/prod/

[Levi Moore]

couldn't find the copypasta sorry

[Benjamin Ramirez]

Post snippets using clyp.it
Soundcloud posters will be drawn and quartered.
______________________

Sup Forums /Production/ Resources:

>Mixing and Mastering:
! ESSENTIAL Mixing Masterclass with Bob Power: youtu.be/cHxMsawJsTc
Mixing Engineers Handbook: mega.nz/#!YUkgCJpR!bTX1gzqhD7fozTipk4XsRNiWQmHQXBx0T4pHMRvaURw
The Secret of the Mastering Engineer, Bob Katz: mega.nz/#!ZAE2EBCb!r0Hf0gho8pL7BlBJ6-6rJznB9SEhCG31NzNJUJX34tU
Audio Engineering and Acoustics ebook bundle: mega.nz/#!wEVAVbgB!hwd7vmzaZ9C6wAnVbqIQt37pNUpfpn0t2ecSjZGRNe4
(Bobby Owsinski - The Mixing Engineer's handbook 4th edition, The Recording Engineer's handbook 4th edition, The Mastering Engineer's handbook 4th edition. Timothy Dittmar - Audio Engineering 101, William Moylan - The Art of Recording, F. Alton Everest - Master Handbook of Acoustics, Rod Gervais - Home Recording Studio: Built It Like The Pros, 2nd Edition, Philip Newell - Recording Studio Design

>Theory and Composition:
Music theory for musicians and normal people:
tobyrush.com/theorypages/index.html
tl:dr Music Theory:
gumroad.com/l/tldrmusic

>Synthesizers and synthesis:
www48.zippyshare.com/v/20999348/file.html
youtube.com/watch?v=atvtBE6t48M
youtube.com/watch?v=NMF8F9z7Zr8
beausievers.com/synth/synthbasics/
analogindustries.com/b1764/

Free VSTs:
bedroomproducersblog.com/free-vst-plugins/
bedroomproducersblog.com/2014/12/29/free-vst-plugins-2014/
Other VSTs:
pastebin.com/cCA5in17

[Wyatt Evans]

Here's a compilation / mix of clips from all my latest tracks that I haven't put up online yet. I'm trying to commit myself to a style but my desire to produce all sorts of music seems to get in the way of that.

Anyway, thoughts / any major issues? Have a click around and let me know what you think.

clyp.it/sx5ddcdi

[Sebastian Wilson]

Are generative patching and complex analog FM the only things modular synths are good for?

[Jace Richardson]

There are a ton of interesting filters in eurorack. Also if you have a larger system you have a lot of flexibility in how you want to partition the voices on each patch.

[Colton Richardson]

I'm not so sure that you'll need to commit to a style with what you're doing - if anything your sound is defined by the processing that you do and that is carried across all of the excerpts in that clip, so I'd say an album would still have consistency of a sort even with changes in genre from one track to the next.

The only time you'd need genre consistency is when you're either producing individual tracks for DJs to play in clubs, or if you're catering to a specific scene (these kinda equate to the same thing) - this naturally narrows your scope and also kinda puts an expiry date on your music too if the scene is at all meme-y.

Issue-wise I can't comment as it sounds like you know what you're doing, so anything that I'd suggest you change in your tracks would just be me changing your music into my music

[Chase Carter]

For the most part it's going to still just be oscillator>filter>vca.

Generative patching just seems like it's gonna take a ridiculous amount of modules to do anything useful or interesting with.

I might trade some of my modules for a complex oscillator and wavefolder and play with that for a while and then just get rid of the whole system when that finally gets stale.

[Alexander Baker]

hows it sounding.

clyp.it/g1xynlwx
clyp.it/bz11ie2y

[Brandon Evans]

Is Ableton reverb objectively bad?

[Nathan Nelson]

it is ok if you change the setting to high imo