*ruins your favorite artist's sound*

*ruins your favorite artist's sound*

*shoots you*

fuck this guy

Except he saved Let It Be

*makes the best Christmas album ever*

This isn't 2006

*makes all things must pass from a 9/10 to an 11/10*

>makes all things must pass
>inspires pet sounds
He's cool in my books

can someone explain to me what exactly the wall of sound is?

He did a rare good thing with this album.

I don't think I have enough vocabulary to explain it to you in english, but I'll try. The wall of sound is just a term for an all around production, If you hear "she loves you", that song is heavy on the high frequencies, guitar so bright it sounds metallic and the bass does not sound thumpy at all. When phil spector(brian wilson too) produces a song, basically all the frequencies are playing and each instruments sits in its specific place in the song, giving this "wall of sound" effect

What's wrong with him?

Step 1. Have a bunch of session musicians perform the backing music.
Step 2. Add reverb and mix it to mono for a "tin can" feel.
Step 3. Get the song played on AM Radio to degrade the sound quality further.

All of those things combined made it sound "big" on the limited equipment of the time.

THE NIGHT WE MET

Actually really good explanations

*diverted it from it's origional concept and turned it into an overwrought mess
Ftfy

*threatens to shoot your favourite artist*
Every time

*ruins your favourite board*

*brickwalls your favorite artist's new album until it physically hurts to listen to*

"no"

I feel like Mark e Smith would probably assault him in the street if he ever saw him, so...

I feel like Spector would do the same to Mark

he ruined let it be
all things must pass
that ramones album thats so shit its laughable

why do people still like him?

it's the albini syndrome

He was GOAT in the 60s when he was producing girl groups and shit. He was so good at it that he could only produce anyone in that way. Then again, why get Spector to produce if you didn't want that?