250 La Belle et la bête, Jean Cocteau 249 Only Angels Have Wings, Howard Hawks 248 The Quiet Man, John Ford 247 The Crowd, King Vidor 246 Eraserhead, David Lynch 245 Groundhog Day, Harold Ramis 244 Two or Three Things I Know About Her, Jean-Luc Godard 243 Schindler's List, Steven Spielberg 242 The Birth of a Nation, D.W. Griffith 241 Underground, Emir Kusturica 240 Memories of Underdevelopment, Tomás Gutiérrez Alea 239 The Music Room, Satyajit Ray 238 Paris, Texas, Wim Wenders 237 An Autumn Afternoon, Yasujiro Ozu 236 My Neighbour Totoro, Hayao Miyazaki 235 The Graduate, Mike Nichols 234 F for Fake, Orson Welles 233 The Piano, Jane Campion 232 The Exorcist, William Friedkin 231 Night of the Living Dead, George A. Romero 230 Three Colours: Blue, Krzysztof Kieslowski 229 Crimes and Misdemeanors, Woody Allen 228 Ivan the Terrible, Part 2, Sergei Eisenstein 227 The Texas Chainsaw Massacre, Tobe Hooper 226 Death in Venice, Luchino Visconti 225 Kind Hearts and Coronets, Robert Hamer 224 The Treasure of the Sierra Madre, John Huston 223 The Thin Red Line, Terrence Malick 222 Wavelength, Michael Snow 221 Meshes of the Afternoon, Maya Deren 220 Red River, Howard Hawks 219 Breaking the Waves, Lars von Trier 218 Mean Streets, Martin Scorsese 217 Faces, John Cassavetes 216 Spirited Away, Hayao Miyazaki 215 The Big Lebowski, Joel Coen & Ethan Coen 214 Paths of Glory, Stanley Kubrick 213 The Band Wagon, Vincente Minnelli 212 Kes, Ken Loach 211 Sullivan's Travels, Preston Sturges 210 Wings of Desire, Wim Wenders 209 Bonnie and Clyde, Arthur Penn 208 Fargo, Joel Coen & Ethan Coen 207 The Colour of Pomegranate, Sergei Parajanov 206 McCabe & Mrs. Miller, Robert Altman 205 Chimes at Midnight, Orson Welles 204 Solaris, Andrei Tarkovsky 203 Ashes and Diamonds, Andrzej Wajda 202 Celine and Julie Go Boating, Jacques Rivette 201 The Thin Blue Line, Errol Morris
200 Raiders of the Lost Ark, Steven Spielberg 199 Belle de jour, Luis Buñuel 198 Nights of Cabiria, Federico Fellini 197 Paisan, Roberto Rossellini 196 Meet Me in St. Louis, Vincente Minnelli 195 Diary of a Country Priest, Robert Bresson 194 The Birds, Alfred Hitchcock 193 Le Samouraï, Jean-Pierre Melville 192 Chungking Express, Wong Kar-wai 191 Cries and Whispers, Ingmar Bergman 190 The Cabinet of Dr. Caligari, Robert Wiene 189 Rocco and His Brothers, Luchino Visconti 188 Umberto D., Vittorio De Sica 187 Dekalog, Krzysztof Kieslowski 186 Black Narcissus, Michael Powell & Emeric Pressburger 185 The Best Years of Our Lives, William Wyler 184 The River, Jean Renoir 183 Out of the Past, Jacques Tourneur 182 Ran, Akira Kurosawa 181 Brazil, Terry Gilliam 180 Sweet Smell of Success, Alexander Mackendrick 179 Vampyr, Carl Theodor Dreyer 178 Close Encounters of the Third Kind, Steven Spielberg 177 Imitation of Life, Douglas Sirk 176 Performance, Nicolas Roeg & Donald Cammell 175 Salò, or the 120 Days of Sodom, Pier Paolo Pasolini 174 Mouchette, Robert Bresson 173 Earth, Alexander Dovzhenko 172 L'Argent, Robert Bresson 171 The Passenger, Michelangelo Antonioni 170 The Last Laugh, F.W. Murnau 169 Nanook of the North, Robert Flaherty 168 The Deer Hunter, Michael Cimino 167 The Great Dictator, Charles Chaplin 166 The Grapes of Wrath, John Ford 165 The Travelling Players, Theo Angelopoulos 164 The Conversation, Francis Ford Coppola 163 A City of Sadness, Hou Hsiao-hsien 162 The Red Shoes, Michael Powell & Emeric Pressburger 161 The Gospel According to St. Matthew, Pier Paolo Pasolini 160 Night and Fog, Alain Resnais 159 The Umbrellas of Cherbourg, Jacques Demy 158 The Discreet Charm of the Bourgeoisie, Luis Buñuel 157 Beau travail. Claire Denis 156 On the Waterfront, Elia Kazan
Juan Robinson
156 On the Waterfront, Elia Kazan 155 His Girl Friday, Howard Hawks 154 King Kong, Merian C. Cooper & Ernest B. Schoedsack 153 Stagecoach, John Ford 152 Brief Encounter, David Lean 151 The Life and Death of Colonel Blimp, Michael Powell & Emeric Pressburger 150 Partie de campagne, Jean Renoir 149 Napoléon, Abel Gance 148 Trouble in Paradise, Ernst Lubitsch 147 Double Indemnity, Billy Wilder 146 Rosemary's Baby, Roman Polanski 145 Duck Soup, Leo McCarey 144 The Good, the Bad and the Ugly, Sergio Leone 143 Come and See, Elem Klimov 142 Spring in a Small Town, Fei Mu 141 My Darling Clementine, John Ford 140 Days of Heaven, Terrence Malick 139 One Flew Over the Cuckoo's Nest, Milos Forman 138 Do the Right Thing, Spike Lee 137 Don't Look Now, Nicolas Roeg 136 Un Chien andalou, Luis Buñuel 135 The Exterminating Angel, Luis Buñuel 134 Rome, Open City, Roberto Rossellini 133 Ali: Fear Eats the Soul, Rainer Werner Fassbinder 132 Yi yi, Edward Yang 131 Alien, Ridley Scott 130 A Matter of Life and Death, Michael Powell & Emeric Pressburger 129 Badlands, Terrence Malick 128 Madame de..., Max Ophüls 127 Vivre sa vie, Jean-Luc Godard 126 E.T. The Extra-Terrestrial, Steven Spielberg 125 Nosferatu, F.W. Murnau 124 The Spirit of the Beehive, Victor Erice 123 Ikiru, Akira Kurosawa 122 Letter from an Unknown Woman, Max Ophüls 121 The Lady Eve, Preston Sturges 120 L'Âge d'or, Luis Buñuel 119 Los Olvidados, Luis Buñuel 118 Notorious, Alfred Hitchcock 117 Sherlock Jr., Buster Keaton 116 Once Upon a Time in America, Sergio Leone 115 A Woman Under the Influence, John Cassavetes 114 The Mother and the Whore, Jean Eustache 113 Bringing Up Baby, Howard Hawks 112 All About Eve, Joseph L. Mankiewicz 111 Histoire(s) du cinéma, Jean-Luc Godard 110 Manhattan, Woody Allen
Grayson Reyes
2 Falcons of Fury (1956) 1 The Anvil Hoarder (1930)
Tyler Robinson
109 Blowup, Michelangelo Antonioni 108 Hiroshima mon amour, Alain Resnais 107 To Be or Not to Be, Ernst Lubitsch 106 L'Eclisse, Michelangelo Antonioni 105 Star Wars, George Lucas 104 The Shining, Stanley Kubrick 103 Gone with the Wind, Victor Fleming 102 Intolerance, D.W. Griffith 101 The Wizard of Oz, Victor Fleming
100 Greed, Erich von Stroheim 99 The Man Who Shot Liberty Valance, John Ford 98 A Brighter Summer Day, Edward Yang 97 Sátántangó, Béla Tarr 96 La Jetée, Chris Marker 95 Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Chantal Akerman 94 Aguirre: The Wrath of God, Werner Herzog 93 Sansho the Bailiff, Kenji Mizoguchi 92 Jaws, Steven Spielberg 91 A Man Escaped, Robert Bresson 90 The Magnificent Ambersons, Orson Welles 89 Sans soleil, Chris Marker 88 Pulp Fiction, Quentin Tarantino 87 Last Year at Marienbad, Alain Resnais 86 Jules et Jim, François Truffaut 85 It's a Wonderful Life, Frank Capra 84 Close-Up, Abbas Kiarostami 83 Annie Hall, Woody Allen 82 Voyage in Italy, Roberto Rossellini 81 Pickpocket, Robert Bresson 80 Nashville, Robert Altman 79 Viridiana, Luis Buñuel 78 The Conformist, Bernardo Bertolucci 77 Gertrud, Carl Theodor Dreyer 76 A Clockwork Orange, Stanley Kubrick 75 Blue Velvet, David Lynch 74 Goodfellas, Martin Scorsese 73 Pierrot le Fou, Jean-Luc Godard 72 The Seventh Seal, Ingmar Bergman 71 Amarcord, Federico Fellini 70 The Gold Rush, Charles Chaplin 69 The Leopard, Luchino Visconti 68 Rio Bravo, Howard Hawks 67 The Wild Bunch, Sam Peckinpah 66 Mulholland Dr., David Lynch 65 Late Spring, Yasujiro Ozu 64 North by Northwest, Alfred Hitchcock 63 La Strada, Federico Fellini 62 Once Upon a Time in the West, Sergio Leone 61 The Battle of Algiers, Gillo Pontecorvo 60 Wild Strawberries, Ingmar Bergman
Aaron Ward
59 Pather Panchali, Satyajit Ray 58 Ugetsu monogatari, Kenji Mizoguchi 57 Stalker, Andrei Tarkovsky 56 Shoah, Claude Lanzmann 55 The Apartment, Billy Wilder 54 Les Enfants du paradis, Marcel Carné 53 Fanny and Alexander, Ingmar Bergman 52 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick 51 The Third Man, Carol Reed 50 In the Mood for Love, Wong Kar-wai 49 Barry Lyndon, Stanley Kubrick 48 Playtime, Jacques Tati 47 M, Fritz Lang 46 Chinatown, Roman Polanski 45 La Grande illusion, Jean Renoir 44 The Night of the Hunter, Charles Laughton 43 Metropolis, Fritz Lang 42 Modern Times, Charles Chaplin 41 Rear Window, Alfred Hitchcock 40 Au hasard Balthazar, Robert Bresson 39 Contempt, Jean-Luc Godard 38 The General, Buster Keaton & Clyde Bruckman 37 Casablanca, Michael Curtiz 36 Ordet, Carl Theodor Dreyer 35 Touch of Evil, Orson Welles 34 Blade Runner, Ridley Scott 33 Sunset Blvd., Billy Wilder 32 Some Like it Hot, Billy Wilder 31 L'Avventura, Michelangelo Antonioni 30 La Dolce vita, Federico Fellini 29 City Lights, Charles Chaplin 28 The Mirror, Andrei Tarkovsky 27 Psycho, Alfred Hitchcock 26 Andrei Rublev, Andrei Tarkovsky 25 Lawrence of Arabia, David Lean 24 The 400 Blows, François Truffaut 23 Raging Bull, Martin Scorsese 22 The Godfather Part II, Francis Ford Coppola 21 Persona, Ingmar Bergman 20 Rashomon, Akira Kurosawa 19 L'Atalante, Jean Vigo 18 The Man with a Movie Camera, Dziga Vertov 17 The Passion of Joan of Arc, Carl Theodor Dreyer 16 Singin' in the Rain, Stanley Donen & Gene Kelly 15 Taxi Driver, Martin Scorsese 14 Breathless, Jean-Luc Godard 13 Battleship Potemkin, Sergei Eisenstein 12 Bicycle Thieves, Vittorio De Sica 11 Apocalypse Now, Francis Ford Coppola 10 The Searchers, John Ford 9 Seven Samurai, Akira Kurosawa 8 Sunrise, F.W. Murnau 7 8½ , Federico Fellini, 6 The Godfather, Francis Ford Coppola
Charles Harris
5 The Rules of the Game, Jean Renoir 4 Tokyo Story, Yasujiro Ozu 3 2001: A Space Odyssey, Stanley Kubrick 2 Vertigo, Alfred Hitchcock 1 Citizen Kane, Orson Welles
Xavier Scott
Best movie lists are always the same shit, kill yourself OP
Christopher Price
I haven't even heard of most of these movies desu
Grayson Cruz
>Anything Horror or SciFi on the list
Into the garbage it goes
Cameron Harris
No they aren't, dumb IMDb poster.
Juan Ward
>Gertrud not higher than Ordet
I am not ok with this.
Landon Reed
Why exactly did you post the link and then proceeded to post all the films int the t250? Too much autism, mate. The list is great, but for obvious reasons will be shat upon and miscomprehended on Sup Forums as a collective.
Eli Harris
t. embryo shits
fuck off back to imdb, tspdt is a coagulation of all existing greatest movie lists into one list. Sure it includes a bunch of shit lists and it means obscure chinkshit gets place undeservedly highly but your criticisms of it expose your own ignorance in film. Kindly fuck off from the thread and leave film discussion to the true cinéaste patricians.
Nolan Clark
Does the fact that my favorite movie is in the top 15 mean that i'm patrician ?
Aiden Turner
Well I never pretended I was a film expert. Just saying I haven't even heard of most of these movies. Not everyone took a film studies course in uni or something.
Camden Robinson
Because the 90% of Sup Forums doesn't even know how to open a link.
Camden Diaz
This board is for film experts, fuck off back to Sup Forums if you want entry level discussion.
William Jones
Citizen Kane, which I have a copy of — is all the critics’ darling, always at the top of every poll taken, but I think it’s a total bore. Above all, the performances are worthless. The amount of respect that movie’s got is absolutely unbelievable.
Asher Lopez
>leave film discussion to the true cinéaste patricians.
like yourself? hahahah
Julian Gonzalez
They are pretty conventional desu: no Straub-Huillet, no Paul Vecchiali, no Manoel de Oliveira, no Jacques Rozier, no Jonas Mekas, no Joao Cesar Monteiro...
Christian Gray
>This post >That image
David Lewis
Show me 5 lists like this one, that isn't the S&S poll.
Nicholas Miller
Lol what is this pretentious shit. Post the IMDb one
Angel Mitchell
>175 Salò, or the 120 Days of Sodom, Pier Paolo Pasolini
I thought this was just edgy bullshit. Didn't know it was actually kino.
Parker Barnes
>weeb avataring with a director he probably never watched on a uncontexted headline-type quote
Michael Martinez
Shut the fuck up. Calling something pretentious is just another way of saying you're too dumb to understand it. If you don't like something give actual critique
Justin Brown
the most pleb post in the history of Sup Forums
Long live the King.
Xavier Perez
The IMDB rating is more accurate for it, surprisingly. Many older critics and commentators hail it more on the condemnation of fascism through scatology method- and being the final very odd duckling film of the soon to be killed Pasolini- than as high quality cinema.
Jason Miller
>Bresson starts at 40 That's were you fucked up TSP
Chase Peterson
It's what Bergman said Hnng Out 1 Juliet Berto sit on my face pls
Easton Campbell
The last top 50 is the most controversial imo. There are good films, exceptional films, and overrated garbage meshed together. Solid list nonetheless. Too much chink shit though
Lincoln Williams
none of those are important enough to be in the top 250, maybe de Oliveira only for the sheer number of films he made
Jose Hernandez
>meet someone who's intimidated by Kane because it's a "great film" which must mean it's difficult and boring >show them the scene where Charlie BTFOs Thatcher
Always works.
Austin Harris
>Jonas Mekas >non important Are you fucking stupid? Did you even know what he did for American cinema?
Luis Brooks
>American cinema Lmao next you're going to advocate for Michael Bay in top 100
Tyler Young
no I don't, how about you tell me? I'm sure you know
Evan Edwards
Bay is more important (as in influence) for cinema than Mekas. Of course lots of people are important, but on a limited number, plenty will be left out.
Landon Walker
He worked with the whole underground scene in 60's New York, he revolutionized film as a medium and had a very unique artistic vision, he worked with Warhol, Beavers, Markapoulous, Brakhage, Baillie and others, he's definitely very important for cinema as a whole, no to mention many of his literary and filmic works are still being studied and analyzed to this day. Cool buddy
Justin Baker
Mate, I'm not analyzing quality, but Mekas is obviously less important than Bay. Bay is mainstream, money rolling, kabooms happening, Mekas is known by a few people and watched by less.
Aaron Ross
all the other directors you mentioned are more revolutionary then Mekas, he basically made home movies with bells and whistles, I'll never understand how he ever got so much praise for as I was moving ahead. Frampton, Snow, Sharits all did more with the medium than he did.
Jaxson Howard
>Pulp Fiction at 88 >No Reservoir Dogs >Taxi Driver that high >All these literal whos This is justifiably the worst list of all time
Dylan Murphy
Almost as good as Sup Forums's cinema list.
Angel Murphy
>He's on a film board, and he doesn't know who is Rivette, Godard, Bresson & Ozu.
Ryan Flores
kill yourself back to reddi.t pleb
Kevin Ross
Watch Walden again, also yeah, the other directors and the ones you listed were more experimental than Mekas, I'll agree on that.
Jonathan Richardson
You can't deny this list, but there should be more pre-code Hollywood 30s movies like Twentieth Century.
Isaac Perez
Bump.
Noah Scott
Bump. The plebs from this board the to apply.
Bentley Torres
I don't think anybody here watches movies, OP.
Chase Robinson
that list is dildos
Grayson Allen
Also, he published Andrew Sarris's film criticism in his magazine Film Culture, introducing auteurism to English-speaking audiences. The way everyone who cares about cinema talks about it was shaped by Jonas Mekas.
His films are mostly faux-naif home movies though, I wouldn't dispute that.
Nathan Robinson
Basically, after a certain tipping point in terms of numbers polled, you end up with plebbishness, because most critics are just reviewers, and most reviewers are mainstream fans who got lucky. Nothing by Billy Wilder should be higher than Ordet, obviously. Nothing by Fellini should be in the top fifty, equally obviously. The Seven Samurai isn't even among Kurosawa's top ten accomplishments, let alone the ten best films ever made. But there it is, a list of the most acclaimed only tells you the quantity of acclaim, not the quality.
It's a great argument for orthodoxy, in fact. I don't think a community dumb enough to put The Godfather at 6 really knows enough to put Citizen Kane at 1. Kane is there because the majority of critics, knowing how bogus their expertise is, uphold the orthodoxy of its greatness. As it is in fact one of the greatest films ever made, this is a good thing. In criticism, conformity, if it results in a more correct answer than would individuality, is preferable. And when so many people with so little ability are writing so much of film criticism, its their inertia, or cowardice, that minimizes the damage they cause to people's understanding of art.
Colton Nguyen
Sounds like shitskin names, they are non entities probably only popular in your third world country. Fuck off, cuck.
Jayden Brooks
>doesn't understand how influential Pulp Fiction was >doesn't appreciate Taxi Driver as a masterpiece of cinema >thinks a glorified film student flick should be anywhere near a 250 best films of all time list >doesn't know some of the most popular and best directors of actual cinema
Brody Turner
the only thing I read in film culture was when he was dissing Deren, Brakhage, Markoupoulos & co. as the 'conspiracy of homosexuality', was pretty funny. But you peaked my interest, anything specific I should read?
good point, do you think things are changing now there are websites like imdb, themoviedb, letterboxd etc. that the userbase is basically creating its own canon? For instance what you said about Kurasawa where his most popular film is not his best is true for many directors on the list, it would be interesting if it started to change.
Brandon Young
Pretty good overall post, when you named names it really was bad. Wilder has at least half a dozen films better than Ordet, and Fellini obviously should be with one of his two megamasterpieces on the top fifty. There's more, but, eh.
Andrew Miller
>Citizen Kane >#1 yet again It's a meme at this point
Benjamin Wilson
If you mean Sarris, you should read The American Cinema.
I don't think userbase-sourced lists are going to lessen the problem of there being too many critics.
Adam Cox
No, Wilder has no film even as good as Ordet. You can't have seen much if you seriously think Fellini has anything worthy of being included among the best fifty films.
Isaiah Perez
Yeah the 14 year olds who would put together a top 250 of nothing but crime drama and sci-fi genre horse shit are the true patricians! they know what they're talking about!
Jaxon Cooper
The problem is that the more inclusive a vote is the less accurate it becomes. When you widen the net of voters you shrink the average knowledge of the individual voter.
The average IMDB pleb who votes 10/10 on the latest capeshit release has probably seen less than 200 movies in his life and almost none made before he was born.
Of course someone who's knowledge of cinema ends at Nolan, Lucas and Cameron will think the likes of Inception and Star Wars are the greatest things ever. He simply doesn't know better.
These are also the same people who bring up the "it's all subjective" horseshit. Subjectivity is the codeword used by the uneducated to mask their ignorance.
Which is why the right approach is not looking at aggregate lists but finding the most well versed and studied critics and learning from each individually and eventually maturing your taste enough that you become capable of judging for yourself.
Nicholas Campbell
By saying Wilder hasn't anything as good as Ordet and claiming Fellini doesn't belong even on a top fifty- both laughable claims-, it very much seems that it's you who hasn't seen much or didn't take 'rightfully' from what was watched.
Ryder Garcia
>obscure chinkshit Speaking of ignorance in film.
Wyatt Reyes
You're making a false dichotomy. That list would be worthless, but at least it would be consistently worthless.
William Nelson
No, both of them are correct claims, and you're hoping it seems that way. You wouldn't be attempting to defend the idea that anything of Wilder's is as good as Ordet if you had taken anything from Ordet. If you had seen a hundred great films, you wouldn't be putting anything of Fellini's in the top half of your list.
Asher Parker
This is a great analysis. With the Sight and Sound poll too, the individual critics' lists are always far more enlightening and interesting than the final tally.
Hunter Collins
Not an argument
Gabriel Johnson
Name 10 films better than I Vitelloni or La Dolce Vita Go
Connor Martinez
No point arguing with him, if he can't recognize French or Portuguese names he probably hasn't even travelled outside of the US.
Ian Price
Here's a question: why is 'influential' a positive thing? Influential often seems to mean 'imitable'. Pulp Fiction made what it did look easy, because what it did was easy, and then a hundred guys who liked how low the bar had been set tried their luck. That isn't a good thing. 'Caused a lot of shit to be flung at the wall' isn't a praiseworthy attribute.
Wyatt Reed
No, both are incorrect claims. Sunset Blvd., Double Indemnity, Ace In the Hole, the Apartment, The Lost Weekend. All better than Ordet. La Dolce Vita and Otto E Mezzo belong easily on a top 50. You seem to be of the rarer species of the pleb with patrician airs.
Connor Brooks
>236: Totoro >216: Spirited Away Should have just excluded animation from the list entirely so as to save this embarrassment.
Nathaniel Clark
>implying american >implying le travelling enlightened individual meme He's still stupid, but come on
Angel Brown
No, none of those are better than Ordet. You seem to be a middlebrow faker.
Eli Jenkins
Name 10 films that are better than I Vitelloni and La Dolce Vita
William Miller
Ten at random: MODERN TIMES THE GOSPEL ACCORDING TO MATTHEW EUROPA '51 VAMPYR BLOOD OF JESUS PICKPOCKET JEANNE DIELMAN IVAN THE TERRIBLE THE LAST LAUGH MIRROR
Kayden Kelly
But there are hundreds. Have you seen anything other than what Roger Ebert told you to?
Christian Martinez
Are you saying this is an embarrassment for the list? Or are you displeased because your precious animu is not numba one?
Nathan Long
they forgot one
Cameron Hall
>le bad ebert >middlebrow faker Nice try, you're already exposed. Tell us about how deep the religious aspects of Dreyer's mise-en-scène are next, pleb babby.
Lincoln Kelly
Do you have to type like a retard? In no way is Jeanne Dielman or Zerkalo better than Fellini, by the way.
David Scott
Every single one cited is better than Ordet, though
Josiah Ortiz
You know nothing about cinema. Why, when this is so obvious, are you trying to reverse this with such nonsense? You do obviously read middlebrow criticism, because nobody using only their eyes and ears would mistake Wilder for an artist on the level of Dreyer. Your second sentence is meaningless. Stop humiliating yourself, I'm not interested in wasting the time on bullying you, I'd rather discuss cinema with people who have something to say about it. Watch the recommendations list you unsubtly asked me for and come back another day.
Logan Stewart
Sad to see people resort to jej mode when their bluster outruns their erudition. Just kidding all along, eh? Cool, enjoy the recommendations.
Jordan Jackson
yes they are
also gertrud > ordet deal with it
Nathan Reyes
There's no kidding. What doesn't exist is your purported patricianhood, so there's no need for recommendations coming from such a person. It's a disservice to the referred films.
Asher Perry
Pathetic, but understandable since you don't really could use another resort. Maybe I exaggerated and you're not a pleb with patrician airs, just the first. Try /lit/, they appreciate your fake type.
Landon Butler
>patricianhood
You're the one shitting up the thread with memes. Do you want to explain the true meaning of kino?
Dominic Bell
Why make this post confirming you haven't seen any of them when you could have just remained silent and left some doubt?
Anthony Morgan
>you don't really could use another resort.
Hmm, syntax breaking down with upset there. Stop typing, peasant.
Carter Cook
MURICA: The List.
Wyatt Hughes
vertigo and 2001 are unwatchable GARBAGE
Matthew Long
Why is there so much Indian shit on imdb's top 250? I mean that list was never particularly great but it was a decent starting point.
Noah Phillips
How awful of me to disturb your fantasy status that seemed to be going so well.
Owen Myers
But that's exactly what happened to you and everyone can see that. Stop digging, watch the films.
Grayson Martinez
United States 26.2% China 8.1% India Flag 7.5% The countries that most visit IMDb... Mostly because of this alexa.com/siteinfo/imdb.com
Nicholas Hughes
I recommend you condescend to yourself. You need to watch cinema and try to actually get something out of it, not pseudo-knowledge that leads to the blindness you demonstrate.
Samuel Jenkins
Yes, you are the only true cinema patrician. Dumb nigger.
Xavier Clark
Indians are sneaky somehow, my private tracker, when sorted by IMDB rating lists many. many Indian movies as better than Seven Samurai, The Human Condition etc, etc,. They can distort their ratings somehow.
