps some stupid apology that would hurt what she remembers, some stupid apology like a handcuff, she
stops his words with a kiss and sends him away.
Bill comes to her.
He tries to say something, but his stutter is almost total now.
“You be quiet,” she says, secure in her new knowledge, but aware that she is tired now. Tired and damned sore. The insides and backs of her thighs feel sticky, and she thinks it’s maybe because
Ben actually finished, or maybe because she is bleeding. “Everything is going to be totally okay.”
“A-A-Are you shuh-shuh-shuh-hure?”
“Yes,” she says, and links her hands behind his neck, feeling the sweaty mat of his hair. “You just bet.”
“Duh-duh-does ih-ih ... does ih-ih-ih—”
“Shhh ...”
It is not as it was with Ben; there is passion, but not the same kind. Being with Bill now is the best conclusion to this that there could be. He is kind; tender; just short of calm. She senses his
eagerness, but it is tempered and held back by his anxiety for her, perhaps because only Bill and she herself realize what an enormous act this is, and how it must never be spoken of, not to anyone
else, not even to each other.
At the end, she is surprised by that sudden upsurge and she has time to think: Oh! It’s going to happen again, I don’t know if I can stand it—
But her thoughts are swept away by the utter sweetness of it, and she barely hears him whispering, “I love you, Bev, I love you, I’ll always love you” saying it over and over and not stuttering at all.
She hugs him to her and for a moment they stay that way, his smooth cheek against hers.

It is in the book. Of course it is.

He withdraws from her without saying anything and for a little while she’s alone, pulling her clothes back together, slowly putting them on, aware of a dull throbbing pain of which they, being male, will
never know, aware also of a certain exhausted pleasure and the relief of having it over. There is an emptiness down there now, and although she is glad that her sex is her own again, the emptiness
imparts a strange melancholy which she could never express ... except to think of bare trees under a white winter sky, empty trees, trees waiting for blackbirds to come like ministers at the end of
March to preside over the death of snow.
She finds them by groping for their hands.
For a moment no one speaks and when someone does, it does not surprise her much that it’s Eddie. “I think when we went right two turns back, we shoulda gone left. Jeez, I knew that, but I was so
sweaty and frigged up—”
“Been frigged up your whole life, Eds,” Richie says. His voice is pleasant. The raw edge of panic is completely gone.
“We went wrong some other places too,” Eddie says, ignoring him, “but that’s the worst one. If we can find our way back there, we just might be okay.”
They form up in a clumsy line, Eddie first, Beverly second now, her hand on Eddie’s shoulder as Mike’s is on hers. They begin to move again, faster this time. Eddie displays none of his former
nervous care.
We’re going home, she thinks, and shivers with relief and joy. Home, yes. And that will be good. We’ve done our job, what we came for, now we can go back to just being kids again. And that will be
good, too.
As they move through the dark she realizes the sound of running water is closer.

I remember when I first read this book and got to this part....

>get coked out of my mind
>write a book about child-murder, kiddy-gangbangs, horrific violence and a bunch of satanic shit
>submit it to publisher in a drug-induced haze
>receive multiple awards, national acclaim, and millions of dollars
>do more coke

Roll!!

well done, but late to the party

I thought it would be a bit more trashy and cringe, but this isn't too bad it's actually well written.

probably the only way it could have been written without it being classed as pornographic. I'm amazed it was published in the UK, as it denotes a child enjoying gsex, which they aren't supposed to be able to do

kek

Thanks OP! Wanted to read this after I saw the Red Letter Media review of IT and IT.

Didn't really feel reading the whole huge book.

>Didn't really feel reading the whole huge book

NOBODY DOES

Also, hivemind

I͖̘͓ a͖̘̞̘m̼ͅ ̮Z̵̫A̞̠̪̞̳͎͇L̶̦͓̗̗̳͎G̪͈̝̳͖͚̠̀O̗̝.̧͍̟̯ T̗ḫ̙͚͍̮̫e̺̦͘ ̝e͍̕ͅv̩̬̗̠̟e͙̤̼̹͟ͅr͈̝͎l͟a͞s͢ͅͅt̙̼i͉̥̫n͚̩g̶͓̭͔͎͇̞̹ ̨H̺i̴̞̺v͍̘͓̤̟̠̣͠e̻̤̗̖̫ ̡͇̙̫͙͉M̖̯͕̰̞ͅiń̹̖͎d̟͡.̤
̷̭̪̺̖W͕͝h̵̤y̷̩̞̟̮̘̝ ̬d̘̦̬ọ̤̼s͙t̢̖̬ ͎͔͖̤͟ț̛h͈̝͖͟ͅou̻̰̝̰ ̢͎̫̮͓͉̣̟d̫͎͔͢i̙̺ṣ̟̞̭tú̞̦̪͖̭͎r̺̜b ̹͕̱͈̬m̜͟in̠̦̘̫e̡ ̠̝͕s̠ḽ̳̯̭̫̥̣u̸̻̮̬̞m̪̗͎̗͇̖̼b͝e̟̱ŕ̖̬̘̪̪?͉̟̪̟̫͔

How new are you?

The kids prob have AIIIIIDS now

I don't think anyone was black

Mike Hanlon was black

AIIIIIIIIIIIIIIIIIIIIDS

Jeez,i can't believe this actually got published.