It would involve her newly introduced father, Benny Boop (played by Jazz musician Jimmy Rowles) with Betty played by Sue Raney from Saturday Night Live. Despite the storyboard being 90% done, the movie was canceled due to various copyright issues with Betty. The only remains of the movie are some storyboard sketches and an animated song sequence.
The sequence is part of the title sequence, where we see Betty grow up. Through a series of cross-dissolved moments in the first part of this sequence we see Betty performing on stage with her Dad, first as a baby (Baby Boop), then as a ten-year-old. In this last part of the sequence we see her perform the same song she was singing as a little kid, but when the curtain parts she is CLEARLY NOT a little kid any more, and Daddy Boop is concerned, to say the least.
Kayden Sullivan
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Joseph Parker
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Landon Baker
Whoops, Bernadette Peters is the one who would of done Betty's voice. Sue Raney only sang for the storyboard.
Jacob Ward
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Aiden Parker
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Ian Turner
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Charles Collins
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Ayden Perez
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Isaiah Harris
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Brody Roberts
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Jose Hughes
>Betty Boop's father But Betty isn't supposed to had a rude dad who complains about her because she didn't wanted to eat her HASENPFEFFER?
This. Unless they kept her dad as a heavily accented immigrant, I don't think I would personally have liked the change.
Ethan Cooper
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Oliver Lopez
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Luis Adams
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Julian Bell
If this was another Cab Calloway-esque dream sequence, I'm sold.
As long is they kept it sexy and surreal it would have been fine.
Kevin Sanders
Not sure I would have been cool with them scrapping the old look over this, but I do enjoy how expressive these are. Real Betty didn't really have much in the way of expressions, when you think about it.
Owen Torres
Correct answer. Man, I wish there were more creepy dream sequences like that
I cannot say how much I dig Old Man of the Mountain
Noah Morris
I've always imagined, based on that short, that Betty was the daughter of those two immigrants and they didn't approve of her dancing career.
Jordan Anderson
From 1933 onward she didn't. I've never cared for the symmetrical design she's been saddled with the last 80 something years. It's so stiff and lifeless, she looks like a sex doll.
She's also a Flapper, so it probably triggers them more, and Jazz was considered a degenerate music.
Kayden Morgan
The thing about Betty that makes her hard to translate to today is that she was intended for adult audiences.
She was shown in front of movies for grownups and her cartoons were always raunchy for the time. Characters getting drunk, doing drugs etc.
Betty's never really had a personality. She's a sex symbol pure and simple. Her cartoons were burlesque dance sequences that more often than not involved a villain trying to rape her.
How do you translate that into something today and who do you aim it at?
If they wanted to update Betty's look, they should've used the design her creator Grim Natwick was using later in life. He just kept improving her look as went.
Chase Diaz
Swing, you sinners.
Connor Turner
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David Wright
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Jaxon Miller
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Jason Morales
Lol, he stole her heart.
Nathaniel Gutierrez
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Cameron Butler
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Alexander Kelly
Would've been a bad film. Had no real connection to the original cartoon shorts.
Michael Carter
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Luke Nelson
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Jordan Clark
You betrayed me, Simon Cowell.
Camden Scott
This looks like a screenshot from a Sierra adventure game. Very '90s indeed.
Samuel Long
I love me some Betty Boop.
Anyone know how those Blu Rays are?
Adam Hughes
She's got an ongoing comic at least?
Dylan Perez
Man, early cartoons are their own little world. They're so different from the later 1940s' ones.
Elijah Wood
Yeah, but so far they just keep recycling the same plot over and over again. Plus songs and comics don't work well together.
Jayden Campbell
>her newly introduced father, Benny Boop >newly introduced She had a father at the beginning of Minnie the Moocher. He was basically a Jew stereotype. youtube.com/watch?v=HaZOXF83zBg 1:10
Jacob Nguyen
I'm honestly not a fan of the art in those new comics. I think the old one was much better.
Zachary Morgan
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Lincoln Nguyen
This would have been intresting to see
But the way the world is now it'd be hard as hell to make it get past the script
Ryder Green
Didn't know this scrapped. For the best honestly. He would've had singing horrible pop schlock.
Give me flapper jazz age Betty or give me nothing at all.
Eli Brown
You're right about songs in comics.
The Boop shorts were never about story anyway, they were stream of consciousness animated cartoons set to music.
No idea. For some reason I think it will be on Netflix, but that's just me.
Oliver Morgan
Holy shit
This is some crazy coincidence
Chase Gonzalez
Actually I have that feeling too. It seems Netflix is where it's at for cartoons now.
Austin James
Yup, it's Milton Knight! Big fan of his stuff.
Brandon Green
How is that a coincidence?
Luis Cooper
I'm part of ctg amd I'm working on something right now
Aiden Foster
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Luis Martinez
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Jeremiah Green
This'll come in handy, thanks.
Colton Perry
Storytime?
Anthony Lewis
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Isaiah Adams
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Camden Morgan
Anything with sex beyond maybe the most basic cheesecake in it is going to struggle in the sex-negative 2010s and will make executives run a mile. We're at least a decade of cultural fightback away from getting anything like Fritz in the public sphere.
Josiah Carter
It's the Hays Code all over again.
Evan Lee
Well actually the lewd on Betty Boop was mostly cheesecakes, legs, dances and panty shots.
The most controversial things were those shorts about that Mustache Guy who tried to rape her, her new boss when she got a new job but this times she actually wanted this and also when she was chased by the Old Man of the mountain (Which had literally impregnate a Hippo mom)
Samuel Diaz
...Fleischer still exists?
What do they do these days?
Justin Jackson
I love that short.
But Americna catholics didn't. They complained about the sexually aggressive nature of the film and a few years later Betty was toned down, wore longer dresses and was seen around the house more.
They gave her disgustingly cute sidekicks like Pudgy the dog and got rid of Koko and Bimbo.
They also stopped using black music in their films due the perceived connections between blackness and raciness.
As for those examples, they use the the more socially acceptable swing music sung by a white lady, not the hot jazz of the black music scene.
And that other example was literally just a stepin fetchit stereotype. Not the same thing as inviting Cab Calloway or Louis Armstrong to perform music for a cartoon at all.