What was your favorite scene?

What was your favorite scene?
I really liked the fighting in the waves scene at the end and the Elvis fight

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Sea Wall scene is fucking gorgeous. Also loved the scenes in Wallace's place, loved the lighting

the scene where is car gets shot down over the junkyard landscape and painted nail lady fires missiles

I loved the scene your screen is from OP.

The beginning at Sapers

The Elvis seen was great.

Yeah that like embedded dual keyboard he had was so fucking cool

The Elvis scene was terrible.

When Luv fire the missiles while getting her nails done, or "You look like a good Joe"

Opening fight when Goose gets slammed against the wall is a cool part

>he's too scared to play Dead Money

gtfo noob. Elvis fight was fucking New Vegas.

All of them

"Let's go for a ride"
youtube.com/watch?v=WcLzUZSGT6Q

>br2049 apologists only liked the uninspired marvel-tier fight sequences

Why am I not surprised?

I guess it's the same reason why nu blade runner fans hate the first one so much

The introduction to vegas. The naked lady sculpture garden and the bee hive.

>only like
OP wrote "favorite scene", not "the only scene you liked". In my opinion this whole movie is fucking great, or, dare I say, kino. The worst scene was when the replicants come out of the dark behind the pillars, felt forced.

The second time I saw it I just couldn't wait for the Vegas scenes to end. Best stuff is the Emanator gift scene in the rain, pink JOI and the ending. It's some of the most depressing shit I've ever seen in a movie. I even talked to some chick last night who said it was terrible. Literally "movies women don't understand".

Baseline test was the only really memorable scene in the movie

Holy cringe.

yeah the fight scenes were awful and generic. I really had a hard time just getting through the first scene because it's a shitty fight scene

a lot of good ones, but the one that comes to mind after all these weeks is... K and Joi finally being able to be physical with each other

>cringe
oh ur from r.eddit

How is the Elvis scene a fight sequence? It's based purely around suspense and the interesting aesthetic of the rundown Vegas casino. Plus it's our favorite scenes, we liked the whole movie, some of the action scenes just happen to be the most memorable with their incorporation of scenery and desperation.

...

Nice bait

>How is the Elvis scene a fight sequence? It's based purely around suspense
What

But they were well shot, lit, and decently choreographed. It's not a kung fu movie. The way they showed the wall being repeatedly rammed from the other side was not typical and was definitely more interesting than the big guy just throwing Goose through the drywall in one swoop

>the glitchy sex scene
>orphanage/furnace flashbacks
>dreamgirlfu designing a birthday party
absolute kino

I'm sure you'll be reading this while chowing down on a bowl of cold dicks. The scene with the Elvis/dancer holograms works well because the absurdity of the scene makes the violence of the gunshots much more palpable. Deckard is still very dangerous.

>hurr the totally unnecessary and derivative fight scene where the characters crash through the wall like a james bond movie is totally awesome!
I almost thought I made a mistake by choosing to see it. luckily there's only like 2 other "fight" scenes the rest of the movie.

it was completely unnecessary. Villanueve must realize his audience are retards because it's clear he only did this scene to try and hook ADHD millennial babies. Meanwhile someone like Tarantino can hook you in with nothing more than a 10 minute scene of two guys talking in a house out in the french sticks.

Try harder with this shitposting. It's pretty bad

>Meanwhile someone like Tarantino can hook you in with nothing more than a 10 minute scene of two guys talking in a house out in the french sticks.
I knew it, you're a blatant redditor

>keep checking Fagdango for show times at my theater
>they keep telling me fucking lies since show times for the ONE FUCKING SHOW PER DAY screening of BR2049 keep either getting bumped up, bumped back, or outright disappeared every fucking day when I get home from work and check

I just want to watch it at least one more fucking time.

get better taste. hollywood should stay as far away from action scenes as it can. they really can't do them properly (exception being modern warfare)

why the fuck are you using Fandango? just go to the theater's website.

>muh reddit
sup reddit

>the terrifying anticipation of when the Elvis music would loudly cut back in

It was obviously following the tone of the original movie's opening scene. If you hate that too then I wouldn't expect you to like the sequel. Villeneuve didn't even write the screenplay.

The shots I really remember are from the sea wall. Mainly the one in the bottom left here , and Luv's serene face after she dies and the water calms. Plus that score, goddamn. Caught myself really tensed up during that scene the first time I went to see it.

I thought the scene where K finds the horse was pretty nicely done as well, even though it was easy to see coming. Again, the score was a big part of it. Had a sense of nightmarish inevitability.

>Blackout destroys most music
>Only largest sources of music exist, like Elvis
>The music is corrupted and tense, like the future they've evolved into.

I'm torn over the birthday party. It was unnecessary but still beautifully done and interesting to see.

Why are shills samefagging so hard for this mediocre flick?

Do you think this film would work properly in a black/white setup?

in terms of ambience, the scene with the engines revving past was kino tier

youtube.com/watch?v=EGxyGcZ5jsY

I really liked how K's Joi was never shown naked in this scene, with the focus on her eyes, and how it heavily contrasted the big pink Joi with black eyes he sees later on in the film

fave fallout and dlc and i didn't really like the scene, couldn't wait till it ended

"Kino"

Dang I didn't realize there was a rip out already. I pity anyone that watches this with hardcoded Korean subs though

fuck watching any part of this movie not on a huge projection screen with dolby atmos sound

vvvvrrrrwwwww VVVRRRRRWWWWW VVVVRRRwwwwww
I fucking love this

Yeah, I don't like our world and the BR world being that overtly connected, even if it works logically

Luv getting her nails painted by me cyberpunk goggles Chinese man was such a tryhard moment. It felt like something out of a shitty anime. It was totally unnecessary and it probably would have been much better to leave it ambiguous as to who was piloting the drone. completely took me out of the movie

Anyone got some 1080p high res pictures of BR2049? I keep finding trailer screens.

why would you leave that scene ambiguous like it was just dead satellites crashing down to earth

that scene was awesome because it shows how much power Wallace has

go to the theater while you still can. do you really not have 12 bucks?

lol

they don't fight, he's mainly hiding from him in a suspenseful environment that makes it hard to tell what's happening

Was about to say that

i wanted a wallpaper for my desktop

Took the b8, user

>they don't fight

no it wasnt made for that technology, why the fuck would a filmmaker make a color film for fucking black and white thats retarded

These remind me of a lot of noir shots from the 40s

God I feel bad for anyone who didn't get to see it in theaters

same. and people that go to the theater for every god awful movie get the experience diluted

>It was a suspenseful scene because I couldn't tell what was happening

We have to wait. I'm going to enjoy the BR 2049 wallpaper threads in the near future

All the way

sus·pense
səˈspens/Submit
noun
1.
a state or feeling of excited or anxious uncertainty about what may happen.
"come on, Fran, don't keep me in suspense !"

Well, K doesn't fight

They literally don't? K refuses to hit Deckard and just lets the old fuck hit him until he's exhausted. He threw him to get the gun out of his hands

>I couldn't tell what was happening, that means nobody else can either!

shoot

this
brainlets fail to realize wallace can do almost anything he fucking wants, he basically owns the human race's future.

Are you retarded I said MY favorite scene, not yours, you dumbfuck. That's why movies are cool, everyone can have their own personal experience

>even though it was easy to see coming
I don't think it's meant to be an ebin twist when he finds the horse. It's more a feeling of inevitable dread, like you said.

>the scene was suspenseful because I couldn't tell what was going on
It wasn't suspenseful for people who knew what was going on

Sea Wall, and when they test the emanatory outside for the first time.

Anyone else miss the aesthetic of the original movie? I felt like the new one was too clean, like if they dusted everything off the world would be fine. The old movie had such a tangible feeling of decay and filth, like everyone was living as parasites on top of a dead city rotting underneath them.

Movies don't seem to capture that well these days. I wonder if it's because people aren't living through 1970s New York style urban decay, or if filmmakers are just shooting too high with production values.

Yes

Places change in 30 years. Of course it's not going to look like the original.

That looks awful.

It's a different world

I rarely go to the theater and I made sure to catch this. Holy shit that soundtrack was intense.

I'm not saying it was a problem with the new movie. I just liked how horrifyingly decayed everything in the original was. Like the chase through Sebastian's apartment where the building was just caving in and filled with water.

They don't want to think negatively of their kino.
I know what you mean and was disappointed, the little Batista short was obviously much more designed around classic Bladerunner but nothing in the movie had that same dankness to it.
Actual dankness.

Awfully good.

BOOM BAM GOTCHA INTERNET WIN POINT FOR ME OWNED PWNED XD XD XD hahaHa

I feel like movies these days go too far with even lighting, too. You lose some of the grittiness when every scene is evenly gray instead of parts that're pitch black and you can't see shit.

I can't believe contrarian fags on this board actually don't like Hans Zimmer
So many chills re listening to these songs

>working 12 hours a day in a box with lights made of piss

damn, it does look good. draws your eye to completely different things

the elvis scene was stupid. how did fords character shoot in the right direction almost killing ryan in the beginning and then just randomly walking around and getting surprised by him and lose the gun

The intro with Sapper Morton.

The baseline tests and when K first goes to wallace corp

hz is great. the music in this got old real quick.

This track, like Joi and a bunch of others, was fucking Godly. That sound when the floodgates on the seawall open and that waterfall cascades down along it jesus...

This scene was some of the most oppressive shit ever. Totally sold the sense of a world that, when seen from a bird's eye view in K's car, was clearly dead and gone, but which, when you got a little closer to the ground, you could tell was dragging itself along by subsisting on giant feel-good advertisements and entertainment on the giant facades.

>You ARE NOT the son!
>finding the toy
>First baseline test
>Anything with Joi