She is an unremarkable director

She is an unremarkable director.

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vid.me/LUbt
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Then how does she repeatedly turn dogshit source into pure gold?

Fucking who?

Who is she?

By using that yellow instagram filter

Your mother.

The only thing she needs to direct is my cum onto her slutty face.

She is cute

In my country, this woman is nothing.

...

hipster thread?

hipster thread

Go to bed Ahmed

>yamada is the same age as me
>she is god tier director
>I'm a shit tier neet
>tfw

Attractive people, especially attractive women, have it easier, user. It's not your fault.

I agree.

If she were unremarkable you wouldn't have made this thread.

The only thing remarkable about her is how shitty her output is.

That's subjective.

Her output is pretty consistently good.

>not knowing the creator of "FUN THINGS ARR FUN"

So's your mom. Explains how you turned out at least. Poor direction.

Tamako Market was good though

She's not even very attractive, and her work is far more than the result of being given a free pass for most of her career. We're discussing quality, not success.

...

Considering she only has one work that is not an adaption and it is her worst work I would agree.

>public prefers Your Name
>critics prefer In This Corner
JUST

>she's not attractive

...

>tfw

Fuck off.

She was given a free pass because her talent was recognized by based Ishihara. She went on to create the pinnacle of anime so the decision was right.

She looks so cute when she's about to cry

But the greatness in her adaptations all comes from her, not from the source.
vid.me/LUbt

>She was given a free pass because her talent was recognized
Then how is it a free pass though?

Keion S2 and the movie are original.
Love Story is pretty good even if the show was just alright.

>Unironically linking a Digibro video
Please neck yourself.

more like severely depressed and suicidal. I must know.

That video is great though

E-celeb shit does not belong on Sup Forums. Fuck off back to Sup Forums.

It's an analysis video about K-On. It has nothing to do with e-celebs

...

Except an e-celeb made it and he was shit taste.

Are you calling K-On shit? You disgust me

She directed a legitimate masterpiece at age 25.
Impressive enough for me.

Kinda sad that she'll never top it though. She's already resorted to making lame awardsbait

You made it about an e-celeb, man.

What?

Would still fuck her in every hole

I'm beginning to think it was a fluke, honestly.

>implying K-On is better directed than Tamako Love Story and Koe no Katachi

Why?

>this gook
>attractive

Because user told me so, why else?

Because the quality gap between K-On! and the rest is pretty large.

lol, when are gooks going to learn the oscars were invented by jews to hand out awards to other jews?

are you saying it's not shit?

Just because you like the characters in K-On more doesn't mean her other films aren't objectively superior productions.

If you say so.

Yamada's output is so small that no one can really tell if she's good or not. As episode director she's very average, her episode of Maidragon wasn't as good and the joke delivery was sloppy. The last episode of Hibike S2 was very anticlimactic, first episode of Hibike S1 and Tamako were alright though.

She's a good series director but honestly I don't think series directors are as relevant when it comes to artistic merit, specially in character driven series, they take a managing role more than a directorial one. Movies are different so once KnK comes out we'll see if the K-On movie was just a fluke or not.

>youtube reviews
Fuck off and kill yourself.

>we'll see if the K-On movie was just a fluke or not.
what about tamako's movie?

What'd you think of her Hyouka episodes? And her Free S2 one?

>I don't think series directors are as relevant when it comes to artistic merit
That seems silly.

>youtube
>review
It's neither of these things

Naoko "More filters, more awards" Yamada

but K-On! is her most awarded series

>that hairline
>that moonshaped face and head
>3DPD
>anons unironically want to fuck her

You are safe here. Nobody will hurt you for being gay.

I want to marry her.

Does Yamada really bring anything worthwhile besides leg shots and funny gestures?

Based on many interviews on how the production works, series directors are just there to supervise and correct mood, plot or characterization discrepancies. Yamada is very picky about body language and framing. The bulk of the directorial work is done by episode directors, and since KyoAni only works with their in-house directors, the people there are probably very familiar with Yamada's style and there aren't many corrections, so she's basically just there to look miserable since as I said, her output is very small compared to Takemoto or Ishihara.

Have you seen K-On?

Yes.

animationforadults.com/2017/03/a-silent-voice-2016.html

>even western critics aren't impressed
What did Yamada do wrong?

If that's the case then Ishihara has done nothing and Takemoto is only responsible for the Haruhi movie.

Literally who?

amazing characterization

Naoko Yamada, the best female director in the anime industry.

What do you think "directorial work" entails?

She was only 25?

What the fucxk am I doing with my life? holy shit.

At least based Mark Kermode liked it.

You might as well post thatanimesnob's review of Kimi no Na wa.

Depends, are you talking about series directors or episode directors? Do I need to repeat myself?

>The bulk of the directorial work
is what I'm referring to.

>spree

nani?

Episode directors often storyboard their own episodes and lead the staff in charge of said episode. The series director is usually just there to approve or disapprove things, they're simply glorified managers, not saying they have it easy, but the actual directorial work is left to the episode directors. With KyoAni this isn't as noticeable, considering most of them have a very similar and homogeneous style (save for Kigami) since they've been together for so long, but just watch any show that involves episode direction from people with unique styles like Imaishi or Ikuhara and you'll realize that it can carry a lot of artistic weight.

He was talking about this film and how shit it was.

Yeah and watch shows with series directors with unique styles like Yuasa or Oshii and you'll realize that it can carry a lot of artistic weight.

Looks like Kafuka.

What in her interviews gave you the impression of her acting as a manager, as opposed to one who exerts creative control over the project?

Is anyone else anyone else seeing repeated text in this thread?

Is anyone else anyone else seeing repeated text in this thread?

Umibe no Kafka?

Who was influenced by who at KyoAni?

Everyone by each other, pretty much.

Taichi Ishidate was trained under Yoshiji Kigami
Naoko Yamada was trained under Tatsuya Ishihara
Eisaku Kawanami was trained under Mitsuyoshi Yoneda
Taiichi Ogawa was trained under Taichi Ishidate
Takuya Yamamura was trained under Eisaku Kawanami
Haruka Fujita was trained under Naoko Yamada and Taiichi Ogawa
Shinpei Sawa was trained under Noriyuki Kitanohara

K-On is a show for little girls and you know it.

anime is for little girls

Good thing we're all little girls then.

The fact that these positions exist should tell you something. As far as I'm aware, there aren't interviews that involve Yamada as series director. accompanied by one of her ep directors; only interviews with her as ep director or as movie director, and as I said, movies are different, they obviously don't get to have episode directors.

But let's look at this part of the Hibike interview, the series director is not aware of a certain detail in the storyboards someone else made, this implies that he is only involved with the production on a high level. Yamada mentions that the one who made the choice of having Kumiko run was Miyoshi Ichirou, the episode director of ep12, then mentions how he (Miyoshi) wanted to make the junior animators suffer, this confirms what I said about ep directors being more involved with the staff. Perhaps manager wasn't the best word to describe a series director, but they aren't in complete control either, they usually just set up guidelines.