>singer starts laughing maniacally
Tropes you love
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>live medleys
>Female singer laughs at the end of a track
>the laugh is qt as fuck
great example
youtu.be
>Music cuts, vocal gets one word out, music blasts back in as verse continues
>WOOOOOOOO
I like this too, what are the best songs that do this?
>start of somg contains recording studio audio
That sounds fun, got any favorite examples of that?
>whistling solo
Example?
I'm gonna point the mic at the audience and have them sing this verse
when the dancin queen dances and everyone watches, but she's only 17 although they dig it
>2 or more band members singing in unison
>Lead singer begins verse
>Other vocalist(s) blast in soon after
And not in music but in music videos or live shows
>Intense dancing
Shit always make me cringe desu.
Not him but:
youtu.be
Around 1:25
>singer moves away from mic to breathe in
Remember when guitar smashing was a thing?
lol that was never a thing
Yes it most certainly was.
18+
This is how cringe and gimmicky guitar smashing got
youtu.be
>Garth Brooks
respect the classics
cmon now
>ascending/descending diminished 7th arpeggios
Like this?
Nonagon's woos are so great
>vocalist barks
>song starts off with incoherent yelling
>bassist provides comic relief between songs
Bassist plays the bassline of Ice Ice Baby or Rick James Superfreak between songs as a hilarious gag
>singer
>*GLASS BREAKS*
>Singer says "stop"
>Music pauses for a beat until the vocals come back in
I GOT AN AWESOME SOUND
GOIN DOWN
WITH YOUR FEET ON THE AIR AND YOUR HEAD ON THE GROUND
>feedback
AW yeah, shit's about to go down.
THE WORLD IS LOADED
IT'S LIT TO POP AND NOBODY IS GONNA
STOP
>singer starts singing about being eaten alive by the perfect lover
Nine Inch Nails? Sounds like Trent.
not that far off
youtube.com
>drummer freak out at the end of the song
"Apostate" defines this trope for me.
>singer announces the guitar solo
>"This is our best album since [insert their last good one]
>We really got back to our roots on this one.
If it's not a "getting back to our roots" album it's a "concept" album
>genre switching throughout an album and/or song
"Ladies and gentlemen, I'd like to present Mr. Muhammed Ali!"
"Everybody stop talking now, I tell ya....I told you, all of my critics, I told you all that I was the greatest of all time...
Now just listen...I told you today, I'm still the greatest of all time...never again defeat me...never again say that I'm going to be defeated...never again bet and make me an underdog, until I'm about 50 years old. Then you might get me. But I didn't dance, I didn't dance for a reason. I wanted to make him lose all his power, I kept tellin' he had no punch, he couldn't hit, he swang like a sissy, he's missin', let me see you box, I hadn't start dancin' yet! You can't say my legs are gone, you can't say I was tired, because what happened? I didn't dance from the second round on. I stayed on the ropes. When I stay on the ropes, you think I'm doin' bad. But I want all boxers to put this in the page of boxing: staying on ropes is a beautiful thing with a heavyweight when you make him shoot his best shot, and you know he's not hittin' ya. I would've gave George Foreman two rounds of steady punchin', because after that he was mine."
YES IM LEEEAAAVING
Death grips government plates opener
Not gonna throw a time in just listen. Album is Rua. Would suggest
>Vocal Meody and Guitar Melody Synchronise
>Suprise female vocals on emotional high point of song
>Second verse being very different from the first, or more aggressive
Why is it always "Hello, Cleveland!"
No matter what city, "Hello, Cleveland!"
>wall of noise with the bassist just doing some funky ass shit in the background
>singer starts out with a quiet trembling voice
>song ends with them screaming like a banshee
example please this sounds like the shit
>spoken word
>famous speech sample
>Maj7 chords, particularly the root/I
>I-V-vi-IV, or its more dramatic cousin, vi-IV-I-V (aka the four chords from "the four chord song")
>when everything else is doing long/slow notes and the drums are doing the opposite, quick/fast
>guitar harmonies, particularly in major keys, without vocals
>slow bossa nova/jazz songs/pieces
yes boi
What's your take on the age old canon, or imitative counterpoint? What about homonophy and heterophony. Also I cant get enough sequential patterns when done correctly or circle of fifth leading to modulation
>song ends on multiple vocal motifs from the album that resolve together
youtube.com
examples?
the who and nirvana come to mind immediately
TEMPLE SPRAY
song has two part, high and low note on vocals, and the transition is smooth in the middle of the song
youtube.com
around 2 minute mark
anything similar?
>wind instuments solo
I love 1234's! Especially hi-hat 1234s
A good 2/3 second long ridiculous sample from a movie or whatever then immediately exploding into blastbeats and grindcore freakout
>Build up
>Crescendos
>Songs that reference their other works
Call me a pleb, but this is some good shit right here
vore-core
>singer starts laughing maniacally
>Singer starts laughing painfully, song is breaking down
>Guitars are all over the place, drummer is going nuts
>Insane laughter builds into an intense roar
>Finally an explosion of noise as all instruments and vocals harmonize once more