Sir we have three Simon & Garfunkel songs we can use on the soundtrack

>sir we have three Simon & Garfunkel songs we can use on the soundtrack
>oh great use all of them at least 5 times each throughout the film

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hello darkness my old friend

and it worked perfectly

was it really only 3? it seemed more like 4 or 5

It's because those songs weren't actually supposed to be in the movie. Nichols used them in an early edit as placeholder music and would loop songs if he felt more music was needed than the songs' original duration allowed. I personally feel The Sound Silence sequences work very well, but Scarborough Fair starting and randomly stopping four times in 10 minutes is ridiculous.

Who was the bigger cuck, Elaine or Mrs Robinson?

>tfw no late 1960s milf to seduce me

>sir we have three Leonard Cohen songs we can use on the soundtrack
>oh great use all of them at least 5 times each throughout the film

Fun fact: they gave the character Mrs. Robinson that name so it would fit the song

They haven't ever released the version of The Sounds Of Silence that is played at the end
It's not the original rock version
youtube.com/watch?v=ZEl-J7lTkKU

No. The name comes from the book and the lyrics of an unfinished song called "Mrs Roosevelt" were changed to "Mrs Robinson".

BTFO

Why did she choose to follow that turbo autist?

>adjusted for inflation this movie grossed almost $800 million
wtf I love the 60s now

So what exactly was his problem?

Why was he a depressed little faggot

Did Mrs Robinson actually have contempt for Benjamin or was she just salty about (potentially) getting cucked?

>watch this movie
>get inspired
>move to Colorado to follow old high school sweetheart around her job
>get restraining order

>Moving to get close to someone you already broke up with
Oh that's not creepy at all.

You should watch the Theron movie Young Adult.

she was upset that a younger and prettier woman was stealing the attention of her lover, and that would have been the final nail in the coffin for her narcissist persona that fails to recognize she's getting old and her glory days are behind her - something that Mrs Robinson fears facing

>sir we have Ennio Morricone hired
>oh great make him record one track we'll use just that for the whole movie

>get inspired
But why? The point of the ending is that that sort of thing doesn't work out

>sir we have one of the best composers in Hollywood avai-
>*opens itunes library*
>'Best of Classical Music Vol. 2'

THIS

Is this the greatest ending in cinema history?

>Kate Beckinsale is starting in a spiritual remake featuring that guy who played Anatole in War & Peace as the recent graduate
GET HYPE

The only difference is that in this version the milf isn't his father's friend but his father's mistress.

test

*starring

Sounds like generic uncharismatic TIFF trash that won't get a proper release.

I will watch it ASAP though.

why is TIFF so lame?

While I greatly enjoy how TIFF is open to the public and a few good films have premiered there, TIFF is mostly about posturing. It's for bad "alternative" films that have a (relatively) big budget and play it safe. The programming is filled with trash like famous actors' worthless directorial debuts that happen to have some buzz because of the actors' fame.

Nice.

I didn't understand that movie at all. It just seems incoherent to me. He has an affair with an older woman, is slacking off and then stalks this girl. The only consistent thing seems to be him being depressed, that he feels like crap again even after what looked like a happy ending at first.
Am I missing something? This film is considered a great classic, but I just don't see it.

>watch this movie with my ex
>she leaves me week after for chad
HELLO DARKNESS MY OLD FRIEND

That's still The History of the World. Part I.

It's partly the moment in time it was released. This film's version of marriage isn't as revolutionary today.

You deserved it.

It's dated. It represents a different time.

life is confusing

it was a time before women warned each other to stay away from the autists.

>Hofman was barely younger than Bancroft
huh

>sir we have three Nut King Cole songs we can use on the soundtrack
>oh great use all of them at least 5 times each throughout the film

Whyyyyyyy
Leave this fucking movie alone ffs
This shit triggers me beyond belief, way to shit all over the heritage of a classic that's been around for fucking 50 years

It's not a real remake. Just an excuse for mainstream /ss/.

>sir we've got some of the best composers in the world avai-
>I don't care use this theme from a Japanese movie nobody's ever heard of

Her husband

Finding out that song wasn't composed specifically for ITMFL blew my mind. Same thing when I found out The Godfather theme was a rehash of the composer's earlier work because he didn't finish writing something bew on time.

I've actually never seen The Graduate but fuck me if that small last piece couldn't be used as an example of a short film simply because of Dustin Hoffmans acting, a cautionary tale of chasing passion or something. Brilliant!

That's not the poster for Hateful 8

>sir we've got Howard Shore and a full orchestra and choir available
>oh great make him write some really generic early 80s synth stuff that doesn't really fit any of the scenes and make him record it in an hour

nah, robocop

>sir we have John Williams
>dude fuck letting a film breathe amiright
>*directs your path*

hot

That sound like trash.

>sir we can get any composer
>nah i'll do it myself
>on the second thought, get me ennio morricone

>sir we have a composer
>why? I'll just use rolling stones music for every scene

>what kind of soundtrack do you want?
>three alternating synth notes with the chorus effect throught the whole film
It ended up being good anyway.

>Sound of silence
>Scarborough fair
>bookends
>mrs robinson
>april come she will
theres way more than three
You have to fuck her mom, stupid

Holy shit someone else has seen McCabe and Mrs. Miller.

Simon and Garfunkel suck.

it sounds like it's sped-up and pitch shifted accordingly youtube.com/watch?v=4fWyzwo1xg0