This piece consists of two parallel equal temperaments (A440Hz and its -50cents one) . Therefore it's 24EDO with 2 different 12 EDO scales. Let's see how quarter tone /microtonal step chord progressions go. Use microtonal chord progressions for your everyday songwriting!
Why nobody makes music like this? It’s microtonal but never dissonant. Pretty innovative solution to go beyond 12TET.
Juan Gonzalez
>16tet
never heard of 16tet, are you thinking of 15 or 17? and yeah, 19 and 31 are better, you can play anything you can play in 12tet and it modulates well ala bach.
Easton Gonzalez
Really you can find a use for any equal temperament starting at 5 equal. The popular ones like 31 are the most flexible but all of them have useful intervals
But I'd agree that 24 equal is overrated for its limited usefulness; it adds a couple interesting intervals but doesn't improve on the shortcomings of 12 equal.
I'll only get excited when someone comes up with a system of microtonal polypony a la Fux but accurate down to 1 cent
Nathaniel Martinez
Its about chord progressions. never polyphony
Jaxson Flores
they're all flawed but also all useful
the problem with 24 equal is mainly that it isn't different enough from 12 equal
Ryan Hall
you pretty much have to make up your own rules for every temperament; there are going to be scales and relationships that are specific to that temperament only
What is the best way to make microtonql music on my computer, do i need special software or can i just use a vst
Jaxon Jackson
it depends, sometimes you can program a temperament in the VST - either by tuning each note of the octave or using key scaling. Or you can use controller data like polyphonic aftertouch to change pitch
it's still a pain, unfortunately. The MIDI standard really isn't a good fit for this kind of thing
Cameron Evans
I have good news for you user
Xavier Peterson
eh not really
Kayden Wood
This thread is a perfect example of Sup Forums's autism.
No one fucking listens to garbage like this. No one but you cares about this theoretical bullshit. Wow, you can make dissonant irritating atonal music. So can literally anyone banging on a keyboard. It isn't intellectual, it's just fucking autistic and socially unaware.
This is why cucks like you are on the side studying theories, while 80IQ rappers are making millions of dollars rapping about drugging white women.
Jack Davis
t.redpilled soyboy
Cooper Ross
Ooh, we're so scared we aren't fucking random bitches we don't care about and becoming successful with impressionable children. Oooh, he called us "cuck" too and that hits a sensitive spot for us
Hudson Wilson
t. stem major
Christian Miller
no, you're retarded, sorry
Michael Anderson
a STEM major would be smarter than that, one would hope
I mean William Sethares is one of the most prominent microtonal theorists and he's a professor of electrical engineering. Wendy Carlos studied physics.
Jordan Gray
right, let me fix that
t. stem major who finds pride in studying what his parents want him to
Not very interesting use of the microtones. Hes just modulating some of the chords form existing 12EDO chord progressions as whole in a way that doesn't make too much sense. He could instead explore the different harmonic and melodic properties of the 24EDO.
I don't really think his aim is to use microtones interestingly. Maybe its more about exploring the slightness of chord progressions of 12TET and that will mean a lot for many normal musicians.
Thomas Clark
with Sytrus you can easily do equal temperaments
Jeremiah Howard
that's the thing that seem to go over the head a lot of people when they discuss microtonal music- there's no obligation to use it in one way or another, there's no right or wrong way to do it. there's very little in the way of established theory, so you decide for yourself what's interesting or what sounds good
Lincoln Wilson
>there's no obligation to use it in one way or another, there's no right or wrong way to do it. there's very little in the way of established theory exactly as much as there isn't for "non-microtonal" music
Asher Bennett
right, but people often have some sort of inappropriate expectation of what microtonal music is supposed to sound like
Adrian Martinez
>people discussing music beyond "I like" and "I don't like" or shitposting >WAAAH STOP IT I DON'T GET IT AUTISM REEE VIRGINS STOP IT
Bentley Morgan
Pure music always comes from autism.
Henry Gutierrez
yfw pretencious becomes the next hot Sup Forumsme
Noah Watson
Ben Levin is a cool dude
Jayden Hernandez
Yes. He's doing the same approach of this usage of microtones in that video
I think these are the most active and interesting people doing microtonal music now, at least out of the ones who are releasing albums.
Aiden King
pretty good
Wyatt Edwards
Ah thanks!!
Jordan Clark
Try Redrick Sultan. I think they're mostly 19EDO, but the microtonality is often so subtle you might not notice it if you're not looking for it. redricksultanband.bandcamp.com/
Joseph Butler
Is there any singer singing microtonal piano ballads like this?
Hudson King
I'm going sick help. Stop
Noah Barnes
Aleksi Perala makes some pretty great microtonal pure techno.
I like atonal sounds in my music but I saw this thread and spotted the neckbeards from a mile away.
Whats sad is that in the long run everyone in this nuance of experimental music isn't really concerned about actually breaking boundaries. They're stuck in theory and trying to emulate. This applies to most experimental genres actually.
Grayson Wood
microtonal doesn't mean atonal, genius
>Whats sad is that in the long run everyone in this nuance of experimental music isn't really concerned about actually breaking boundaries. They're stuck in theory and trying to emulate. complete nonsense
Luis Adams
>DUDE >SHIT ON PURPOSE >LMAO pic related, it's all of you
Jose Flores
>doesn't understand anything about tuning or temperaments >thinks he has good reason to dismiss it anyway pls
Eli Reed
>I can't appreciate art or ideas at all well that's cool but maybe you shouldn't be on this board
go listen to a waltz, they aren't written in 4/4, it'll blow your fucking worthless mind
Jose Collins
>hurr hurr 12 tones is enough for me, I refuse to learn about or understand anything else well that's cool but maybe you shouldn't be on this board
go listen to a waltz, they aren't written in 4/4, it'll blow your fucking worthless mind
His crazy numerologist shit kind of disappoints me, the pitches here are pretty much arbitrary (or at least not derived from anything meaningful). I won't say that's totally invalid, but it's not really the best way to represent microtonal music.
I was hoping he was joking about it but apparently he's totally serious.
Michael Thompson
Post bad microtonal music
Kevin Davis
I really can't deal with Alois Hába
Jack Mitchell
just search Bandcamp
Ethan Roberts
good post
Carson Wood
probably easy to control with software like max/msp or puredata
Cameron Brooks
The nice thing about those is that MIDI note numbers are floating point, not just limited to 0 to 127. You can have as many different pitches as you want.
Zachary Bell
DUDE SICK RIFFS
Jayden Hernandez
>it's been more than 80 years and nobody has even come close to Wyschnegradsky in microtonal music is it really this hard to make pretty music with microtones? youtube.com/watch?v=B9WPfkXQa_Y
Easton Turner
that's kind of a weird definition of pretty, maybe you should try Harry Partch and Julián Carrillo