Kimi no Na wa

Wow it actually lived up to the hype.

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>4k is just 1080 upscale

they can't keep getting away with this

fucking japs

k is just 1080 upscale
Where'd you get that?

>how do i google???
4k being upscales is a common knowledge
the thing is clappers atleast have the decency to upscale from 2k most of the high budget hollywood movies

most popular anime movie of recent times(and as awards list show - of ALL times) having UHD upscaled from 1080 is a fucking DISGRACE

>4k being upscales is a common knowledge
So you have no evidence?

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lmgtfy.com/?q=kimi no na wa 4k upscale

>sky is blue!
>BROOFS????

I already did that search. All I got was hearsay and rumors.

seeing how out of the loop you are with shit that's been known for fucking months i can easily assume you're also out of the loop about things that are known for as little as a week so let me enlighten you:

4k rips are accessible, go get them and see for yourself you little shit

pretty good

highly superior

FUGG
forgot pic

Yeah but Disappearance didn't make me feel anything like this did. Maybe the LN did, it was considerably more fleshed out.

I'm sorry if I ruffled your feathers. That was not my intent. But you didn't make your posts in a way that made it look like you really knew what you were talking about.
Especially the bit where you went from "THIS MOVIE IS UPSCALED - FUCK THE JAPS" to "all movies are upscaled" seemed highly improvised on the spot.

>all movies are upscaled
this bit i dont even have to prove

at any rate it's a devil's proof, i honestly doubt you could find a movie with 4k bd release that wasn't an upscale from a 2k, considering 2k is average cinema screen res

Why is Kimi no Na wa so popular? I legitimately don't get it. I watched it and I thought it was an okay movie but nothing particularly stood out about it.

It definitely did not.

because these morons think pretty visuals outweigh the completely devoid and unbelievable characters and ineptly written and inconsistent plot

man i loved this movie

just watched it last week and rated it 10/10 in my MAL

imdb.com/title/tt5311514/technical

I'm generally not one to be contrarian but this movie sucked ass and I was really disappointed. It lacked the subtlety of Shinkai's previous movies and embraced a full blockbuster narrative instead.
If you already know the plot twists there is nothing remotely enjoyable about it. The characters are very underdeveloped, bland designs in a gorgeous movie, and the plot feels like fanfiction with its liberal use of plot devices.

君の名はって未だに観てる人居るんだな
俺は観たことないけど。

"You idiot, you were supposed to write your name."
;_;

Story was average, the romance in Garden of Words was better. Worth watching for the twist and the whole meteor suspense though.

Restaurant senpai was the better girl anyway.

Same here. Without the gorgeous backgrounds it was okay at best, mediocre at worst.

REALLY needs more porn

Kimi no na wa felt too much like a run of the mill anime but with good animation. It also tried to be more that it could have been and didn't work well.
Koe no katachi was a much better movie.

I know I sound like a hipster, but I don't understand how KNNW got so popular.

I don't understand why people think this lived up to the hype. Have you just flat out not watched much anime or films? It's a nice film but nothing special in any way.

It was marketed more worldwide rather than just in Japan, including cinema screenings and a dub from the getgo.

I guess it's just really popular because of the art styling (ie. backgrounds) look great, because it's a Shinkai work

Honestly I could forgive the plotholes, it's a dream all that.
The biggest issue is that it doesn't actually feel like a film, but more like 5-6 tv anime episodes put together. I never felt "oh that was a nice composition" or "what did he mean with his shot" (in a serious way), and consider I am far from an elitist. I mean, I am watching the Expendables right now and I think it's more visually interesting that Kimi, excluding the scene with the meteor.

>expected a mediocre movie
>got a mediocre movie
Was not disappoint.

Its a Shinkai for people who don't actually like Shinkai.

Which is good because Shinkai is overrated. It took what he is good at and removed all the shitty aspects he forces in.

Because it's a love story. Just look at shit like Oregairu for example.

Way better than the shit of koe no katachi and its message about if you are deaf you need to kill yourself because you make the life of everyone around you way harder.

Disappearance was like, a 99% adaptation. I think they even added things to it that weren't there that add a lot to the movie, like Sasaki being Kyon's last contact and the post credits with Yuki.

Most movies are.

anyone got a magnet link? last I heard the latest was 480P (with subtitles of course)....

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People like to one-up each other a lot. These people have seen not many movies but one movie a dozen times. They just compete with eachother on how many times they can watch the same movie. Obviously they're going to like something when everyone around them does.

Nothing you've said sounded as good as it did in your head.

>Hipsters will shit on an anime literally designed to be nothing more than a entertaining really well-made popcorn flick
Really causes ones neurons to fire ind a coordinated manner

I loved the movie, its really hard for anything to get an emotion from me but somehow this one did, they knew how to convey their message and feelings, its not the best movie ever but its my favorite by far

I want to lewd Mitsuha's imouto

To me if was more of a story of youth than it was a story of romance (which is still correlated to youth). It makes people wonder if they ever see their old times as special or not through different perspectives than your current self, and whether you are living how you wanted, and even the question of what it means to want to live that way. The film really encourages the notion of stop accepting things as they are if you don't want them to be like that, and to strive for what you want even if it means leaving your comfort zone or exploring elements and feelings beyond your understanding. That's why I love it so much, because it's a very passionate work that pushes for meaning in things that should be obvious but always so easily forgettable with time.

Do you have the one with aho written

Here ya go.

Ruined herself by smoking.

>tfw you got the one you wanted

Do you have an album with those picks? mitsuha is a cute

Nope, just saved them as they appear.

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what hype?
the hype of not getting a oscar nomination?

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Stop user i just got diabetes so much cuteness

And last one I got.

It still strikes a lingering thought that Mitsuha waited 8 years for Taki. Even longer if they didn't meet via the trains.

it's part of what makes her the best

am i really supposed to believe they never ever checked the year on their phone?????

maybe i could accept it if rest of the move was incredible but aside from animation it's super generic

She didnt wait she didnt had another opcion she would always feel empty and remember musubi their link will never dissapear

Remember when they change body they arent 100% aware of that, thats why they forget it inmediatly and also do you check the year on your phone reguraly?

i schedule stuff on my calendar so yes, they seemed to live fairly busy lives so it's not hard to assume they would use it at least a few times

It made her realistic to how waitresses and waiters behave

...

She did focus on adjusting to the city life thereafter, but she kept living with the hope that she'll find her forgotten person who said he loves her and was responsible for saving her and the village people. She still holds onto the belief that she'll know when she sees him and waited for as long as it takes, each day thinking "just a little longer" for that hopeful moment to occur.

My calendar doesnt show year

Much better

I thought the ending was fantastic, it was incredibly suspenseful because you knew that they could've just walked past each other again without remembering and it would've been a bitter ending

And even more if you had watched shinkai films before i was sure i was gonna get 5cmed but thank god it didnt

>introduce an entirely new supernatural mechanic that has nothing to do with the bodyswapping or anything else in the movie just so the MCs can meet

>don't pay attention in class and then complain when what was talked about happens later

It was 5 centimeters per second for people who didn't like 5 cm per second. Escapist fantasy for japanese youth who don't like the tragedies life brings. Characters behave in an unrealistic way because the retarded flick time travel and bodyswitch plot called for it, hinges on its convenience to tell its plot, and there is seemingly no consequences to any of the characters retarded actions. It panders to the lowest common denominator. There's enough bad writing that retards like the Pedantic Romantic and Mother's Basement can write psuedo-intellectual video essays about it, justifying the lack of competence. The animation isn't even the greatest, certainly not as good as most anime films released between Akira to Jin Roh. The character designs are incredibly generic and will scream "2010's anime" in the next 10-20 years. The art itself is very pretty, but the cinematography is uncreative, kept reusing that stupid "door closes into the camera" transition. Most of the music is generic J rock. Overall, its a below average movie that is critically acclaimed because its accessible, and will likely be remembered because it made lots of money.

this post is so laced with bait I don't even know where to start

I'm complaining about its existence in general, not how its introduced. It has nothing to do with anything in the movie, like at all. Its not part of the Musubi god, or Mitsuha's ability to bodyswap, nor does it have anything to do with the comet. Its just there for the sole purpose of them meeting for a few seconds despite being a huge worldbuilding development, even more so than the Musubi god.
Though a few words in the classroom in the beginning of the movie was a really poor way to place Chekhov's gun. All in all its a plot device in a movie littered with plot devices.

Kataware Doki wasn't a separate thing. For it to happen on the same day moments before the calamity impact that musubi forewarned meant that it had a purpose in reverting back the bodyswappers near the God Body shrine. Another argument would be that Kataware Doki was a gift of the underworld: the two get to swap to their proper bodies and meet one last time at the cost of losing memories of each other's names and events. The whole point was that both of them are necessary towards fulfilling the Miyamizu prophecy.

Tell me whats good then you for sure know right?

5cm manga is really good the movie is not, it needed more time

5 centimeters per second was the superior movie in almost every regard. Not hard to understand.

A boy falls in love with a girl.

Unable to confess, he is gifted by a deus ex machina with the girl's phone number. Never minding the strange area code, he immediately calls her, and is overjoyed to find out that she has a crush on him as well.

But, the next day, when he recounts the previous day's confessions to the girl, she only looks at him with a perplexed expression. After some investigation, he finds out that the girl he called is not the same girl he fell in love with. In fact, she doesn't exist in this universe at all. She is the girl's alternate universe counterpart, who has fallen in love with the MC's own AU self, who too is blissfully unaware of her crush.

Hijinks ensue as the two strike up a deal to give each other their darkest, most private secrets in order to equip the other with the weapons they need to conquer the heart of their other selves. While the two chase their respective loved ones, DRAMA ensues as they begin to fall in love with each other instead and question the NATURE of LOVE.

>the two get to swap to their proper bodies and meet one last time at the cost of losing memories of each other's names and events
Where was this mechanic introduced? I don't remember seeing that in the movie, not to mention they've been conveniently forgetting shit throughout the entire movie.

>characters reacted in a realistic manner
>an unorthodox ending for a romance
>it may be rushed and not paced well, but it didn't overstep its boundaries

Make it now, good shit user

The thing is, the teacher's explanation is an unreliable narrative and may or may not be actually what happened at that point. They were able to meet for that one moment because it was a bridge between two different times within the same space, yet it can only go for as long as there is sufficient time to save the people from the meteor. It can be part of the Musubi God, the meteor's 12,000 year cycle, the underworld, or even just "time-flyer" lovers. The point of it was essentially to be a "mystery" in how the audience wants to perceive it to be interconnected with everything else.

>Hello, I attend a school where the year is never mentioned and nothing is ever distributed with the year on it.
I wish that guy would move his head so we could see what is written below "October" on the board.

>ITT people realizing that a plot about people body swapping across time might not be rock solid.
I mean yeah it's clear that the logic of the world isn't completely consistent at all times, but all of the plot devices that the movie sets up exist pretty much entirely to ensure the success of the movie's emotional payoff. Since that emotional payoff is the most memorable and most important part of the movie, I don't really see why you guys are nitpicking everything about the body swapping and time travel when it's pretty clear that it's all supposed to be a handwave from the beginning.

nyaa.pantsu.cat/search?c=3_5&userID=0&q=your name

Read the manga is better in every regard

It's the part where Taki!Mitsuha goes with the grandma and imouto to the crater to put the sake, and when they're crossing the river grandma says that "from this point on it's another world, to leave this place you must leave behind the most precious thing to you" which in Taki and Mitsuha's case are their memories of each other and the bodyswapping events.

because it doesn't excuse a lazily written narrative

Not wrong

Like Granny said, crossing over the underworld and back meant to leave behind something precious. Taki crossed through in order to save Mitsuha, and Mitsuha crossed out in hopes of seeing Taki again. The two get what they wanted, but it came at the cost of their memories of each other's identities.

What I say is not the absolute explanation for this mechanic, but it is one of many interpretations. There's no one completely satisfying answer for why things work as they appear, but that is part of the film's theme on musubi where things do entwine and interconnect in unexpecting ways.

post lewds

The plot is unique and "made me think" tier, it has a decent twist , and it's a romantic story

It just works

I actually agree with him, especially the designs. I already forgot how the guy looks like and I forget how the girl looks when I stop looking at your post.
He's right, those two are the incarnation of 10s anime characters.

The only thing I learned is that girls don't grope their breast each morning and it confuse the hell out of me

I always reach to my dick when I got morningwood

I don't have a problem with plot inconsistencies. For the most part its pretty solid. The amount of "convenience" and plot devices makes the movie feel really cheap and half-assed, like they didn't bother coming up with a proper narrative and started tacking things on because they needed things to happen.
>forgets Itomori disaster
>somehow doesn't know the name of the town he's spent so much time in
>never notices the date
>the phones deleting the messages
>encountering each other on the train post-timeskip
>Mitsuha for some reason deciding to give him her corded braid when she's being pushed out of the train
>nobody recognzing that they have the exact same braided cord
>Kataware Doki
>Taki deciding not to write his name despite full well knowing she isn't going to remember him if he doesn't
It's easily one of the more frustrating anime I've seen because of all this bullshit. Like right up there with Okada's convenient character placement in NagiAsu

hes right you know

no

Oh okay, thanks. That seems kind of arbitrary given how the body swapping has memory less built in.

It's just a high budget OVA from some romcom anime

Because it means he has no respect for the viewers, he just writes shit to make you feel without caring about how it is placed in the world he built. The sad thing is, he's right apparently.

I took a vacation to Japan earlier this year, and watched this on the plane when we left Tokyo. It was very surreal seeing how well they depicted the Tokyo in the movie. It was nice closure since I didn't want to leave.