EoE and the series

Alright boys, what the fucked did I just watch? Any semblance of an explanation aside from me being a fag would be greatly appreciated.

Other urls found in this thread:

youtube.com/watch?v=Ho07Ag6lV9g
twitter.com/NSFWRedditVideo

Also, is shinji a gay?

Yui

The film opens with Evangelion’s familiar summer-noises, alongside some good scenic shots that recall the show’s opening. The set-up is one which implies a potential movie in its own right, but quickly goes to a shot of Asuka unconscious in the hospital, as Shinji cries. Accidentally ripping off her gown and seeing her naked body, he masturbates (replete with a shot of his glazed hand) and calls himself disgusting. Ok, this is a terrible start, and a moment that’s only there to highlight Shinji’s immaturity and frustrations, in the least subtle way possible for the sake of getting a reaction. Meanwhile, Nerv is awaiting Instrumentality, as Seele fails to hack into the Magi system to overtake them from within. Asuka is quickly transported to her Eva, and Seele’s ground invasion of Nerv begins, with the objective to eliminate all Eva pilots and staff.

As shells explode over Asuka’s drowned Eva, she curls up and repeats that she doesn’t want to die — a choice that seems too melodramatic for cinema (at least on paper) but has an odd resonance, here, as animation, especially in the absence of all other sounds and superficial realism. Yet instead of allowing the moment’s pathos to play out, The End Of Evangelion comes into its second bad moment: Asuka’s communing with her mother, who seems to tell her that she’ll protect the girl, after which Eva 02 jumps out of the water, and begins to repulse the Japanese army. The triumphant music, Asuka’s hammy declarations of her ‘epiphany,’ and so on, follow the biggest superhero cliches imaginable, for even if one argues that Asuka’s eventual injury (and possible death) is a subversion of this cliche, that is simply not the case, now, from the framing of the images to the number of scenes in between this one and her eventual defeat, which is simply too far-away to work in any real subversive context.

Seeing this, Seele decides to release the Mass Production Evangelions to deal with Asuka, which are some of the best designed villains in the entire series. They behave and look reptilian on land, yet clearly resemble vultures in flight, making their eventual ‘plucking’ at 02’s anthropomorphic features all the more unsettling. This includes the disemboweling of 02, to their blurred appearance in Asuka’s line of vision as she pathetically reaches out her hand at them, only to see them circle above and unexpectedly launch their spears into her body — a final insult, in a sense, for they never visit her again, and the viewer’s forced to deal with the suddenness and lack of closure. In fact, I’d argue that this sort of manipulativeness is what anime is often best at, and while viewers might wince at the word, this is really art’s chief advantage over life. Art, after all, can pick and choose its own facts, its own narrative order, without much concern for anything but effect. It is an idea that is too often glossed over, even as every book, film, or story of value that we consume is calculated for doing — then masking! — precisely that.

The End Of Evangelion Instrumentality Human ComplementMeanwhile, Seele’s invasion has destroyed much of Nerv, and killed off quite a few staff members. Shinji is ‘misbehaving’ again, and refuses to get up when called by Misato, forcing her to drag him off the floor, as he pines for Asuka’s attention, as well as her safety. Misato gets shot, and tells Shinji she will never forgive him if he refuses to pilot his Eva at this critical time. He agrees, and this kicks off End’s Instrumentality sequence, wherein — unlike in the show — we can be more certain that these are the famed ‘complements’ returning to one another, ending with Shinji sobbing over the (possibly dead) body of Asuka.

It’s a long process, and visually superior (at least in a technical sense) to the series: there is, for instance, the great shot of Lilith coming off of her cross, down to how the skin physically rebounds after escaping the nails; a shot of Mistako speaking to a lover, all the while the image is of a spinning fan; a ‘turn’ towards Shinji’s childhood, with blurred-out, grainy images that suggest how he colors and discolors such memories; live-action sequences that are shot documentary-style as the characters seem to enter into a higher plane of existence; and, of course, the last few suggestive shots, of two petrified figures across the destroyed world, above two living (?) ones.

At bottom, End’s primary reason for existence is to provide an alternative to the show’s mythos: or rather, a glimpse into how this mythos plays out physically, thus turning The End Of Evangelion into an action film, first, wherein the first half is dedicated to war (external and not), and the latter portion to its after-shocks, in a way that’s visible rather than implied. Yet for all these changes — all of them, by the way, stylistic, or on the level of plot — it is important to realize that the exchanges between characters are still quite similar to those in Evangelion. The ideas re: death, living, identity, personal boundaries, and pain are the same, and expressed with the same mix of novelty and platitudes. One could argue, then, that Hideaki Anno was merely tossing darts in the hopes that a few of them would stick, a ratio he’s not improved upon since the original series. For every well-parsed line or interesting phrasing, there are atrocities such as: “If you decide to live, anywhere can be heaven — because you’re alive. There will be chances to be happy anywhere. As long as the sun, earth, and moon exist, everything will be alright.” In short, the material can still be bad, bad, bad, with the caveat that a noble failure, as parts of Evangelion are, can be MUCH better to learn from, for the sake of the future, than a merely solid work of animation, as The End Of Evangelion generally is.

But why the fuck was shinji choking a possibly dead best girl? Is he just a sociopath?

Proving to see if she was real/tangible and if she would resist

That makes sense. Thank you user, you've been very helpful.

>implying you wouldn't

Actually just popped into the thread but keep in mind that Eva is a lot about intreprstion and it means different things to different people.
Also don't pick a best girl. Just don't

You're not wrong.

Meant for

In the weird immaterium world they were in (can't remember what it's called been a while since I watched it), all of humanity's consciousness is mixed together. Upon creation of the combined consciousness, everyone exeperienced everyone else's memories simultaneously, and basically everyone who stays there is going to live forever as a pseudo-godlike entity in eternal happiness with no obligations or duties. In that combined consciousness nobody was able to resist anyone else because everyone is the same entity.

The choking is because shinji had just chosen to leave from that entity and go back to being an individual with flaws and responsibilities, then so did asuka. He choked asuka to check if he was still in the combined consciousness. A hostile action is one that any person would resist, so he was testing it with the hostile action of choking. Asuka says the "disgusting" comment because for the brief moment they were both in the combined consciousness Asuka experienced Shinji's consciousness and learned that he jacked off to her comatose body

>Asuka
>best girl

>not evangelion
>not a redhead
>not in movie or even resembling character

You toiletfags have some mental issues

Manga had a better ending.

one user said it crushed his soul, was it a better ending, happier ending, sadder ending?

>the version where nothing in the series mattered with no triumphant solution is the better ending
Sadmoto is a hack

Are you able to read file names? It clearly says End of Evangelion, its Asuka in the live action portion of the film as her seiyuu. Asuka had CANON sex with Touji.

Shinji pulls a SRW Alpha 1 when the MP Evas attack, and his wish resets all the living characters iirc.

You're a fag.

That was nowhere in the movie toiletfag

It is in the extended release or something.

no it wasn't, it was scrapped footage of the VA's in an alternate reality where nerv and shijni didn't exist

It was directed by Anno, its canon. Asuka is impure.

For all intents and purposes Toji is dead after episode 19. You can't show a kid being killed on live TV, for the Kaworu episode apparently the channel didn't have time to go over it prior and let it play because of how big Eva was for everyone which got them into deep shit for when they had something with the body of a teenager be killed

You're just proving right on the reifags have mental issues part

You are implying I'm a reifag, but you could be more incorrect. Since I don't waif any of the characters, I am free of bias.

That's during intrumentality, you could say Shinji imagined Asuka living a life like that without piloting Eva. It shows how low he views her, and how shallow a person he thinks she is.

ill admit it i came when first watching this

youtube.com/watch?v=Ho07Ag6lV9g