What changes will Netflix have on the anime industry?

Pic related

more normies

>normies
Go back.

I'm home, normalfag.
Perhaps you should go back and watch more Netflix.

We may see things deemed 'politically incorrect' culled from the industry, like traps and such

I've just seen it announced that production IG and Bones are going to co-produce anime with netflix.

Can we please stop collectively pretending the mouse isn't coming for our anime?

More passion projects, no QUALITY and animators not being treated like slaves.

>What changes will an anime producer have on the anime industry?
None, obviously. The anime industry is basically just an extension of manga, LNs, and games.

look out for
>shittier stories dumbed down to normalfag tier
>more interracial shit
>more ntr
>pc garbage
etc

Pic unrelated. As far as I know, the only anime Netflix has produced so far is that Castlevania series and the B something which is yet to be released.

>Pic related
No wonder it's low quality shit

...

>Castlevania
>anime

Fucking moron. It's the complete opposite.

Shit quality, less originality, slaves animators from shitholes like China or Taiwan.
Even their best original (Castlevania) only ran pitiful 4 episodes and had that horrendous framerate characteristic of wester TV animation.

Nah, if it's Netflix only like Devilman or that B anime, then they give as much time as the animators need it to make sure there's no rushed production like in your usual TV broadcast.

Netflix didn't fund production for Devilman.
Stop trying to create narrative for artificial discussion and go back, moron.
:^)

They signed partnership with WIT, Bones and IG.

Western countries have commissioned anime since the 70's, there is even one about Christopher Columbus commissioned by Italy in the 80's/90's.
Literally nothing is going to change.

More Madhouse-like anime
Because people in the west like more serious shit and not that moe pandering SoL trash

Spectacular deflection of what i said, retard.

When is Netflix funding more Berserk?

Industry continues to trade merchandise sales for licensing money, licensing money run dries like it did back in 09, studios go bankrupt and new ones form, rinse and repeat.

From the western perspective, nothing because we don't matter.

I expect more interracial sex scenes, more gay sex scenes, avoiding subjects that offend mainstream america or jews, heavy on pg13 violence.

>like traps and such
Netflix will be the savior of anime.

You're retarded, it's not "artificial discussion" because Netflix is going to fund the projects.

what changes will adult swim have on the anime industry?

Netflix didn't produce Devilman.

More money. That's about it.
Netflix is remarkably good at just throwing money at things and not interfering.

I didn't realize Jews could draw.

None. Japan will keep on doing its own thing while Netflix will burst into flames (looking at you, Violet Evergarden).

See this chart? People who this applies to will now be the primary audience of and influence on anime.

Have fun with your medium!

I didn't say they produced it.

you'll have to prove they funded devilman and not just bought exclusive rights to it like they did with any other anime on their platform.

Hopefully this. It would be better if more anime was catered to normies then otaku.

The absolute state of Sup Forums

How far this board has fallen.

Less CGDCT, moe, etc; More artistic, high budget projects. I'd honestly like to see them open a studio in Japan. Giving gaijin bucks to people like Yuasa is what anime needs to get itself out of this niche fetish era its dug itself into.

Surely the point of watching anime for westerners, especially Americans, is that it's a change from your country's culture. Why would you want it to be more westernized?

Nah. Most westerners just want adult cartoons and 2D aesthetics. The people who want anime to stay niche are already content and despise netflix.

well duh

More good seasons for shows that the nips no longer care about.

One, that's Yuasa's style of animation you fucking moron. Even his direction in the episode he did of adventure time had simpler style.

And who castlevania was not an anime. Just because the faces and character designs resembled some of the few anime you've seen doesn't new anything.

Just shut your mouth before you spout nonsense

Animators will get decent salaries. right?

No.
If anything noname studios (probably chink studios) will trick netflix and get a lot of money then make slaves shit out garbage anime so they can keep the money.

You must be new to anime. What you listed has been present in hentai, since the beginning of time.
Fuck off.

What? No. The point is that I like animation.

what are you talking about, anime has garbage stories most of the time, if anything this is a good thing

I don't see the downside

giraffe people having sex every 5 or so minutes

At the very least, WIT studio will not be allowed to make stupid decisions like making a global cash cow like AOT and then shelving the thing for 4 years and then only making 12 episodes. That shit was frustrating. It deserved to be a flop

Normies are just as bad but on a different spectrum. You trade shit pedophiles who're obssesed with waifus and lolibait, for a group of viewers that desire more forced drama and plot convenience then any shonen.

Nothing significant at all. This is the third time anime got big in America, it hasn't significantly changed things market wise yet and it still won't. The only nation you should be really concerned about having any serious influence is China and even that is very questionable.

>Keep the money Netflix hands us
>Or give it to the peons

Studio Madhouse is amazing.

How can one studio be so based?

None that are relevant or worthy of discussion.

ITT: special snowflakes

Instead of 60 anime shows being made each season, now there will 63 shows each season, and those three will be exclusive on Netflix. That's it. Nothing to cry a river about.

It means the Japanese studios realize that they can basically take all the classics from the 70s and 80s of manga and anime, get a decent director with a visual distinct style or vision and pop out a 10 episode series all at once and there's a good chance it'll get noticed.

The thing is, it needs to be a director with a distinct style or it'll flop, since that was the power. So expect Umakoshi to be asked to remake another 70s/80s classic.

Now user, what classic from the past do you want to get big in the West?

>>Now user, what classic from the past do you want to get big in the West?
None of them, that sounds absolutely horrible.

Netflix wants to probably rather make original IPs, instead of having to deal with companies that own some already.

Animators on twitter have revealed that all they get is a 3 month free subscription to netflix. The pay is the same.

no more pedo show i hope

But a month of Netflix in Japan is worth as much as 50'000 cups of ramen that even contains actual. All they need to do is find a sucker who'll trade them all their ramen for a few Netflix originals.

This
nice anime pic faggot

>excessive and gratuitous nudity
>agenda pushing through rappers and cops
>agenda pushing through homosexuality
>agenda pushing by having a tranny in the cast for no reason
>ignores waited-for-decades exposition of Go Nagai's ideas in exchange for degeneracy nobody care to watched
>rushed ending that overlooks the most important parts and messages (and even most entertaining) of Devilman as a series and legacy

People will claim Yuasa is the one to blame 100%, but if you compare Crybaby with his other works, you'll realize it's too much to be solely his fault. This series had incredible potential and was ruined for the sake of the circlejerking of ideas that are ultimately irrelevant.

People are already saying "well, it's Devilman, so it's expected". Just wait until it gets more and more mainstream.

Agenda is coming, and you can't stop it.

Eh, if it's shit, then it's shit because the director was really just bad at everything, despite having the luxury of not having to shit out one episode by a set date.
It happens.

I didn't personally see any of that as them trying to push an agenda, and nudity/"degeneracy" is to be expected from a Go Nagai adaptation. I definitely agree on the rushed ending. It felt like it could have used an episode or two more, but I was pleasantly surprised at what we got. I'm just hoping any future Netflix funded anime will be an attempt to capture more of the Japanese market and not Westernized garbage.

Don't worry your pretty head about Netflix giving any input on the shows they'll co-produce. If it's westernized, it's because the Japanese did it themselves in the hopes of it becoming more popular with the westerners, so that they can get hired to make more anime for Netflix.
If it turns out to be unpopular and bad, Netflix will just terminate the working contracts with the studios and thank them for their hard but ultimately unsuccessful work, and start looking for other studios capable of delivering stuff that Netflix's target audience wants.
Which is action, gore, almost porn and science fiction. Which means mechas, space ships, cyborgs, superheroes and tits.

>normies
You must be such nerds amirite

Netflix's primary audience for anime is neither North America nor Japan.

honestly, i forsee this. Netflix is not fucking Nostradamus, so they are going to fund a couple of duds, but they seem to have someone on staff with good taste. They have deep pockets, judging by the lack of fucks given when Disney declared they would be pulling everything from Netflix and starting their own streaming service to compete. Also, Netflix seems to have the casual anime/mainstream viewer in mind, rather than the hardcore otaku.

this means they can, and probably will, make new Cowboy Bebop happen, through sheer force of will. Seriously, Japan doesn't care about anything that isn't school age waifus. Netflix has delivered two violent, adult anime, so far. Why not more?

if faggots quit pirating shit, western audiences will matter. Money talks, man. If Netflix plunks down cash to get onto production committees, that sounds like the West mattering.

Have you guys watched that cool new Netflix Original that came out today, Kakegurui?

hopefully it will make studios open to stream content by various services. Hopefully their own.

Too much of a hassle for the anime studios themselves. Some of them did after all join and create Daisuki, a mediocre streaming provider, which ended as a total flop, despite (or perhaps because?) the Anime Consortium Japan then buying it up and investing even more money into it.

That happened in the last anime boom and nothing came out of it. Can't wait to keep pirating Netflix shit solely out of principle. If the MPAA can't take down shit with their resources and lawyers, Netflix can't do anything.
More than happy to sell anime over to the chinks as long as that keeps the West out.

actually, I want the middle point. I want more anime to deal with something other than Japanese high school, vacuous moe blobs, or life in Tokyo. Not all anime, just more of it.

I also want the West to stop looking at animation as dumb shit for babies and start producing more quality films and shows covering a wider range of themes and topics. Like Japan does.

Basically, I want it to go back to the late 80's - early 00's

More good latin american dubs.
Maybe the local dub industry will revive, who knows.

pretty sure Netflix wants to make money... but, given that they a black box, your guess is as good as mind. looking at they shows they have on lock down, there is a pretty good mix of new and old stuff. I would say they have some older anime fans on their staff, given there isn't much fanservice moe stuff.

>More madhouse- like anime

Like that moe anime they are doing this season and prince of stride? A trashy light novel adaption?

More Yuasa like anime please

The media giants who want to combat internet piracy ought to pool their funds to bribe the politicians where the illegal streaming content originates from, instead of using it on futile internet rights chases.
Just pay the politicians in charge of those countries some money to enact a law that forbids the use of the internet because russian haxx0rs will fuck up elections or whatever boogeyman excuse they wanna come up with.

oh my god... my dick just twitched at that last line...

I feel so bad for Daisuke. I wanted it to work, but they didn't have anything interesting, and I don't have money for $90 statues. I watched a shitload of Lupin III, though

It's weird that Japan with its high speed internet; hasn't tried to invent domestic streaming services.

Thing is; is that Japan has always reacted 10 years late to any invitation business practices. simply put; they dont invent novel business practices, they copy what the USA does... 10 years later. You can kinda see this phenomenon with music, 80's felt like 70's, 90's felt like 80's. When the USA shot film for colored television; japan was 10 years behind using black/white i.e original Godzilla.

The main reason why japan is behind on innovation is due to it's high barrier of entry for new businesses, newer one just cant compete with established giants that lobbied government in their favor; creating criminally-strict copyright laws that stop streaming services from being developed.

>the Anime Consortium Japan then buying it up and investing even more money into it.
its called hostile takeover. also see (my take on the situation)

Are you fucking retarded

how so?

I have a feeling the last boom died because the japanese got too greedy with the licensing fees, and the Western distributors got too stupid and just went along with it. companies were bidding outlandish prices for the rights to some shit shows. then, you have companies like Tokyopop and ADV trying to be multimedia publishers and putting out CDs, movies, magazines, a clothing line, and on and on. That was a bubble, pure and simple.

a lot of good things were happening, though. Cartoon Network was getting into co-productions and making things like Big O and Cyber Formula GPX happen.

Look, if Japanese games are sold in every store, right alongside Western games, why can't anime be as normal as Western animation? Anime was pretty close to getting mainstream. It happened before, it can happen again.

who the fuck was the tranny?

Japanese animation can never get a foothold in western television, Animation is a joke to western CEO's that think they know what consumers want.

this is a weird thing with Japan. they have high technology, but their social structure is still stuck in the 1800's. I read that when email got introduced, middle managers hated it because they were used to reading every piece of mail, stamping it with their personal seal, and then passing it up the chain. People would have to write an email, print it out, and then walk it to the middle manager so they could jerk off and stamp it.

now, everyone and their dog has an email address, because phone companies are too fucking tribal to allow text messages between them. sending texts is expensive, but emails are free. Japan is fucking weird.

>It happened before, it can happen again.
The point is that it shouldn't.

Bandai has been streaming anime domestically since two thousand fucking two.

this is partly true. if the shows weren't so obviously japanese, or straight up otaku bait, they could pass. They did it before! Card Captor Sakura, Digimon, Pokemon, Medabots, Dragon Ball, Sailor Moon, all got tv releases.

You are right, tv execs are arrogant fuckers, but they do like money. And anime fans are old enough to get into the broadcasting business and influence decisions. You think Amazon got into anime because Jeff Bezos's kids wanted to watch Maid In Abyss for free?

There are still numerous kids anime broadcast on western TV.

Then we must all pirate harder than we ever have before. Make it clear we will not buy anime, and only Japan matters to anime production.

This, although not make contact with anime-making people on Twitter is important too (yes, even if you "only follow artists").

Daisuki could never work, because streaming services made by producers like anime studios, anison makers, videogram sellers, plastic figurine makers and so on have the fundamental flaw that the producers must in principle produce something and hope that it gets bought to earn money. Their financial assets are stuck in the work force and the equipment needed to make stuff. Once they're starting on production, they can't really stop it, or else they'll lose money. And they don't have the time and the resources to additionally find out what the audience currently wants now.
They must hope that people want their shit, and thus spend even more money on advertising services to convince people that they should want that shit in the first place.

Middle men like Amazon, Netflix, Uber and so on on the other hand must focus on finding out what the customers want and then provide access to it in the most convenient way. Theirs is a business model more suited to our hyperhectic times, where every second matters. They spend tons of money on knowing and guessing the trends that people are into, making profiles and customer models.
They can ignore all the shit that people don't want to have for now. And should it turn out to be popular again, just get it and then give it to the customers.

>If it's westernized, it's because the Japanese did it themselves
That's just as bad. I don't want any of that.