ITT: Moments in songs that give you goosebumps every time.
>If I could just leave my the night *SYNTH EXPLOSION*
ITT: Moments in songs that give you goosebumps every time.
>If I could just leave my the night *SYNTH EXPLOSION*
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*farts*
>SOMETHING HAPPENED ON THE DAY HE DIED
pyramid song when the drums come in
>some kind of magic in the way you're lying there ooh ooh ooh OOOOOOOOOH oooh
What song?
Used to for me.
>quiet sounds
>woosh-BWOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
When the fucking brass comes in
>I MISS YOU!!!!
>if you could SAAAAAAVE YOURSELF
>YOU'D SAVE US AAAAAAAAALL
>YOU AND ME WERE NEVER MEANT TO BE PART OF THE FUTUUUUUUUREEE
The line is, "If I could just leave my body for the night." btw
bro how'd you get that jpg to move
>I must persuade you another WAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAY
and basically the entire last minute of that song
For me it has always been
>Lying in beds of garlic and orchids, he closes an eye, which closes another
>and in sleep he dreams, of watching and looking and feather clouds dancing
He curls up his lid and sleeps...
Every anco song
>the entire second half of Helpless Child
>I. DON'T. WANT. TO. GO. IN. SAAAAAAANE.
if we are getting really niche about it then the moment at 3:02 in bodysnatchers, when they hit that fat major power chord so solid
Every one you say? Give me some examples.
Yeah dude Radiohead is mad niche.
pretty much any anco song can give you goosebumps, it's almost like they write the songs for that purpose.
Around 3:33 for me.
Lmao.
not the band yo. that specific chord that lasts like 5 seconds. basically the whole bridge part feels like it leads up to that and its such a plateau they hit dead on
>DUN NAH NAH DUN NAH NAH NAH DUUUUUUUUUUN!
>and the words, they get so
>LOOOOOOOOOOOOUD
>something in the way mmmm-mmmm
>incomes cello
>Come around ruby, I could never sleep alone.
> OH YEAH
> THE UNIVERSAL, MIIIIIIIYIIIIIIIYIYIYIND
BYYYYYYNNNEEEEEEAAAAAOOOOOOOWWWWW
>and should i fall from grace here with you will you leave me too
IM A BLACKSTAR
>You're screaming,
>and cursing,
>and angry,
>and hurting me,
>and then smiling,
>and crying,
>apologizing.
AHHHHH FRANKIE SINATRA
AHHHH FRANK SINATRA
>just what words should come out but "WE WISH WE WERE DEAD"
erry time
>We never gonna die
>I just wanted you to know
>BAM BAM, BAM BAM, BAM BAM DILLA BAM BAM
Every time
stop youre making me cry
>heavy autotune verse starts on runaway
>autotune gets louder and more emotional
made me cry my 2nd listen
...
>that feel when you're getting all emotional
>normie friend: *skips song* "dude the ending is so annoying"
>two different voices coming out of your mouth,
while I'm too cold to care and too sick to shout
that whole verse with the repetition of "two" gets me but damn
I hate that so much
also
>on black skinhead
>when the heavy bass kicks in
>"four in the morning, and im zoning they say im possesed"
also on I am a god when the screaming starts and the beat changes
>Winter's Love melody
Freddys voice in this song just gives me chills
rhubarb forever
>the outro of PDA
>the part around 57-1:14
youtube.com
>but noooooow WE WAAAKE UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUP
for me it'd be
>a child without an eye
different album but whatever
...
WHERE YOU'VE BEEN
this same album, when "There is no Food" peaks is one of my favorite moments in any song ever
>when the really high frequency sound at the end of Spirit They're Gone pans to the center
I meant Spirit They've Vanished
That part in Have A Cigar when the music whooshes by and fades out
10/10 m8
>now they are through with me *drum crash*
I feel bro, reminds me of playing Rock Band with my brothers
when that synth line kicks in on "Wichita Lineman Was a Song I Once Heard" and then again when a door shuts and it ends
>overhead the albatross hangs motionless upon the air
>Chocolate Girl around the 5 minute mark
>The last part of Bat You'll Fly
Every time bros.
>BETTER DRINK IT ALL
>*clap*
i swear to god that you faggots overhype this moment like it's the birth of christ when almost every other song on the album is better and has better moments
youtube.com
The whole fucking song
>Go to school, follow all the rules
>You live inside
>Realize there's something in your eyes
>You're back again
>From the spine rising through the mind
>You give it up
>It's a gift taken from the lips
>You live again
>all around a left buttock
>and all around a right
>all around your every curve im going to go tonight
>but only hold me hold me
>all the citys on me
>and all they wish to scold me
>and lay their hands upon me
>so only hold me hold me
>and ill return to you baby
>>i just need an evening
>>WITH SOMEONE NICE TO HIIIIIIIIIIIIIIIIDE MEEEEEEEEEEEEEEEEEE
also "MY BLOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOD FLOWS HARSHLY
I NEED MOUTH WAA-TURR
fucking christ Mouth Wooed Her is underrated
youtube.com
>LEEEEAAAAVVVEEEEE HHHOOOMMMMEEEE *Warm Synths and Windy sounds swirl like the calm after the storm*
>for it is march sixth two thousand and nine, I'm meeting the god I never knew, the god that i said never knew me. *Everything picks up again in a frantic storm of playing*
>Leave home like third grade students and their backpacks , running towards some small escape. I'm running towards the exit of a university. Don't look back, don't look back, don't look back, but I have to because it's all I really want to do.
youtube.com
>"AAASSSSS IIFFF YYOUU WEERREEN'T ADDOORRRREEDD YOU LEEEEEAAAAVVVVVVEEEEEEEE *Tetris Attack sample leads into the next song*
>Leeeeaaaavvvvveeeee hoooommmmmeeeee *Instruments all cut off except for the slow and loose drum patter that leads into the next song*
>*The single guitar line + swelling organ melody are accompanied by the rhythmic sample of someone crying out in pain
>*Sample of some anime of a boy and girl talking and crying*
That feeling is something so abstract but so personal. You feel it right there inside you and out there.
>Autotuned ending is the worst part of the song and the first part is arguably the best part and more emotional besides Pusha T's verse.
yeah, too bad panda is a racist
>THAT AIN'T ME BABE
The toilet sounds
God I love BLA so much, honest to god the two best emo records ever made were made in some basement and we might have never known about it
But also
>AND YES I THOUGHT OUR MOUTHS COULD MEET
>OR AT THE VERY LEAST OUR EYEEEEESSSSSSS
Fav song is i'm In It.
>Uh, pop a wheelie on the Zeitgeist
Everytime I get pumped or more energy from that line. Just get me goin
>the kids chanting in the background of part 1
>NAA NA NAA NA NAAA NA NA NA
Patrish
Song's great overall, but the jazzy part always gets to a heavenier place
youtu.be
Which song?
Biggest one I can think of is at the end of no one is ever going to want me by files corey
WHIMPERING COMPLIMENTS COMING THROUGH THE KEYHOLE
YES YES YES YES
I FELT YOUR FAAAALL
YOUR WINTER SNOOOOWS
YOUR GUSTY BLOOOOW
YOUR LAVA FLOOOOW
The goat goosebumps yeezus moment is the end of new slaves, holy shit, what a fucking song.
also:
Over the cold river basin where we spend the night
Again your gaping gap is pink in foggy light
When I wake up your pet will pounce I'll meet the day
YOU'LL BE IN THE AIR I'LL BE IN Y*voice crack*OUR BED WHEN I'M AWAAAAAAAAAKE
I still remember the first time I heard this
>then she came like AAAAAAAAAAAAAAAAAAAA
NEW SUN
>oh dear can't you see it's them it's not me
>we're not enemies
>maya says im lacking in depth
>
>AM I REALLY ALL THE THINGS THAT ARE OUTSIDE OF ME..
>AM I REALLY ALL THE THINGS THAT ARE OUTSIDE OF ME..
>AM I REALLY ALL THE THINGS THAT ARE OUTSIDE OF ME..
>AM I REALLY ALL THE THINGS THAT ARE OUTSIDE OF ME.
PLANET EARTH IS BLUE, AND THERE'S NOTHING I CAN DOOOOOOOOO.
I've always wanted to learn how to play this song and sing it. That's going to be my goal.
The intro on Crow For Day
Best fucking opener
>ONE
>TWO
>THREE
>FOUR
>IT'S A LONG LIFE
yes, best moment on the album
also the outro on Roland
>ARE YOU ALSO FRIGHTENED?
ARE YOU ALSO FRIGHTENED?
>ARE YOU ALSO FRIGHTENED?
ARE YOU ALSO FRIGHTENED?
What's stopping you from learning now?
>Even in his heart, the Devil has to know the water level
>Are you writing from the heart, are you writing from the heart?
For me the last chorus on All For Myself man, all those vocal layers, instrumental layers, the build up and the slowly dying outro. You can tell Sufjan spent a lot of time on that song and the whole album.
>AS ALL THE FOOOOOOOLS ON PARADE
>WE'RE JUST TWO LOST SOULS SWIMMING IN A FISH BOWL
>YEAR AFTER YEAR
>RUNNING OVER THE SAME OLD GROUND
>WHAT HAVE WE FOUND?
>THE SAME OLD FEARS
>WISH YOU WERE HERE