Daily reminder that you don't know shit about music if you didn't cum in your mother at least 3 times

Daily reminder that you don't know shit about music if you didn't cum in your mother at least 3 times

FUCK

Oedipus confirmed for patrician

I came in my mother's handbag when I was 12 so I know a fair bit about music

Not enough

>Can you spell 'crap' without 'rap'? Not trying to meme you guys, I'm being completely serious here.jpg

What did he listen to?

My stepmom has molested and fucked me countless of time. Does that count?

the field recordings of tiresias clairvoyancy

Friendly reminder

That's pretty patrician desu

Some dudes from old Greece - Stringy strangy suck my wangy

Sure thing it does!

damn straight

Do you think he can be confirmed for patrician?

He likes Jimi Hendrix.So of course.

But did he cum in his mother?

Ursula Bogner was born in 1946 and raised in Dortmund -- she moved to Berlin at 19 to study pharmacy. She immediately went to work for pharmaceutical giant Schering, followed by marriage, children and a successful yet by no means sensational scientific career within the multinational heavyweight. At the same time, she developed a keen interest in electronic music. Throughout her early 20s, she followed the activities of Cologne-based Studio Für Elektronische Musik, attended seminars by Studio founder Herbert Eimert, exhibited great enthusiasm for musique concrète and, later on, shared her children's enthusiasm for British new wave pop. Nevertheless, Ursula Bogner never involved herself in any scene, never made her music public. Besides composition, she also tried her hand at painting, printing (the booklet features reproductions of two of her linocuts) and developed a strong fascination for mysticism, esotericism, and Wilhelm Reich's "orgonomy," the psychoanalyst's bizarre late work on his discovery of "orgonenergy" or life-force. Her compositions are studies and sketches: humorous and -- in view of her biography -- almost silly, rather than mystical or scientific. Nevertheless, it is remarkably hard to grasp or classify her work as a whole. Over the course of 20 years, she dabbled in many different styles, leading to a huge wealth of work and a bewildering variety of titles, from filter modulations, tuba tweaking, bass anthems, looping experiments, synth-pulse symphonies, to rhythmic patterns trapped in echo chambers. In the late 1960s, Ursula Bogner started to record her own music on reel-to-reel tapes. With some of these titles, Jelinek only found individual tracks of pieces recorded on a four-track-recorder -- in these cases, he had to recombine the separate tracks to recreate the original piece. Invoking the original's authenticity might seem insensitive, yet there was no other way to release them in their entirety.

stop

Fuck off weeb

Probably,while shouting OHH SHIT IM FEELIN IT!!

underrated

Go back to bed Jan

you lucky fuck

I GOT HOT SAUCE IN MY BAG