It's that time of the month again.
I hope everybody is ready to FUCKING READ HOLY SHIT THIS CHAPTER.
01
>You aren't experimenting, are you?
>Zero-sum game 2
>It's like you're purposefully teaching those two to be opposites of one another
>The reason you invited Fujita here...
>Now, now
>I am teaching them the dance to bring out their personalities
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02
>Depending on their shape and image
>What dance makes them most beautiful
>Kugimiya-san, you're stiff! (wow, this is amazing)
>hehehe
>You're like a teddy bear
>creak creak
>Shut up
>And most loved by the audience
>...?
>Not the dance to win with..?
>You mean a dance "that the judges will enjoy"?
>Modern style?
>Hehe
>It seems young people truly are only interested in victory
>It's true that while I was still active I was focused on that
>But now that I'm a coach, my interestes have shifted slightly
>How dancing changes throughout ages and history is for the dancers to decide
03
>What I am bringing forth from them
>Is the tradition
>And evolution of dance
04
05
>From their figure to their style the two are opposites
>It's can't imagine any of the judges will deduce them being from the same coach
>Kugimiya, who uses his height as a weapon
>Prominent with his technical sway and straight*
>And has a picturesque pose and basic even laymen can appreciate
>*Straight, or swayless, state. Also called returning to the neutral position
>While on the other hand, with their shorter stature, the Fujita-pair is aiming for a movie-like performance
>Releasing sway
>Cosmetic sway
>Using their movement and pace they bring out a more three dimensional image of their form
06
>But isn't this sort of comparing
>Pointless unless done between dancers of the same caliber?
>Aah! It's been so long since I last saw Kugimiya-pair dance Truly. What a wide swing!
>And the form of their bodies! So elegant and natural...
>Shut up, you wiki-experts
>Fanatic pros...
>The dominance of Kugimiya-san can be seen by even ordinary observers
>He's tall... (after all)
>Naturally having a bigger form makes all his actions more noticeable
>But more than that, what's unique about them
>Is their balance in the neutral state
07
>A prominent straight is a beautiful thing
>Number 42 sure is stable
>Trying to compete with a mass
>That's naturally larger than your own...
>You need to increase the width of your actions
08
>By releasing the stuck tissues in the shoulders
>The shoulders become looser and the neck can stretch more
>Making the upper body more beautiful
>This is bad! My back is so loose I can't keep my hold..!
>Meanwhile
>By releasing the muscles around the hip and knees
>Has an explosive impact on the top speed
>The reactions to each sound will be perfect...
>Ah!
>Hey! Tatara, your count is all wrong!
>crumbling
09
>Bafu!
>Slam
>Or so I thought
>I failed
>At what?
>An experiment... I guess...
>(hmmm) For summer homework?
>We're trying to grow crickets
>But they are a bit cannibalistic
>That so?
>Oh!
>Welcome back!
10
>What's Masami-chan's number?
>Gaju!
>(mmm...) 42... (if I remember correctly)
>And... Fujita was 13 (What an ominous number he has)
>Who's Bujita?
>flip
>rip
>chew chew
>Hyou-
>Are these seats free?
>Next to you
>shake shake shake
>These are for Shizuku and Mako...