Any kino recommendations?

So far I checked out

>Kubrick
>Kurosawa
>Tarkovsky
>Bergman

Other anons told me check out Jean-Luc Godard and Tarr if so which films?

Other urls found in this thread:

cromeyellow.com/everyone-hates-godard-30-harshest-filmmaker-on-filmmaker-insults/
twitter.com/AnonBabble

kieslowski, bresson, ozu, and the italians next tbqh

Godard
Fellini
Bunuel
Truffaut
Ozu

Just check out the Criterion Collection

john ford

howard hawks

Skip Godard, he's worthless. Do Bresson, Mizoguchi, Kobayashi, Ozu, Bunuel, Kieslowski, Fellini, Antonioni, Dreyer, Lopushansky, Sokurov, Zvyagintsev, Diaz, Reygadas, Weerasethakul, Bartas, Tarr and Ceylan.

Godard is a fucking hack ignore his stuff.

Even if he is a hack his contribution to film is undeniable and he's one of the most innovative directors, french or otherwise. He fell off in his later years, but he shouldn't be ignored

For starting
>Godard
Breathless or Contempt
>Tarr
Satantango
>Kieslowski
Camera buff
>Bresson
A Man Escaped
>Ozu
Late Spring or Tokyo Storypsst, do Dragnet Girl, I'm not supposed to rec non-TS so don't tell anyone
>Italians
Bicycle Thieves (de Sica), Rome Open City (Rossellini), La Dolce Vita (Fellini).

He's contributed nothing worthwhile.

>recommending diaz and bartas to someone who is just starting cinema
dont just namedrop to namedrop

way to go pleb

cromeyellow.com/everyone-hates-godard-30-harshest-filmmaker-on-filmmaker-insults/

He's a hack.

Why did he love hitler so much

>Godard

Breathless
A Woman is a Woman
My Life to Live
Contempt
Pierrout le Fou

Did you like them and want more?

Band of Outsiders
Alphaville
Masculin Féminin
La chinoise

>Did you like them and want more?
unlikely

>Diaz

>Skip Godard, he's worthless.

and this is how you spot the pleb.

Which director did you like the best and for what reasons? I'll assume Bergman was your favorite since you used his picture.

>If you liked Bergman for his
- female leads and affinity for melodrama, check out Cassavetes. Probably start with A Woman Under the Influence. Bunuel and Fellini are good choices too, especially for the similar representations of sexuality.

- existential, religious, and despairing themes check out Bresson. You can start anywhere, but I'd start at the beginning with Diary of a Country Priest. Dreyer, Tarr and Angelopoulos might be other good recs.

>If you liked Kurosawa for his
- sprawling genre epics, check out John Ford. Kurosawa picked My Darling Clementine over the other Ford films when he was making his favorite films list. Ford was a major influence on Kurosawa. Mizoguchi is another similar Japanese director.

>If you liked Tarkovsky for his
-poetic, ethreal style then check out Parajanov. Major influence on his work. Start with either The Color of Pomegranates or Shadows of our Forgotten Ancestors.

-representation of memories and non-sequential editing, then check out Malick. Particularly his autobiographical films, from The Tree of Life onward.

>If you liked Kubrick for his
-geometrical style, check out Welles, Hitchcock, Ophuls, Lang, or really any sort of classical filmmaker. If you like highly stylized films you should definitely check out Teshigahara's A Woman in the Dunes and The Face of Another. Also check out Kalatozov's three major films.

Masaki Kobayashi, trust me on this user

Lars Von Trier. Skip the Europa trilogy and go straight for the Gold hearted trilogy, Dogville and the Depression Trilogy

You should check the top 100 of Siight & Sound
and the top 250 of They Shoot Pictures, Don't They?
100 Greed, Erich von Stroheim
99 The Man Who Shot Liberty Valance, John Ford
98 A Brighter Summer Day, Edward Yang
97 Sátántangó, Béla Tarr
96 La Jetée, Chris Marker
95 Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Chantal Akerman
94 Aguirre: The Wrath of God, Werner Herzog
93 Sansho the Bailiff, Kenji Mizoguchi
92 Jaws, Steven Spielberg
91 A Man Escaped, Robert Bresson
90 The Magnificent Ambersons, Orson Welles
89 Sans soleil, Chris Marker
88 Pulp Fiction, Quentin Tarantino
87 Last Year at Marienbad, Alain Resnais
86 Jules et Jim, François Truffaut
85 It's a Wonderful Life, Frank Capra
84 Close-Up, Abbas Kiarostami
83 Annie Hall, Woody Allen
82 Voyage in Italy, Roberto Rossellini
81 Pickpocket, Robert Bresson
80 Nashville, Robert Altman
79 Viridiana, Luis Buñuel
78 The Conformist, Bernardo Bertolucci
77 Gertrud, Carl Theodor Dreyer
76 A Clockwork Orange, Stanley Kubrick
75 Blue Velvet, David Lynch
74 Goodfellas, Martin Scorsese
73 Pierrot le Fou, Jean-Luc Godard
72 The Seventh Seal, Ingmar Bergman
71 Amarcord, Federico Fellini
70 The Gold Rush, Charles Chaplin
69 The Leopard, Luchino Visconti
68 Rio Bravo, Howard Hawks
67 The Wild Bunch, Sam Peckinpah
66 Mulholland Dr., David Lynch
65 Late Spring, Yasujiro Ozu
64 North by Northwest, Alfred Hitchcock
63 La Strada, Federico Fellini
62 Once Upon a Time in the West, Sergio Leone
61 The Battle of Algiers, Gillo Pontecorvo
60 Wild Strawberries, Ingmar Bergman
59 Pather Panchali, Satyajit Ray
58 Ugetsu monogatari, Kenji Mizoguchi
57 Stalker, Andrei Tarkovsky
56 Shoah, Claude Lanzmann
55 The Apartment, Billy Wilder
54 Les Enfants du paradis, Marcel Carné
53 Fanny and Alexander, Ingmar Bergman
52 Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Stanley Kubrick
51 The Third Man, Carol Reed

50 In the Mood for Love, Wong Kar-wai
49 Barry Lyndon, Stanley Kubrick
48 Playtime, Jacques Tati
47 M, Fritz Lang
46 Chinatown, Roman Polanski
45 La Grande illusion, Jean Renoir
44 The Night of the Hunter, Charles Laughton
43 Metropolis, Fritz Lang
42 Modern Times, Charles Chaplin
41 Rear Window, Alfred Hitchcock
40 Au hasard Balthazar, Robert Bresson
39 Contempt, Jean-Luc Godard
38 The General, Buster Keaton & Clyde Bruckman
37 Casablanca, Michael Curtiz
36 Ordet, Carl Theodor Dreyer
35 Touch of Evil, Orson Welles
34 Blade Runner, Ridley Scott
33 Sunset Blvd., Billy Wilder
32 Some Like it Hot, Billy Wilder
31 L'Avventura, Michelangelo Antonioni
30 La Dolce vita, Federico Fellini
29 City Lights, Charles Chaplin
28 The Mirror, Andrei Tarkovsky
27 Psycho, Alfred Hitchcock
26 Andrei Rublev, Andrei Tarkovsky
25 Lawrence of Arabia, David Lean
24 The 400 Blows, François Truffaut
23 Raging Bull, Martin Scorsese
22 The Godfather Part II, Francis Ford Coppola
21 Persona, Ingmar Bergman
20 Rashomon, Akira Kurosawa
19 L'Atalante, Jean Vigo
18 The Man with a Movie Camera, Dziga Vertov
17 The Passion of Joan of Arc, Carl Theodor Dreyer
16 Singin' in the Rain, Stanley Donen & Gene Kelly
15 Taxi Driver, Martin Scorsese
14 Breathless, Jean-Luc Godard
13 Battleship Potemkin, Sergei Eisenstein
12 Bicycle Thieves, Vittorio De Sica
11 Apocalypse Now, Francis Ford Coppola
10 The Searchers, John Ford
9 Seven Samurai, Akira Kurosawa
8 Sunrise, F.W. Murnau
7 8½ , Federico Fellini,
6 The Godfather, Francis Ford Coppola
5 The Rules of the Game, Jean Renoir
4 Tokyo Story, Yasujiro Ozu
3 2001: A Space Odyssey, Stanley Kubrick
2 Vertigo, Alfred Hitchcock
1 Citizen Kane, Orson Welles

>Bunuel and Fellini are good choices too, especially for the similar representations of sexuality.
>similar representations of sexuality.

Are you serious there?
I can't imagine a two pairs of directors that represent sexuality in more different ways.

Slightly off topic:
How famous is Bresson? I always thought he was in the same tier as guys like Bergman, Tarkovsky, Fellini, Kurosawa etc. but on IMDB I think all but one of Bresson's films have less than 10.000 votes. Not that it really matters, but I just wonder if he's less well known than I thought.

Values instilled into him by his father which he later rejected.

As an impressionable, repressed teenager he was impressed by the charismatic, public speaker Hitler. Adult Bergman had very different values than he did as a teenager and said supporting Hitler once was one of his greatest regrets in life.

Godard's most accessible movie is probably Contempt, his most famous is Breathless, and in my opinion, his best is Vivre sa Vie. You should see them all.

No, he's one of the most beloved directors of all time, at least among people who are in the know. When Sight & Sound magazine did their latest poll for their Greatest Films list, "the only list most movie people take seriously" as Ebert said, Bresson had more films on it than anyone.

very beloved in highbrow circles, practically unknown in middlebrow circles

But he is less famous than Kurosawa.

He's less famous than Bergman, Fellini, and Kurosawa, and probably a little less famous than Tark these days, but not by a whole lot.

I never got the love for Bresson, all his films are good don't get me wrong (although Mouchette and au hasard balthasar are my least favorite, with 4 nights of a dreamer being my favorite), and I get his way of filming actors was revolutionary, but there hasn't really been a film of his that made me go wow. Not hating on him but I think that Tarkovsky or Dreyer surpass him , but then again I just didn't think his movies were life changing experiences and maybe I'll have to rewatch them some time.

I would say that Kurosawa is in another league (fame wise) than Bresson. Considering Seven Samurai has 236k votes on imdb vs Pickpockets 13k.

I'd put Band of Outsiders in the first list

Kurosawa's definitely the one who is currently most famous right now due to George Lucas taking inspiration from him for Star Wars.

Different strokes. I love his movies. I find them really comfy and genuinely entertaining. Pickpocket is my favorite, followed by Diary of a Country Priest.

That's why I put them towards the end -- older to newer.

test