Trapped in Hillary's Timeline Edition pastebin.com
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/tpg/ - Twin Peaks General
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>Jew Dei
>Abrahamic God
Lynch masterfully hiding his power level. Say it with an Asian accent, it gets 'em every time.
Guys, I've been LYNCHED on a cosmic level.
The "globalist conspiracy" is the Black Lodge doppelganger of the ideal of Communism. It looks like happy be-nice-and-share-for-the-children Communism on the outside, but that's an illusion hiding evil autocratic Soros-brand tyrrany. Lynch's support of Bernie is all part of his art.
Anime is pro-individualism, pro-freedom, pro-capitalism and celebrates genuine femininty as well as merit in special individuals, and provides strong female icons that remain feminine despite their power or status. It's a mirror image-inversion of globalist propaganda. It's a good-natured "doppelganger of the doppelganger" to globalist communism. Anime and weeaboo fandom is like the Evolution of the Arm, to globalist communism's Man From Another Place.
"Judy", disgorging streams of mucousy globules containing round, egg-like blobs? Into "water"? Remind you of a certain female presidential candidate's speech?
LYNCH WARNED US ABOUT ALL OF THIS.
Man we don't want your shovels
What a fascinating case of mass self-delusion this has been. It's truly amazing and disgusting how heavily people are stroking themselves over their ability to force themselves to choke down something that is so very poorly executed just so they can reach that oh so "clever" hidden story within.
Look, I know that it must be very comforting to keep talking down to people about how they just don't get the weirdness and complexity of it all (because WOW, use of metaphor and non-linear storytelling in the video medium? UNHEARD OF!), but that's really not the problem here. It's the absolutely abysmal pacing and structure. Yes people, we get it. Lynch likes to pull the same old thing out of his bag of tricks that he always has, where he tries to artificially induce unease by drawing scenes out well past their welcome, except instead of the handful of times spread out across a 2-3 hour movie we are now treated to 45/60 minutes of this filler in each episode of an 18 hour saga, leaving very little room for any actual worthwhile content. You don't need to be a mathematician to see that the ratio between the two is incredibly uneven.
But OK, yippee hooray for ARTISTIC INTEGRITY! He has such complete free rein to spew out completely unfettered streams of consciousness that no one at all will dare to tell him that maybe things like having a confused old woman talking to the police about who has the keys to a door for 10 straight minutes is an absolute waste of film, and none of you will dare admit that this pile of slop is in dire need of editing because you're too busy preening about what an artistic genius Lynch is, and how open-minded and avant-garde you are by extension for being able to wrap your heads around a plot that's literally been done a hundred times before in superhero comic books.
A big slow clap for you all.
tl;dr
Friendly reminder that this is confirmed to be the true ending of the show. Everything after this was just a dream and it was Lynch's way of making fun of his fans who over analyse his work. This is the true ending to Twin Peaks.
>your emotional reactions to this art are invalid
>let me tell you why..
why does she do this?
Is anyone else annoyed that Annie was blatantly ignored.
To add salt to the wound, we then got a forced and unbelieveable romance between Diane and Coop instead.
Just watched the last episode. Correct me if Im wrong.
They've beaten the evil.
Cooper can even save Laura by sending her in an other reality where she's been given an other life.
Diane and Coop also cross to that other reality (for whatever reason).
Creepy sex.
Diane left a note with different names because they're also different people here.
Cooper goes find Laura Palmer, brings her to Twin Peaks and she screams in horror because by seeing her old house she remembers the nightmare she went through.
she can't bear to look at him, you should be familiar with that reaction
I do it all the time when I'm fucking when somebody I don't like and I'm thinking of someone else.
L Y N C H E D
Y
N
C
H
E
D
>hurr durr happiness is for plebs!
Does she play with Coop's face because she's been trapped in the Mauve Zone only being able to feel, not see, or because she's afraid of Mr. C and the rape?
My name...is DALE COOPER, FBI. I stay close to this vessel, Richard, for one purpose...to find JUDY, and stop her!
because Kyle is creep is fuck
but he didn't. people in that timeline kept on living and just saw Cooper disappear just as Jeffries or Briggs disappeared before. the only being in that timeline/reality who can react to what happened is Sarah/Judy, who is furious that Laura has been saved in some capacity.
>coop realizes laura is the dreamer and that they're trapped in her dream because she died
>jeffries sends coop back in time to save laura so that she can wake up
>coop leads laura away from leo and jacques, thus saving her
>she disappears and cooper is sent to the lodge, since none of his time-traveling would've happened in the first place (see: back to the future)
>in the present day, cooper goes to look for laura with the 430 clue the giant gave him
>he's led to a teleportation zone, much like the one booper used, that will supposedly take him to judy
>he and diane are brought into judy's alternate reality, where he's richard, diane is linda, and laura is carrie
>coop reads the note from linda, sees judy's diner, and realizes he's inside of a dream
>coop takes laura/carrie to her house to see if she remembers that she's laura so she'll wake up
>coop is cucked by dream logic (laura, the dreamer (who has created judy so as to relinquish control), inserts "tremond" and "chalfont" to explain why she isn't laura)
>coop asks her what year it is so that she'll realize it's still 1989
>she screams upon realizing and wakes up
JOWDAY
Episode 1 and episode 18 where Laura screams and gets pulled away happen at same time.
Reminder that episode 18 Coop+Laura visit at Palmer house was one of the, if not the first, scene shot in the production.
Linda couldn't stand to see Richard's face
What did Lynch's son mean when he posted this?
Sheryl Lee is so fucking good at screaming
Jiaodei*
OK, so. Laura's not coming back. 'The return', repetition, that's impossible. There's no time travel, Cooper didn't go back to the woods to grab her. She's dead. That was a dream, as his superimposed face on the sheriff's office scene was meant to indicate.
He wakes up in 2017 (the gas prices you guys) and, as Cooper would, follows the clues in his dream. Drives 430 miles to Odessa, rather arbitrarily follows a sign saying 'Judy's', winds up at Carrie Page, who looks a lot like Laura, but isn't her. (Hence why she's represented in the credits as 2 different people.) Go back to Twin Peaks, but Sarah Palmer hasn't lived in that house for a long, long time...
But that scream doesn't really fit...
And he has Bushnell's gun OH WAIT NEVERMIND
its not about the bunny
he's tired of getting lynched
Reminder that Sheryl is CUTE and she will defeat evil with her CUTE powers
But if it's about not looking at his face.. why does she keep feeling it? Why not just keep her hands still?
I'm telling you guys, it's about being trapped in the Mauve Zone only being able to feel!
Saturn?
Jewday
This really was like the last two evangelion eps. Abrupt ending, no resolution to all side plots and "lore" (don't like that term) stuff.
Are we gonna see a End of twin peaks film?
Almost
Cooper can time travel now so he goes back to save Laura. But then she gets taken by [something]
I feel like that other reality is black lodge related (thus seeing Diane's doppelgänger)
But yeah the ending is basically Not-Laura remembering who Laura is
gotta wait about 50 years for it
>They've beaten the evil.
they've beaten BOB. Judy is still at large.
>Cooper can even save Laura by sending her in an other reality where she's been given an other life.
Cooper tries to save her but she is snatched by Judy. Cooper travels to Odessa, which is Judy's evil pocket dimension/deep black lodge, where Laura's spirit is trapped. He needs to find Laura, as instructed by Leland, because she is integral to destroying Judy.
>Creepy sex.
this is to trigger the "awakening". before Cooper wakes up in another motel, we are watching Richard and Linda, not Cooper and Diane.
>Cooper goes find Laura Palmer, brings her to Twin Peaks and she screams in horror because by seeing her old house she remembers the nightmare she went through.
yes.
>6
You have cause and effect mixed.
What was up with that sex scene?
I'm going with the reliving the rape theory to get into the black lodge. She's covering coop's face because she's trying to conjure up boop in her mind. Coop's acting all blank because he doesn't want to show that he's getting his rocks off to diane's rape scene, or he's just trying to channel boops demeanour.
>this is to trigger the "awakening". before Cooper wakes up in another motel, we are watching Richard and Linda, not Cooper and Diane.
HOL' UP
Then why does he say "DIANE?" upon waking up?
Seems only Diane slipped into her Linad persona, but not Dale Cooper.
Kyle just wanted to fuck Laura (and Lynch too)
Lynch wanted to film it.
Half of these 18 hours have been Lynch wanted to film it. As someone said in Episode 8, he probably wanted to do a music video for Threnody for the victims of Hiroshima, and that's why we had 5 or 10 minutes of zooming in on the bomb with explosions and 2 seconds of seeing Judy and Bob.
Really puts me to sleep.
>The scittering sound happens when 80's Laura gets sucked away. We see that same sucking-away-and-screaming thing happen directly in the Lodge to separate Laura from Cooper. So where Judy is keeping Carrie is most likely an evil Lodge dimension.
>You enter the Black Lodge through fear and suffering. The pocket dimension created by Judy to cage golden-orb-Laura must be closed off to good spirits, so human Coop has to rescue Laura for the Giant. It's a dark place where he can't even speak.
>They cross the threshold at "430", but it isn't until waking from the sex scene does Coop's personality change and he actually arrives in the motel he leaves to find Carrie.
>So Diane's rape trauma leading to that sex being horrifying was actually integral.
So if Laura is the dreamer when did her dream start? Before or after death?
The Fireman is the dreamer
Cooper is still himself, yes, the whole "Richard is bleeding" or "he is part booper" shit is retarded. He is being more serious and cold because he's on a job to save fucking reality from the devil, he can't be the upbeat coffee and pie man every single second of his existance
You can feel the Lynch-hurt coming off this one.
Ohhhh, that would explain why they even have sex.
After all, isn't sex somehting that seems to be required to summon MOMMY?
I thaught they were just getting into the DUtchman to go to the pocket dimension.
Maybe they actually had sex and maybe relived the rape (sex + torment) to summon MOMMY and her pocket dimension
Who? Literally dont remember this fireman dude appearing
I just went through his Twitter feed and his Vimeo stuff...
I wonder how Lynch feels knowing his youngest son is one of you fucks. A Sup Forums degenerate.
For Season 3, The Giant has been renamed The Fireman.
after
I doubt he really cares about anyone.
Note that I know jack shit as well, but here's what I think:
They didn't beat evil. Judy is the true evil, and that is what he's trying to defeat after he's finished up with evil Coop. He needs Laura for some reason to defeat her (defeating Judy while also saving Laura. Two birds in one stone?)
Coop fails at saving Laura. Cooper didn't send her to another dimension,she was taken away by what I think is Judy because of the sound that is made when it happens. Leland Palmer tells Cooper to find Laura, which what I guess he's trying to do when he enters the other world. That world is a bit 'off', like Judy's cafe and the white horse and all that. So I'll assume the whole world is still in the lodge somehow, and not a different timeline.
I think he's taking Laura back to the house to meet her mother, who's been possessed by Judy. But it turns out Judy's got them fooled somehow, and who knows what will happen next.
So if the fireman is the dreamer are the lodge scenes part of his dream? Or when he meets coop? Andy?
Further proof the Lynches are /ourguys/
I'd like to share a vision I had with you, /tpg/.
In my vision, I was at the post limit of a vast discussion, a Sup Forums thread of some... fantastic proportion.
There seemed to emanate from it, a light from within, this gleaming, radiant text.
I'd known this thread.
I had in fact been born and raised there.
But this was my first Twin Peaks: The Return...
A reunion, with the deepest well-springs of my being.
Wandering about, I noticed (happily) that the thread had been immaculately maintained.
There'd been added a number of additional memes, but in a way that blended so seamlessly with the original construction, one would never detect any difference.
Returning to the beginning of the catalogue, there came a bump at the front page.
/tpg/ was standing there.
It was happy and carefree, clearly living a life of deep lore, and theory.
We embraced, a warm and loving embrace.
Nothing withheld.
We were, in this moment, One.
The thread ended, and I awoke with a tremendous feeling of optimism and confidence, in /tpg/, and its future.
That was my vision... of you.
I'm so glad to have had this opportunity to share it with you.
I wish you nothing but the very best, in all things.
erasers
Because he's so huge that his piss is actually enough to extinguish fires.
COULDN'T BE MORE WRONG
OH, GOD. LYNCHED. SO LYNCHED.
HO-lee FUCK
Hellooooooo-OOOOOOOOOOOO-oooooooooooooooooooo
hence why his son is fucked in the head
Everything is part of his dream. His dream is the one true dream so to speak.
Man, art/media is so simple. You watch it and you either feel something or don't. And it shouldn't be hard to believe that a lot of people genuinely feel something for this show.
Sure, it's all sometimes contaminated with social status, where people profess liking something to intidimate others. But this is an anonymous board, there's no point in impressing anybody...
And if we're all deluded by this show, that's fine too. TV is an illusion and we want to be deluded.
MILK
*tips fedora*
Wow Dad, you're embarrassing me.
Reminder that this general was 100% "le cherry pie and damn fine coffee" before episode 1 aired. You have all rationalised this shit every step of the way. If anyone else served up this nonsense you'd be deriding it.
Oh shit, it's Bobe!
So glad you made it to walk in near the end with a funny jape.
did any of this actually happen?
Post your synopsis for season 4
the fact that it's a sequel to an old show is at least some form of a pleb filter. If it had been done as some other kind of original intellectual property, it would be even more praised and watched. Lynch is a director of legendary magnitude. If you think everyone would have just written it off and not paid attention you're a retard
I've got so many questions and I'm not sure whether I just didn't pick up on the clues and answers in the show or that these plot points were never explained.
Does anyone know boop's goal, Just to ensure that he never goes back to the lodge? was he involved in the box scene in new york?
>Seems only Diane slipped into her Linad persona, but not Dale Cooper.
when they entered that dimension, supposedly they replaced some people, i.e. they became dopplegangers of Richard and Linda. Cooper had the singular purpose of finding Laura and killing Judy so he powered through the awakening. Diane, on the other hand, upon reliving the trauma of being raped by Booper, let go, and gave away control back to Linda.
But he sure was chipper when he was heading right to his evil doppelganger and BOB. That makes no sense, unless he knows for sure that he'll be defeated. Also he was pretty upbeat when he went out to save Laura from the past. Something happens to his emotions as soon as he leaves the black lodge again.
Despite all the shitposts and banter, I genuinely love this show so much.
It makes me tear up knowing I'll have to wait at least a year for the next season.
Have I been drinking too much soy, Sup Forums?
Hm, they do emphasise the part where evil Coop rejects the coffee pretty significantly.
You can still be cherry pie & damn fine hot coffee and love season 3. I do.
>reddit spacing
Seriously though imagine thinking /tpg/ was going to die after the finale
BOB BALL
Anybody wake up the day after the finale feeling really hollow? I can't get those final 10 minutes out of my head
It hasn't even been 2 days and I'm already missing the show. I
>And it shouldn't be hard to believe that a lot of people genuinely feel something for this show.
Positive or Negative feeling? Because there's a lot of that here.
My mom? She said "I don't get it, I wish we saw more of the old characters" In the end she didn't really feel anything.
Me? It's been over 24 hours and I still feel anger and depression over episode 18.
>Dougie is the main focus and the show is extremely slow paced and focuses a lot on side stories and world building
LMAO LYNCHED IF YOU DON'T LIKE IT YOU'RE A RETARD BASED DOUGIE I HOPE COOP NEVER COMES BACK
>Cooper comes back, all side stories are dropped halfway through and everything is resolved in a rush that is completely opposite to everything that happened in the past 16 episodes
LMAO WHAT YOU CARED ABOUT DOUGIE AND THAT OTHER STUPID SIDE SHIT LYNCHED IT WAS NEVER IMPORTANT IT'S ALL A DREAM
There's definetly a lot of rationalization going on, yeah. I thought I was among the majority when enjoying the past 16 episodes but I guess people were just pretending
>black fire
was that evil cooper burning?
Bozo, that's how he set Judy on her cross country tour to Jumping Man Frogbug Sarah Palmer to complete the transformation.
"lynched"
I imagine most people here, and in other places, are still here because they feel empty.
I woke up around 2pm because I stayed up late discussing it here. It's now 6am and I'm not really sure where the time has gone. I don't really want to do anything else and if I do go and do anything I just feel exhausted so I just stay here and type away.
>he tries to figure out the logical narrative of a david lynch movie
>Next season
Nigga what? I felt like with this it's finally over.
genius.com
>Tonight I sleep to dream of a place that's calling me
>It's a whisper
>It is always just a dream
genius.com
>My dream is to go
>To that place
>You know the one
>Where it all began.
>I will be with BOB again
Possessed Lelend possessed Sarah hatchling ball / Mother love
So those small FBI badges that Cooper shows in the last part, has FBI ever actually used those?
They definitely haven't used those in the show before but does it point to a real time where those were in use or does it point to some dream alternative reality shit?
Remember you're on Sup Forums. You knew from the start people were just here to watch people get upset. And then there's people here who "get" Lynch but don't really care about the characters so they don't see anything wrong.
Bad Coop shows off the picture of Judy in the first or so episode, saying that it's what he wants. He needs to coordinates that leads him to Judy basically. I'm not sure why though, but I assume its to avoid returning to the black lodge.
time is so cruel to women
Same, man.
I don't know what to do, I don't want it to stop. I just can't believe how good Part 18 was, it has completely broken my heart the way they brought it around to the core of Twin Peaks again.
I keep listening to the credits song from Part 18 and man.. it's tearing me apart.
There is ALWAYS a logical emotional narrative you pleb. In this too.
when's the bluray box coming out?
not what i meant fool sucj my dick