Was the Jews taking over the Disney Corporation a jab at Walt or did they just sense an opportunity to subject the public to there programming?
Also why does
>youtube.com
sound so charming and resonating while
youtube.com
sound so tasteless and lacking, there just feels like theres something essential
Other urls found in this thread:
youtube.com
mega.nz
twitter.com
The first youtube link is innocent and reflects the charming romance of the time.
The second one shows Elsa with bedroom eyes and confident uppity demeanor which is naturally off-putting when displayed in a female. They have to compensate with a catchy beat and lyrics.
Secondary dominants and deceptive cadences are just charming and European af. A singer who is using her technique vs multitrack panning and obnoxious nasal squeaking run through copious amounts of Melodyne.
The other song sounds like every piece of shit written for Broadway in the last 40 years, from the lyrics that sound like a 14 year old wrote them, straight down to the Ben Folds tier piano riff that was undoubtedly developed in order to be printed and put in a compilation of "15 Easy Disney Songs for Piano" to be sold at your local Guitar Center and then taught to your children when you sign them up for piano lessons at the same retailer.
The animation is far superior in the first one than in the second one too.
id give you an example of a modern prince and princess song but disney hasn't made a prince since beauty and the beast
>on prince ali wasnt a legit prince
>no princess and the frog in general
but here have another
youtube.com
>1,099,586,627 views
Thumbnails alone from just hovering over the links are miles apart too.
Above you see romantic charm
Below you see a pale Venti with bleached blonde hair
>theres something essential
yea like being a cuck and trying to paint it as a good thing over and over
you are literally gravitating towards a delusional fantasy designed for teenage girls
...
Sleeping Beauty was founded on Classical fairytales, medieval arquiteture/artwork, the animation was their biggest attempt at realism for the time, the story took on a large scale being the first film shot in the Technirama format, which is a frame that's 7 times bigger than normal 35mm film, the scale of the story gave us great palaces filled with life, rich forests, castles filled with henchmen, and the spectacular fight with the dragon, with the entire soundtrack and leitmotifs of the story directly pulled from Tchaikovsky's Ballet of the same name, almost as if this movie was an hour long Fantasia segment, it went up against Ben-Hur just to get an idea of how high the standards were
Frozen is just a product carefully crafted by businessmen to please little girls, fool autists thinking Disney is still an animation standard or that they still have good morals to teach, and weebs that jerk off all day.
When was the last time a Disney movie had a male protagonist that wasn't a wuss, emasculated in anyway, wasn't made fun of by little children and didn't look like a pussy bitch? Even Pixar had it when they made The Incredibles, since then there's been nothing.
Hercules
Once Upon A Dream is charming af
yep and they'll grow to be half the population. Stay mad you insecure child, you fell for the fist jewish scheme of the book by resenting disney classics
Actually that'd be Tarzan
also Hercules is basicaly Superman for the new age
it also made walt lose a tonne of money which is why 101 is so scratchy and rough
Walt didn't care for Jews.
So Jews taking over Disney and turning it into a Jewish propaganda outfit that poisons kds is seen as a great moral/holy victory by Jews. They truly are the Chosen People.
fpsbps
Walt basicaly gave up after Fantasia, Pinocchio, Bambi and Dumbo flopped hard enough to kill most profits made from Snow White, and Snow White made a SHIT ton of money, as evidenced by literally all his movies after being either shorts or Fantasia-wannabe segments, with the random Feature-length movie inbetween.
Sleeping Beauty was just the nail in the coffin, with every movie made after looking less and less interesting while using Xerox to save time and money, Walt was more interested in making his fancy theme park in his last years anyway.
interesting stuff, thanks user
>Walt was more interested in making his fancy theme park in his last years anyway.
God bless his soul for that.
Hollywood is the biggest Jewish prank since Weimar.
The jab at Walt was just the icing on the cake, taking over yet another means to envenom public thinking was as always their main goal.
Indeed. Hail Walt. E.P.C.O.T. would have been the white man's paradise.
Walt may have been red pilled about them. Good thread
Does anyone have any diznee inzite?
Their jewishness goes back to even after Walt died, their movies took 2 to 3 years to make, even though they looked even cheaper than the xerox films made during Walt's era, going as far as simply not painting the characters' eyes in as they were told it would reduce cost, the animators only stuck around for that long because the higher ups were hyping The Black Cauldron around them as they wanted it to be their Snow White, but they thought they needed the animators to be at an level of skill they needed to master, which only pissed them off further which led to 2/3 or the entire Disney lot to leave, most of them working under Don Bluth to make Secret of NIMH/so on
With a sudden drought of artists they literally had to recruit whoever could hold a pencil or who was the newest CalArts graduate or something, which included names like Tim Burton and Andreas Deja, The Black Cauldron would then take 4 more years of making (it was being planned since 1972, production only really started after Fox and the Hound), 40 million dollars (the most expensive animated film ever made at the time) only to lose critically and financially to The Care Bears Movie.
A Year later Universal released Don Bluth's An American Tail, which cost less than 10 Million to make, looked better and was the highest grossing animated film at the time.
Interesting. So basically Walt was one of the good guys?
Great post btw. Don Bluth's an American Tail is amazing.
Is Don Bluth based?
I dunno, there is something so impersonal about CGI and those tired pop song progressions
the old traditional animation you can really see the artists work in the characters and score
Walt always said that he hated when people called his movies ''kids movies'', he always said that he doesn't make films for kids as that would only limit his appeal, going as far as being pissed off at people that were crying over shit like Bambi's mother dying and demanding him to make another version where she survives saying things like ''why do people complain about me being good at my job?''
Walt Disney also pioneered stereo sound with the original Roadshow run of Fantasia which was so great one of the critics felt raped by the movie.
If making 15 feature films that all competed directly with Disney in some way for 20 years, 1 being considered one of the greatest films ever made, 2 actually being the highest grossing animated films at the time isn't based I don't know what is.
While Disney was being Nazi Germany with their animators (not allowing them near cameras, writers or colorists), Don Bluth and his small gang bought their own equipment, set up shop in his garage and made Banjo the Woodpile Cat, which also looked better than anything Disney was doing at the time, which was by then Don Bluth was like ''fuck you guys, I'm out of here'' and made Secret of NIMH.
There was legitimately nothing wrong with Mulan, Tarzan, Aladdin, and Hercules. Rest is garb though.
>hey guys, let's repay Richard Williams, the guy who made Roger Fucking Rabbit possible by offering him to direct Beauty and the Beast!
>no? well fuck you then, we're gonna rip off your 20-year-in-the-making movie to directly compete with it when it's out!
Man, you play the game don't be mad when you lose.
I really like those movies tho
never watched Alladin though for some reason I just didn't watch some of those movies
This looks good what 20 year in the making movie was this?
Informed/10 Which one is considered one of the greatest? American Tail
Love the stuff I've seen from them
It's The Thief and the Cobbler, 23 Years in production, only for the studio pull out funding with some 20 minutes left to finish, give it to a Completion Bond Company who re-cut it into a Disney knock-off, which was then further re-cut by Miramax (a Disney branch) into an Alladin rip-off
The animation is what you'd expect from the man who made Roger Rabbit possible, aka some of the best stuff ever put to film, but the only way to watch it how it was intended is by watching a fan-made restoration that used a bootleg Workprint, every release of the movie he could get his hands on, and even a couple 35mm reels transferred to HD, pretty good considering the only release of the film in the US is a Pan-Scan DVD given for free in a Froot Loops cereal box.
Sadly because of copyright the film is very hard to watch entirely, it's easier to just download it
[spoiler]mega.nz
forgot my pic
Also, Secret of NIMH is unanimously considered his best, Land Before Time and An American Tail closely following