>Character casually tosses something small off-screen >Sounds of intense chaos ensue
Jackson Long
>Character says that they're not going to do a thing >Next scene snaps to them in the middle of doing said thing >I can't believe I'm doing this thing
Connor Perry
>Big Bad does something relatively innocuous. >Heroes suddenly get quiet and back away. >Big Bad has accidentally pissed off the gentle giant or docile retard. >Said retard proceeds to wreck everything, bonus points if they're in a throne room or similar.
Charles Jackson
>Character goes by a nickname for most of the series. >Gets called by their real name in a dramatic/emotional moment.
Aaron Green
>The show's most common receiver of slapstick/misfortune is a cute/attractive female character with a likable personality.
Camden Taylor
>evil character gets beaten >joins heroes Always makes me feel giddy
>hero gets powerful upgrade >they're still allowed to use it later on Sup Forums hates Korra but letting Bolin keep his lava bending was fun
Ryder Russell
...
Jose Thompson
Makes me laugh like an idiot child. It happens to me in real life, too.
>No, I'm not GMing this campaign. I've done the last four and I want to actually play for once >Great session, everyone. Got some great stuff here to work with. I'll see you guys next week, same Bat- Time, same Bat- Channel.
I also love >when protagonist and enemy are forced to work together >turns out they're not so different >make a great team and could have been friends if they both made different choices.
Zachary Price
>Character is doing something they clearly hate with a friend >"How did you talk me into this?"
Juan Foster
>the pacifist is forced to fight >he is a fucking master fighter who wipes the goddamn floor with his opponents every time
Easton Hall
>A couple get into a fight with some goons >Proceeds to kick all their ass while talk to each other nonchalantly
Wyatt Myers
What's that from?
Jacob Long
>Something happens that appeals to your fetish. >It happens to a female character.
Luis Johnson
>character has an extremely useless ability >even though it's good for nothing he's still incredibly proud of it, and he still manages to save the day using it
Adam Sanders
>characters swap bodies >instead of swapping voices, the actors just take on the mannerisms and speech patterns of one another
Kayden Jenkins
>character falls from somewhere >sometimes just a short distance >big fucking explosion
>Character shows up in terrible disguise >Other character calls him out >Turns out that wasn't actually him
Eli Fisher
Has there ever been a time where they set up this joke, but when it cuts to the next scene, the character just goes, "Yeah, I'm still not doing that" or something? I think it would be funny.
James Gray
Protip: when linking to a time in a Youtube video, use a &, not a ?, and just enter the number of seconds. That way, it'll work when embedded.
Leo Hill
The Family guy episode that introduced Death.
Jack Walker
>It's a rashomon episode >Art style shifts with each character's story Bonus points if at the end an outside party reveals they were all telling the truth, even the exaggerated parts.
Joseph Ward
>Comedy relief villain shows his true power while joining the heroes and sacrificing himself to defeat the bigger evil while his theme music plays There. All of Sup Forums's favourite tropes rolled into one.
>In each person's story, the narrator is depicted as a popular, attractive genius and everyone else is a caricature
Nolan Green
>villain gets the upper hand and the episode ends on a cliffhanger >next episode gets a villainized version of the opening
Jace Mitchell
>It's a Rashomon episode
Brandon Mitchell
I kinda wish WOY did this with its last episode, where all the planets Wander wanders through in the opening are barren and destroyed from Dominator mining them.
Jayden Cruz
Cosme Fulanito
Jason Ross
>"A" is the one who's muscular, serious, and fights with conventional tactics >"B" is the one who's rotund, comical, and fights with unconventional means and improvisation
>By logic, "A" should beat the fuck out of "B" >Instead, "B" curb-stomps the fuck out of "A" while having fun doing so
The only two noteworthy examples of this trope I can find are:
>enemy tries to prove they're better than main heroes >able to defeat everyone, leaving only the leader >leader proves how outmatched the enemy is by silently dodging every attack with minimal effort, all the while silently raging
Angel Martin
>Character looks fairly normal to the audience >Is considered ugly or hideous in the show to a ridiculous degree
and while not on the same level I have a fondness for this one as well >Character exits scene through a swinging door >When the door swings back the character re-enters wearing different clothes >Alternatively something has changed in the other room between the door swings
Tyler Foster
This never happened.
James Evans
Because it's a good trope that isn't overused, and which requires at least some cleverness of the writers to pull off, forcing them to bring their A-game.
Dominic Taylor
Sounds like something from a bad anime.
Where's the tension if the villain is outclassed that heavily? What's the point of having a team of heroes if their leader is better than all of them combined?
Aaron Morales
>Character looks fairly normal to the audience >Is considered ugly or hideous in the show to a ridiculous degree Oh boy
Brody Anderson
When has a female ever grown a dicc and kept her boobles in a cart?
Brody Hall
>Sounds like something from a bad anime. It happened in the Powerpuff Girls episode where they introduced Princess.
Jackson Jenkins
I can't get over that they never showed Lars-like Steven, that would've been funny. Because Steven-like Lars was annoying
>Villain/catastrophre threatens all of humanity >With one last desperate move the heroes save everyone >In every country in every city in every house the whole world is united in cheering
Jason Cruz
>omnicidal villain threatening to destroy the world >all the other villains team up with the heroes to stop that one villain >"you can't conquer the world if there's nothing left"
Lincoln Phillips
>One random guy is either angry because of some minor inconvenience that the saving caused, or is completely oblivious to anything that has just happened
Ian Robinson
Well I was thinking more Homer Simpson, Grunkle Stan or Jay Sherman but she does also apply to it Maybe I didn't think of her cause in her case it feels more mean spirited than comical
Cooper Sanders
>NOBODY (does evil thing to a character or otherwise) BUT ME
Jaxon Thomas
>"And furthermore, why am I STILL doing it?" >character storms off
Parker Walker
>You can't lose, main character! >Because you already beat me and if other people beat you then it's like they beat me! >AND NOBODY BEATS ME!
Nathaniel Wilson
>character doesn't believe in hitting a girl >has to defeat an evil girl >manages to do so without hitting her.
Aaron Peterson
Each perspective shows off the character's personality
Zachary Scott
Somewhat related, when everyone around the world is watching the big fight for the fate of the world and cheering the hero on. Dragon Ball is the only example I can think, and there's a twist of it in What's so Funny about Truth, Justice & the American Way? where the people are horrified by the hero's actions.
Bentley Hernandez
>Character A begins to do something >disembodied Theme music begins to play >Perspective switches to Character B who is either some ways away or in a different room entirely >the theme can still be heard, although it is muffled/quieter
The only example I can find is at 1:52 of the video linked, but my brain is telling me it's been in several actual cartoons...
I think one or two Gorillaz music videos have done it.
Brayden King
It happened on kids next door
Michael Gray
>characters A rips on character B mercilessly and shows them little to no affection, B takes it in stride and they are still friends >character C genuinely hurts B >character A destroys C
Jackson Richardson
>I don't know why but it just gets me every time. it's because it implies that loud music is happening in-universe, and other people are just like WELP. POCAHONTAS IS FUCKING SINGING AGAIN.
Benjamin Adams
This episode of WOY did this perfectly.
Ryan Gutierrez
Aarrgghh in Trollhunters was a great example.
Pos was satisfying because he not only trained, but he learned his own style. Once Po stopped questioning himself, he used an almost improvisational style, which Tai Lung was not used to.
Chase Richardson
>The city/world/universe watches on as the hero and villain's fight decides the fate of the city/planet/universe
Grayson Torres
>underling/student/child/etc of villain is only on the bad side because they're forced into it by the villain and it's all they know >protagonists turn them to the good side and show them the meaning of friendship >antagonist-turned-protagonist finally gets the courage to stand up to the villain with their newfound friends and helps to defeat them
Liam Flores
Bonus points if the underling/student is constantly berated and abused by the villain. Not Sup Forums related but when this happened in The Bellmaker (the Redwall book) I was fucking cheering
Mason Campbell
>character goes by nickname most of the series >gets called by their real name in a random episode >other character that goes by nickname questions it >other character's name gets revealed in the same scene >Another character incredulously says that name
Logan Allen
Not exactly limited to Sup Forums but anytime characters are in a fight and while fighting they're multitasking by protecting an object/person or passing around the mcguffin out of the villains hands.
John Diaz
Hoy! Hoy! Artullo! Montequilla!!!!
Nicholas Roberts
Hoodwinked does this, but I can't find a clip.
In Reds' story begins with a song and in the wolf's story he's standing a distance away from her and you can see her ride by on her bike with a song just echoing behind her and he goes "creepy".
Pretty much a combination of and
Luis Cook
Yes. This is the shit I like.
Tyler Jenkins
I read this in Boomhauer's "voice".
Nathaniel Cox
I'd forgotten how much more cartoony this movie was in comparison to the second one.
Daniel Gomez
>You wouldn't hit a girl! >Nope, I'll let her do it >female sidekick delivers asswhooping
Christopher Moore
Characters have a motif or instrument associated with them.
When the characters work together or are simply involved in a situation, the background music incorporates both of their motifs in the song.
(This is more prevalent in Movies or shows with a huge Music library)
>literally who character dies early on >comes back later and is really pissed
Kevin Harris
The heroes are saved by something that initially seemed really inconsequential and insignificant.
James Ward
>Hero's are running through a hallway to stop the big bad in their throne room >Giga nigga 9K falls from the ceiling >"YOU HAVE TO GET THROUGH ME TO GET TO THEM" >Something stupid happens like the floor giving out >Gigga nigga gone faster then they appeared >Hero's shrug and keep on going
Andrew Ross
>Character helps other character prep for date >It ends up becoming a date in and of itself
Adrian Garcia
>Bigger, badder villain gets out of his seat and shows everyone who's boss
Damn I love that one
Chase Hill
>The sidekick was actually the strong one all along. That's another good one.
Benjamin Peterson
Actually really good
Jordan James
>one character's story reveals their hidden feelings/care for another character through their subtle depiction
Leo Jones
>*SKWARK* >"Emu!"
Xavier White
"Fall to the dark side" arcs in general are fucking awesome. I love seeing the stalwart hero lose his shit and go crazy while his friends watch in horror.
David Perry
Alaverga
Christopher Wood
>after the climax >people are being brought back from the dead >one person doesn't get revived >no one really cares
Nathaniel Ortiz
Christ that episode sucked.
Anthony Turner
DARE did, more than once even.
Leo Thompson
Happened quite a bit to me at my old job we were allowed to have nicknames or our badges
Zachary Bell
Shame there's no one left in Rebels who warrants Sheev personally coming to wreck their shit