ALL THE LEAVES ARE BROWN
ALL THE LEAVES ARE BROWN
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ALLLL THE LEAAAVES ARE BROOOOWN
>Tarantino gets past his Wong phase
>Lost in Translation hits
>Lost in Translation fades away
>Moonlight hits
Wong is eternal
>implying any of those hacks can even compare to wkw
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Tony Leung is a very attractive man
AND THE SKY IS GREY
arr the reaves are brown
>Tony Leung in Happy Together
whew
Wong Kino Wai needs to make a new movie.
I WENT FOR A WALK
man, now i want to watch this again
i saw it once in filmclass, its so good
HE SAY YOU BRADE RUNNER
It takes him like a crazy amount of time to make movies EXCEPT for Chungking Express which he made in two months when he took a break from editing a another movie.
CALIFORNIA
Wong Kai-Meme is a hack. An insincere pleb who vomits up some garbage pseudo-emotional crypto-romcom meaningless whimper of "oh love, isn't it magical?"
> but le woman walk outside at night having a conversation with young policeman scene
"No!"
Only the most pretentious false person could fall for this con artist. Someone who's life is so boring an adventurous little dingie about love could seem not only true but profound. Someone with such an incomplete understanding of existance that a mere whispers of attractive young peoples love touch them at their deepest childish core.
"This is just like my old romance novels! Truly love isn't dead!".
A commercial thief of essense, he whips up a childish fantasy world for adults to forget themselves in and enforce banal platitudes of other people, those they'll never understand and live a more complex life than "tee-hee, I wonder if Asian-Chan likes me!"
6/10 director.
I agree completely but he's still 450% better than anything this board ever discusses so w/e, it's not like we get any Mikhalkov threads here
"film and television"
Post films you enjoy
I think you are too stupid to understand WKW's work.
His work isn't about love, it is about his take on love.
Big difference.
Whats unique about him is his setting. How much emotion and mood he can convey with a single shot, or a small sequence. His dialogues don't need to be witty, plot doesn't need to be deep. It's about raw emotion.
...
I love this scene.
Moonlight is the only movie that bites Wong where it actually feels like it taking it to another level
Man i love the cinematography of Christopher Doyle.
Definitely one of my favorites.
>Chungking Express
>Fallen Angels
>In the Mood for Love
What else?