ITT: Racist songs
ITT: Racist songs
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lmao the song doesn't even mention black people
That's what makes it racist...
LIFE IS LIKE A NIGGER
>Black Messiah by The Kinks
>"The black messiah is gonna set the world on fire"
That line is a double entendre....
Not 'racist' per say but....
>SHEEEEEEEEEEE HAD TO LEEEEEEEEAVE
I guess I bless the aids down in africa
WORKIN LIKE A NIGGER FOR A DIME A DAY
Woman is the nigger of the world
Anything by Kendrick Lamar or any other anti-white #woke rapper.
ok dude
Kevin Shields - City Girl
There is no scene where the Japanese are afforded a shred of dignity. The viewer is sledgehammered into laughing at these small, yellow people and their funny ways, desperately aping the western lifestyle without knowledge of its real meaning. It is telling that the longest vocal contribution any Japanese character makes is at a karaoke party, singing a few lines of the Sex Pistols' God Save the Queen.
The Japanese half of me is disturbed; the American half is too. The Japanese are one-dimensional and dehumanised in the movie, serving as an exotic background for Bob and Charlotte's story, like dirty wallpaper in a cheap hotel. How funny is it to put the 6ft-plus Bill Murray in an elevator with a number of overly small Japanese? To manufacture a joke, the film has Murray contorting himself to have a shower because its head isn't high enough for him - although he is supposed to be staying in a five-star hotel. It's made up simply to give western audiences another stereotype to laugh at. And haven't we had enough about the Japanese confusing rs and ls when they speak English?
While shoe-horning every possible caricature of modern Japan into her movie, Coppola is respectful of ancient Japan. It is depicted approvingly, though ancient traditions have very little to do with the contemporary Japanese. The good Japan, according to this director, is Buddhist monks chanting, ancient temples, flower arrangement; meanwhile she portrays the contemporary Japanese as ridiculous people who have lost contact with their own culture.
Coppola follows in the footsteps of a host of American artists who became very interested in the cultural appropriation of East Asia after the second world war. The likes of Lou Harrison, Steve Reich and John Cage took "eastern" philosophy, music and concepts to fit an image of the mysterious east, which is always related to ancient civilisations.
>background characters are just in the background while the story is actually about the main characters
no way
The Jewish/American military industrial complex is just doing its job. Keeping any former enemy states humiliated and emasculated is their bread and butter when it comes to cultural warfare.
seems like your problem is with the movie and not the music.
>get nookd gook.
>missing the point
Those not conforming to this never have a voice of their own. They simply don't have a story to tell, or at least not one that interests "us". This is the ignoble tradition into which Lost in Translation fits. It is similar to the way white-dominated Hollywood used to depict African-Americans - as crooks, pimps, or lacking self control compared with white Americans.
The US is an empire, and from history we know that empires need to demonise others to perpetuate their own sense of superiority. Hollywood, so American mythology has it, is the factory of dreams. It is also the handmaiden to perpetuating the belief of the superiority of US cultural values over all others and, at times, to whitewashing history.
The caricatures play to longstanding American prejudice about Japan. The US forced Japan to open up for trade with other countries in 1864, ending 400 years of isolationist policy by the Tokugawa regime. The US interned thousands of Japanese during the second world war and dropped two nuclear bombs on the country. After Japan's defeat, America became more influential in East Asia; Japan was occupied, not only by the US forces but, more important, politically and culturally.
Some have hailed the film's subtlety, but to me it is reminiscent of the racist jokes about Asians and black people that comedians told in British clubs in the 1970s.
The music was composed for the movie.
doesnt matter if the movie was composed for the movie. the song isnt racist.
HERE IN
OLD NIGZ
Do They Know It's Christmas
I BLESS THE RAINS DOWN IN AFRICAAAAAA
>It's going to take a lot to make me love a jew!
>There's nothing that a hundred jews or more, could have died to! In Nazi Germany!
Damn... Toto snapped on this one!
...
based moonman been smooth since the days of killin jews
She's coming in, 12:30 flight
The moonlit wings reflect the stars that guide me to salvation...
Presumably this person is on the ground awaiting the plane. If the wings were moonlit, he wouldn't be able to see that from his vantage point on the ground. The portion of the wings lit up by the moon would be facing the sky, unless the plane was banking as it came in to land, in which case they would no longer be reflecting the moonlight.
But he also says the wings reflect the stars which is absurd if they were moonlit. The luminosity of the moon would completely drown any starlight being reflected on the wings. It's all just physically impossible.
And don't get me started on "solitary company"....
>using a photo of a sacred aboriginal site for an pop album cover by white fellas
pretty racist yeah
Give me a (you) if you hate abbos
was on a MEU to australia years ago and god damn i hate them. Didn't get it at first the aussies were complete pricks to them and didn't even consider them human and thought how awful, then i interacted with a few......they're literally subhuman.
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NIGGER NIGGER NIGGER NIGGER NIGGER!!!
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well, today i learned that
1) swedish rap metal exists
2) swedish rap metal songs with "nigger nigger nigger nigger nigger" as the chorus exist
3) swedish rap metal songs with "nigger nigger nigger nigger nigger" as the chorus charted in sweden and norway (via wikipedia)
Is this a real post though is the real question. Does this post exist.
They were pretty big in the mid 90's.