So. A white guilt horror movie.
White guilt period dramas okay.
White guilt romcoms okay.
A FUCKING WHITE GUILT HORROR MOVIE?
Weve come a long way since Guess Whos Coming To Dinner.
Why do normies consume this Jewywood kikery so gleefully? (Rhetorical question there but just wanted a rant.)
I sort of want to go see it, It'd probably be funny. That said that new Lego Batman film looks interesting
>Finally a movie against racemixing
>Sup Forums hates it
colour me surprised
>a white guilt anything being okay
No! Not okay!
I still can't tell if the movie is supposed to be satire or not. Its just so over the top.
""Normies"" don't understand the jewish problem, or how much they hate the white peoples
Don't use /r9k/ memes on Sup Forums. They're two different boards for a fucking reason
It's a movie about liberals fetishizing blacks, they only want black bodies because they are "in" right now.
It's redpilling people to not fall for the bbcmemes or trying to act black.
The Left used “anti-anti-Communism” and the so-called Civil Rights movement to take over Hollywood, and the country. Postwar Hollywood leftists launched two types of propaganda:
The anti-anti-Communist picture, like High Noon (1952), written by Communist Carl Foreman, who would later be blacklisted. In Foreman’s mind, the cowardly townspeople were the anti-Communists, while the heroic Marshal Will Kane (Gary Cooper), who faced down the Frank Miller Gang alone, was the Communist.
John Wayne and producer-director Howard Hawks would call the classic Western Rio Bravo (1959) their answer to High Noon. But anti-Communist films were few and far between.
Around 1960, the Hollywood Left created a related movie genre:
The Magic Negro picture
Magic Negro movies were racial fairy tales meant to mask the murder and mayhem that were the reality of “integration.” In the 1960s, Magic Negro pictures starred Sidney Poitier, whose characters were all morally and intellectually superior to the movies’ white characters: The Defiant Ones (1959), The Lilies of the Field (1963), Pressure Point (1964), A Patch of Blue (1965), In the Heat of the Night (1967), Guess Who’s Coming to Dinner? (1967) and To Sir, with Love (1967).
After the World War II, Hollywood patriots formed their own organization to rout the reds: the Motion Picture Alliance for the Preservation of American Ideals. The MPA had its own roster of Hollywood heavyweights, but the Hollywood Left ultimately prevailed.
The Hollywood anti-anti-Communist and Magic Negro offensives were the two most effective, modern propaganda campaigns I know of. But another is now developing:
Anti-white snuff films: Robert Rodriguez’ Machete (2010), Quentin Tarantino’s Django Unchained (2012–pictured right), and Nate Parker’s Birth of a Nation (2016), non-whites engage in the mass slaughter of whites, to thunderous applause from … deracinated whites!
The rest of the article:
vdare.com
Guess ill go see this movie today hopefully the normie crowd wont be there
How is High Noon a 'anti anti ' commie film. I don't understand how
>muh blacklist
Shit now I don't know what to think. I'm going to get around to watching them again and I'll try and see the themes. I enjoyed them both but the Dollars trilogy was better
The best western ever made is The man who shot Liberty Valance.
Never got around to watching that one, hopefully I get around to it
It was a really red pill for me about the legitimate use of violence. It is about some fagot, James Stewart, who studied laws at university and goes to a little town to teach his SJWs ideology to the people, and finally recieves to lesson about how is the real life from John Wayne. There is a minor red pill about women too.
Degenerate. Maybe you should watch the movie before criticizing it?
>the plot is about a white family who wants to be black so bad that they abduct black people and put their brains in their bodies
For a horror movie, it reads like a fucking comedy.
I'm out of the loop, where can i read this synopsis
What is this is this movie about?
It sounds stupid
that plot reveal makes it pretty alright desu its making fun of libtards
Just type the name into google you lazy fuck
It's insane how SJW it is
>be nigger
>go see this with family
>pretty much everyone in theater is also a nig
>had it spoiled for me so knew what to expect
>family still thinks it's some super racist horror movie
>know that pretty much everyone in the theater is getting thrown for a loop
>ending credits finally come around
>ask family what they got out of it
>consensus is "don't trust white people"
>realize I might've been the only person in the entire theater who understood the real message
Feels really bad man
Name's not mentioned in the thread or the filename.