What separates this from the Gone Home's of the world?
What separates this from the Gone Home's of the world?
Evan King
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Samuel Perry
Gameplay.
Charles Mitchell
Gameplay
Noah Murphy
Gameplay.
Brandon Watson
Gameplay
Evan Garcia
Gameplay?
Owen Wilson
Gameplay!
Matthew Hall
Gameplay.
Jose Jones
Gameplay.
Julian Jenkins
Gameplay.
Gavin Walker
Gameplay
Levi Thompson
Gameplay
Carson Mitchell
Gameplay
Joshua Mitchell
Gameplay
Aaron Allen
Gameplay
James Miller
gameplay
Hudson Sullivan
Gameplay?
Joshua Jackson
playgame
David Ward
Gameplay
Luis Reed
Gameplay
Gavin Barnes
Gameplay
Mason Gomez
It's not shit.
Ian Torres
Plamegay
Dominic Davis
Plamegay
Noah Perry
Ability to touch your enemies without it being a gigantic shit hitbox
John Barnes
There always has to be a special snowflake.
Hudson Miller
this
Matthew Thompson
The secret horsecock rape ending. You see why he's called aggro ;)
Jayden Stewart
quads
Cooper Diaz
Singles.
Gavin Bell
The Last Guardian is gonna be good
Lucas Reyes
Gone Home is shit, this is gold.
Liam Carter
Probably
Juan Scott
Tyler Carter
Had this been release in 2016 (with updated graphics) it wouldve been called crash
Easton Hernandez
what kind of crash? the bandicoot kind?
Jonathan Miller
nope.
Gameplay.
Angel Davis
>Had this been release in 2016 (with updated graphics) and not made by the Japanese it would've been called trash
ftfy
Justin Robinson
Cool, and what do you have to base your opinion on?
Gavin Rogers
except there's no game like SoTC and would still be considered great. Especially for 2005 like shit
Ryder Nguyen
Maybe
Asher Hall
It lasts longer than 5 minutes, has actual gameplay, isn't about homo shit and muh feelings, and you won't feel ashamed to admit that you've enjoyed it.
Adrian Adams
>and muh feelings
...it is a little.
Alexander Ward
>and muh feelings
But the entire game is based around a kid screwing everyone over based on his emotions.
Camden Rivera
At least everyone is silent, and you don't have to pay attention to that shit. I don't even remember that, honestly. To me it's just this cool game about roaming the world and stabbing giant motherfuckers, and I'm fine with that.
Robert Taylor
I don't think so. If it was released today with updated graphics, and if it wasn't marketed out the ass to the normie crowd, and was unchanged otherwise, I think it would be a Sup Forums darling. If Shovel Knight can get a positive reception on Sup Forums, so could SotC.
Tfw the ps3 version is kind of slow control-wise
Dylan Thomas
The story is in the background, basically boy wants to revive girl, kill giants, the black shit going into him is making him look more and more shitty, gets possessed, probably killed maybe, there's baby with horns, girl revived, takes baby. There's a lot of areas you can interpret or read into yourself. Maybe 'muh feelings' isn't the right word, but it is somewhat abstract and wistful in many regards, and intentionally so.
Oliver Bailey
>Tfw the ps3 version is kind of slow control-wise
Is it? I've never noticed, but I only played the PS2 original once in 2006 or so.
William Johnson
real talk tho gone home is great fun
Thomas Cooper
While I still adore this game, do you think it's a big reason why devs are making games more cinematic and artsy?
Easton Parker
I doubt a single game could have as much influence, especially since this is more of a niche title and not something like GTA or CoD.
Samuel Garcia
favorite track from a really good ost
Lucas Nguyen
It's part of the reason we got games like Starlight Drifter so I don't see why that's a bad thing. It's a big influence on the indie scene, sure, but not on mainline games. It's had more influence on setting and tone, I think, in that regard.
Connor Jones
Gameplay
Gabriel Jenkins
Both ICO and SotC were often given as examples of 'art' back in the day. PAL SotC in particular had a movie feature that brought to mind movie featurettes.
While I don't think the current game devs use them as examples, the games they do could've been influenced. If anything, I'd blame more interactive QTE movies like Fahrenheit/Indigo Prophecy and to lesser extent Shenmue.
Problem is, both ICO and SotC had good gameplay and no obnoxious cutscenes.
Elijah Cruz
>Problem is, both ICO and SotC had good gameplay and no obnoxious cutscenes.
That's not a problem at all.
Blake Morales
In sense that if these games were inspiration for cinematic bullshit nowadays, the elements that made them good were ignored.