>when the score is by max richter
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When the score is by max richter
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So that's why the music was so good.
waltz with bashir is best
>AMA about Jennifer Jason Leigh
Do you shave down there, Jen?
I've literally listened to that song at least once a week for the last few years
hearing it in the intro of arrival was fucking wierd since I knew each note and what was coming next
Doesn't it lose its magic when you've listened to it so many times, though?
That's why I'm always careful never to overplay songs/albums that I love.
I legit wanted Morgan and her waifu to escape the retard complex.
The ending felt flacid with worst Mara winning
not when it's max fucking richter it doesn't.
>when the score is a 80's jewish minimalist reboot
Frahm>Richter, but they're both still great.
fight me right now
city, address, zip code, country, state. I will drive to where you are and fight you right now
I find this a little too sentimental for regular listening but cinematic and spectacular in that scene. Amy Adams is brilliant.
my favourite movie score of all time is this scene
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it relates to me on a emotional level since i have a brother i am close to
1600, Penn. Ave.
Washington, D.C.
See you there, fagit
>when the film has music by philip glass
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Ick. Get that repetitive kike shit out of here. Glass is 20th century, he's ancient history.
>outdated timestamp
can't fookin fool me faggot
Whatever you say, pal.
>mfw richter made it into the trailer for the new baykino
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fuck wrong trailer
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somebody should do a recut of interstellar with philip glass tee bee haytch
delete this garbage
shit place to live desu senpai
what apartment number I need to know which fucking papist's door to kick down and beat the shit out of
I fucking forgot the right pic what a total shitheap I am
The best Max Richter track is obviously: