Pic related >The Perfect Prescription is the second studio album by Spacemen 3. It is a concept album, "a vision of a drug trip from inception to its blasted conclusion, highs and lows fully intact."[2]
Here's another >The album was recorded at United Sound Studios, Audio Graphic Services, and G-M Recording Studios in Detroit.[4] The inspiration for this album was, according to George Clinton, an attempt to "see if we can cut a whole album while we're all tripping on acid."[3]
Jaxson Carter
>In June 1972, Black Sabbath reconvened in Los Angeles to begin work on their fourth album at the Record Plant Studios. The recording process was plagued with problems, many due to substance abuse issues. In the studio, the band regularly had large speaker boxes full of cocaine delivered.[1] While struggling to record the song "Cornucopia" after "sitting in the middle of the room, just doing drugs",[2]
Aiden Martin
this 1
Blake Hughes
>Writer Bill Tobelman argues that the inspiration for "You're Welcome" may have derived from Brian Wilson's attempt to turn his band mate Al Jardine onto LSD while giving him a car ride, which was followed by Wilson circling the car around multiple times until he finally let Jardine go.[2]
Justin Evans
>"Got to Get You into My Life" is a song by the Beatles, first released in 1966 on the album Revolver. It was written by Paul McCartney, though officially credited to Lennon–McCartney.[3][4] The song is a homage to the Motown Sound, with colourful brass instrumentation,[5] and lyrics that suggest a psychedelic experience.[2] "It's actually an ode to pot," McCartney explained.
Dylan Wood
It's hard to beat Spacemen 3
> Taking Drugs To Make Music To Take Drugs To
Noah Roberts
>The song is about the sensations produced by intravenous injection of methamphetamine and features a heavily distorted electric bass outro played by John Cale over a single chord. This bass solo purportedly mimics the throbbing, ear-ringing effects experienced during the methamphetamine "rush."
Jayden Wilson
>Hendrix allowed numerous friends and guests to join them in the studio, which contributed to a chaotic and crowded environment in the control room and led Chandler to sever his professional relationship with Hendrix.[2] Redding later recalled: "There were tons of people in the studio; you couldn't move. It was a party, not a session."[3]