i mean.................. it's fine......
I mean.................. it's fine
THERE'S
OH MY GOSH
people getting excited about this are like people getting excited over the new star wars movies
Easy
Easy
seesaw is really relaxing
the xx are less normie than star wars
hol it down, hol it down
You're the most beautiful girl in Hackney, y'know?
DIDN'T I TAKE YOU TO... HIGHER PLACES YOU CAN'T REACH WITHOUT ME
Seesaw is practically a Four Tet song
one of the most forward thinking EDM albums desu
I HAVE NEVER REEEEEEEEEEACHED SUCH HIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIGHTS
I FEEL MUSIC IIIIIIIIIIIIIIIIIN YOUR EEEEEEEEEEYES
only by a little bit
their debut record was alt-normiecore when it came out
Just delete "I know there's gonna be good times" and its fine
>You're in ecstasy
>without me
gets me every time
I really like this album, the soothing, deep bass tracks and those angelic vocals. More like this?
same. can't listen to this song or this album besides good times anymore due to nostalgia/feels being attached to it
Four tet actually did a remix of it
No Love Deep Web is great
Four tet is credited on the original
bad opinion
pfffttt HAHAAHAHAHHAHAHAHHAHHHHHHHAHAHAHAHAHAHAHAHAHHHAHAHAHAHAHAHAHAHAHAHAHAHAHHHAHAHAHHAHAAHHAHHhHHAHAHAHAHAH
Jamie xx practises safe raving with his debut solo album proper, following a 2011 collaboration with Gil Scott-Heron and production as part of The xx. 'In Colour' posits Jamie as the pre-eminent posh soul boy, lifting and massaging inspiration from the rich heritage of late '80s + early '90s London dance culture and channelling it into a pop-ready format palatable to Radio 1 daytime tastes and festival soundtracks. The putative "soul" of rare groove, boogie, hardcore and early jungle is sucked out and spliced with vocals in feathered arrangements ripened up for students and yummy mummys alike - all under one roof. From the deflated hardcore of 'Gosh' to the trudging 'Girl', it's as seductive as a Waitrose fridge on a warm day, infused with exotic tropical reference points in the steel drums of 'Obvs', mixing the suburban Breaks of latter-day Chicane and Marine Parade with woolly chords right out of a Lamb classic in 'Hold Tight', or nodding to seminal Joss Stone in 'Loud Places'. Oh, it's going to be a great summer, we can just feel it.
Good opinion
But chrome sparks song is better tho
IMMA RIDE IN THAT PUSSY LIKE A STROLLER
I SURVIVE IN THE MOTHERFUCKING GUTTER
Worst track on album. This autotuned dancehall voice is fucking annoying.
best track on the album*