Does Sup Forums listen to RAC, NSBM or other forms of white power music?
White Power Music
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I listen to some RAC like Skrewdriver, Bully Boys, Landser, Kill Baby Kill, stuff like that. I also listen to confederate music like Rebel Sons and Johnny Rebel
THATS RIGHT BROTHER!!!!! WHITE POWER. FUCK NIGGERS FAGS AND KIKES!!!! THATS WHY I LISTEN ONLY TO GREEN DAY
I certainly do and am happy to post some of my favorites.
New Glory is the best RAC band to ever emerge from America. Truly unmatched in its patriotic fury:
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No other American RAC band comes close.
I have plenty of WP favorites in other genres, though.
These guys are pretty good
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I like 90s rap because it was redpilled on gender shit. Now I listen to Mr bond because I want to kill the kikes
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Based black guy from Gambia who preaches the JQ to other niggers. Worth a listen.
Still the greatest white power album of all time
Bound For Glory is pretty killer. Crossover thrash with a far right message. youtube.com
>>(((Slayer)))
>>(((Good music)))
Pick one
And the best cut of it
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Yeah they definitely changed the message as they got older and tried to distance themselves from their original theme but this album is still classic
Above the Ruins - Nationalist Post-Punk
Before forming Sol Invictus, Tony Wakeford formed Above the Ruins which released "Songs of the Wolf", the band's sole EP.
Taking cues from Julius Evola's tome "Men Among the Ruins," Above the Ruins enjoyed a brief existence promoted by the British National Party of which Wakeford had become a member in 1984. Apart from his presence, the line-up of the band behind "Songs of the Wolf" was never revealed. Rumors about the identities of the members proliferated, but none of them were ever confirmed.
The record was first circulating on tape as a demo in 1984, but was then reprinted on vinyl in 1986, with "Storm Clouds Over Europe" missing and now presumably lost. No one has ever found and released the tape online. Considering its short length, you'd be forgiven if you thought of this as an EP or mini-LP.
Above the Ruin's music is within the vein of early Death in June, but the approach is much more straightforward, less clumsy and more akin to darkwave not unlike Joy Division, Warsaw or Killing Joke. Despite the production being very rough shod (keep in mind this was originally recorded as a demo) and Wakeford's clumsy performance (especially those nearly atonal vocals on "Under Western Skies"), the band manages to sound professional. The "kicking" songs like Waiting, the title-track and Progress are quite enjoyable even if a pinch awkward.
The lyrics are obviously committed, but have some good meaning even apart from the National Front propaganda: in fact this is the first attempt done by Wakeford to capture the esoteric and regal doctrine indirectly implied in his political choice of the time.
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When the earth shakes and the dead awake
To sing us their songs
And we hear the march of fate
And footsteps of the strong
And we hear the call
Carried on a wing
Arise! Arise! Arise!
A once and future king
Waiting for someone
Waiting for someone to call
Waiting
Broken friendships
Can cut like broken glass
Better to keep one eye
On the hourglass
I hear of a visit
From men across the sea
Who settle scores by the sword
Just like they used to be
Waiting for someone
Waiting for someone to call
Waiting
The world is ruled by little men
Too blind, too scared to see
The glory that once was
And yet again could be
The world is sad and cold
The gold has made us poor
But through the cackling gloom
It looks it's getting more the sure
But through the cackling gloom
It looks it's getting more the sure
Waiting for someone
Waiting for someone to call
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When young soldiers march past roses
Roses bleed young blood
And red drops from the rose bud
To kiss a soldier's head
Red drops of the rose blood
Crimson petals of the dead
In the final living seconds
An atmosphere of grief
At the morning of your ending
Gives way to timeless sleep
You may think of times are wilting
As you struggle for your breath
But the only kiss that answers
Is the frozen kiss of death
My mother likes to think that I died quickly
My father likes to think that I died well
The telegram had lied but quite discreetly
Since I ended up as mincemeat and a smell
For the moment that my mother has her comfort
My father has the strength of his beliefs
Until, that is, they come and all is over
To the crosses that have no one underneath
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I hear your liberal bleating
It's time for you to pay
You sheep won't last forever
You'll meet the wolves some day
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Above your world of ruins
Comes a new kind of man
Spits out your Coca-Cola
And your five-year plan
I'm sick of your words
The politics of slaves
Our spirits are singing
Above your decay
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
The ringing of the bells
Drowns out the ringing phone
The wolf pack aren't happy
They're on the march back home
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
Hear the song of the wolf
As he sings to the moon
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... As long as winds will blow
My pride will be
And a star will shine
From far away...
...As long as winds will blow
My pride will be
And hate remains
Inside my heart
At night a star did shine upon
What once was build on my ancestors' land
When once I was young
Willing to learn
From the old and the wise
...As long as winds will blow
My pride will be
And hate remains
Inside my heart
Evening fell unto this land
That once was build by my ancestors' hand
When I was young
Willing to fight
...for as long as the winds will blow...
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The old Gods are calling
From the hills across the sea
A hundred flags are waving
On a northern breeze
Two tyrannies stand naked
'neath the setting sun
A hundred flags are waiting
For justice to be done
A hundred flags, a hundred drums
Takes us from winter to our spring
A hundred children singing
This time, we win
A hundred flags
A hundred flags
A hundred flags
A hundred flags
The old Gods are calling
From the hills across the sea
A hundred flags are waving
On a northern breeze
Two tyrannies stand naked
'neath the setting sun
A hundred flags are waiting
For justice to be done
A hundred flags, a hundred drums
Takes us from winter to our spring
A hundred children singing
This time, we win
A hundred flags
A hundred flags
A hundred flags
A hundred flags
Moonman is fun
Kick the reds in by Whitelaw is the only white supremacist/nationalist song l've ever been able to stand
Many are too grungey
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All the same height and all the same weight
All the same voice and much the same shape
Pressed to a pattern and shoved into a line
Bled by the rich and led by the blind
Progress, progress, there's progress
Such is the joining of people to state
The state is the father, the mother and mate
It knows how you think, it says what you need
With total conviction it prints what you read
Progress, progress, there's progress
Mongrelised, centralised, kept to your place
All the same colour and all the same race
Freedom is freedom from dissident views
Eyes full of terror and authorised news
Progress, progress, there's progress
It's best to be humble and do as you're told
To speak as you're taught and die when you're old
For such is the meaning of Marx and his words
Wine for the reds and chains for the herd
And death to the swine who are killed good and red
And death to the swine who are killed good and red
Progress, progress, there's progress
And you get a life and we go to hell
And this is the way, welcome to hell
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The bell echoes across the field
The priest calls his sheep to kneel
The plough edge cuts, hardened through toil
Calls of you to sing of blood and soil
Come, my children
Sing your song
All the Gods are dead,
'cept those who make us strong
Come, my children
Sing your song
All the Gods are dead,
'cept those who make us strong
Long it's slumbered, but never dead
Deep in the woods, it raises its head
It flexes its wings, the sunlight bleeds
Risen in the west, to set us free
Come, my children
Sing your song
All the Gods are dead,
'cept those who make us strong
Come, my children
Sing your song
All the Gods are dead,
'cept those who make us strong
Would you like some Post-Punk with your Oi!?
Now here's a band with a fascinating bit of history. Before getting elected to the Front National's central committee in 1997, Robert Ottaviani began his career here as Ultime Assaut's lead vocalist. He has since attempted to distance himself from his past:
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Decking the cover is a crude illustration of an Arno Breker statue raising a sword in front of a blazing silhouette and some classical architecture.
Characteristic of most Rebelles Européens albums, gritty reverbed rhythms drive the music like their fellow countrymen Légion 88 or Chauves Pourris. The songs here are consistently midtempo and have a strangely ethereal quality which ends up sounding like a French version of "Second Empire Justice" by Blitz. The mostly Oi! A-side is a complete drag, and all too many songs string you along with a few neat intros, but then drag you down in the conventional third-rate Oi! you're tired of hearing.
Things get much more interesting when the album delves deeper into Post-Punk on the B-side. The closer "L.V.F." has some neat Ska strokes while "Chômeur 80" bursts forward with Hardcore energy. Unlike the French pirate vocals of Légion 88's Alain or Kontingent's Laurent, Robert has this intoxicated, off-key moan which ranges from tolerable to grating. "Segneur Barbare" is perhaps his best performance since he keeps it at a volume just above a whisper. The instrumentation helps, too.
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Yeah, I know and love Arghoslent. Their albums were always 10/10 material and stuff that has yet to be successfully emulated by any band.
Mudoven: the most hateful band ever
"Truth and Tragedy" still sounds as fierce now as it did to my then-naive ears. It's every Hollywood stereotype played up to a point that ceases to be absurd and crosses over into an unmatched authenticity. Most bands noodle around about "muh country," "muh St. George" and get hooked on nostalgia, but Jim Crow prefers blunt force. Listening to the album track to track inspires a mix of emotions where you're enraptured by the fury but you can also feel your blood chilling knowing full well the psychopath on the other end means every word he says anytime he gushes caustic bile into every slur-laden lyric.
It's the kind of hatred that makes me feel the way when Daniel Plainview killed Eli or when Meursault told the chaplain that he wanted to be greeted with cries of hatred at his execution. It's too abstract to put into concrete terms without losing its worth and weight, but it's akin to feeling a surge of hatred go through your entire body, empowering and possessing you with its euphoria and malevolence:
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The whole album is worth listening to:
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Nice work, gentlemen.
Keep posting more gems.
This thread deserves a bump
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any one know some good right wing electronica
Bump
I love Skrewdriver, Saga and Johnny Rebel!
Listen to Final Sound:
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Listen right wing death squads , best song of him