ITT: The best moment on an album

ITT: The best moment on an album

>the instrumental half of Honestly

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The last 90 seconds of But The Regres Are Killing Me.

>JS
>I
>AM
>KIDDING
>I'M JUST
>KIDDING!

>YES I THOUGHT OUR MOUTHS WOULD MEET

the kids chanting in the background
>naaa na naaa na naaa na na naaa
>na naaa na naaa na na
>NANANANANAAAAAAAA

I WANNA MAKE IT
WIT CHUUUU
ANY TIME ANY WHERE

are you talking about Where Did The Party Go?

If that album was only instrumentals then it would be 10/10

>right before the vocals in Stay Home when the guitar does something similar to this

I don't know, I think the lyrics are pretty poignant for the topics they cover
it's a coming of age album, so of course it's going to seem a bit juvenile when you've past that stage in your life

>emo
>ever

The Leland Palmer impression Jamie does in the last song.

I'm at the age Mike was when he wrote the lyrics and I feel like I'm living it. It's actually mind blowing to me that this album was 17 years ago.

OR AT THE VERY LEAST OUR EYYYYYYYYYYES

Top choice, my man.

HAVE THE LIGHTS GONE OUT FOR YOU
CAUSE THE LIGHTS GONE OUT FOR ME

WITH A HIRED PLANE
AND NO NAMES MENTIONED
TONIGHT'S THE NIGHT OF THE FLIGHT
BEFORE YOU KNOW
I'LL BE OVER THE WATER

>I SAW YOU BABY DANCING IN YOUR X-RAY GINGHAM DRESS

>oh lady look up in time, oh lady look out of love
>and you should have us all
>oh you should have us fall

>the almost silent bit at the end of Hair Pie: Bake 1 right before Moonlight on Vermont starts up

>the last 30 seconds of Fallin' Ditch

>the first minute of Veteran's Day Poppy

CHOOSE THIS LIFE YOU'RE ON YOUR OWN

BWAAAA
BWAAAA
BWAAAA
BWAAAAAAAAA

"I'm sorry and I miss you"

>not the last 3 minutes of Veteran's Day Poppy

BEWAAAAAAAARE

BEWARE

BEWAAAAAAAAAAAAAAAAAAAAAAARE

this

correct

I DON'T WANT TO HAVE
SCHIZOPHRENIAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA

The whole song is good, but I feel like the vocal section is overall stronger than the instrumental section.

>it can never grow another son
>like the one who warmed me
>my days after rain and warmed my breath
>my life's blood

>teenage emotions
Idk some of the lyrics are kinda cringey

I agree. The instrumentals are nearly (if not) perfect.

>If I could have it all back
>All the time that we wasted
>I'd only waste it again

when Heroin gets noisy

hey hey hey, goodbye

Washer:
>*build up stops*
>please listen to me
>dont let go
>dont let this desperate moon light leave me
>guitar solo

>the aggressive high hat hits in Steal Softly Thru Snow
>how the drums follow the melody in Ant Man Bee
>literally all the drumming, Drumbo is based as fuck

He's my favorite drummer after Charles Hayward.

I think that picture is actually of Art Tripp/Ed Marimba, who also played drums for the Mothers of Invention.

God, this album destroys me
It was hard picking a top moment but when I picked it, you know?
i dunno, this whole thing is like an enigmatic artifact that I'm using to uncover the secrets of some lost, whiny civilization

shit i mean from Long Season by Fishmans

>it's a coming of age album, so of course it's going to seem a bit juvenile when you've past that stage in your life

>not when he laughs right after "it's my life"

>When the whole band comes in on stay home

>If I could just leave my body for the night

>CHK CHK CHK CHUGGA CHUGGA CHUGGA

>WE RIDE TONIGHT

>ONE TWO THREE FOUR

*doot*
*rumble*
*WWWAAAAHHHHHHHHHH*

kek

I'M NOT FUCKING AROUND

>TOO BUSY SUCKING ON MY DING DONG

damn... everytime...

>CaaaAAAAAAAAAaaaaaaaaaaaaAAAAaahlifornia

That part about selling your soul to jesus

>IN THE BLUUUUUUUUUUUUUEEEEEEE AUGUST MOOOOOOOOON

One Two Fuck You?

BLACKBONE

>IT DOESN'T MATTER ANYWAAAAAAAAAAAAAAAAAAAAY
>YOU KNOW IT'S JUST A LITTLE TOO LAAAAAAAAAAAAAAAAAAAAAAAAAAAATTTTTTEEEE
>(Repeat)

>I called and you came
>When it was dark, I saw shapes
>When I see stars, I feel in your hand
>And I see stars and I reel again


>IT'S THESE IDEAS THAT WASTE ALLLLLLLLL MYYYYYYY TIIIIIIIIIIIIME
>USED TO BE ALRIGHT, WHAT HAPPENED?
>HEY, PUT THE LAPTOP DOWN FOR A WHILE!
>IN THE NIGHT THERE IS SOMETHING WILD
>THE FEELING IS LEAVING ME!

you mean the bit at 3:04?
that shit's amazing


also that song is the only one on the album where i enjoy the vocals

>"cause everyone feels just like youuu"
>drummer switches to ride

hnnng

>not "I MISS YOU"

but then the 'that's life' part goes on like 10 times too long and it's annoying

The small instrumental between "between you and me" and "was neverrr meant"

>Because I'm shallow. I want them to like me.

CAUSE I'M AAAALLREADY GONEEEE

>That sudden bass change 52 secs into Pena

Mhm.

>At some point it stops.

don't give up now... we're proud...of who you are

op yess thats my favorite fucking part

No no OP you got it all wrong. The last 10 seconds of I'll see you when we're both not so emotional

Guys last night I messaged a girl on Instagram i really like and have been wanting to msg for a long time but I just felt so shitty and creepy bc she lives far away but she's beautiful and great and we only talked briefly but I felt mad peaceful and I just wanna sink into her soul

>long distance love
I recommend you listen to Transatlanticism once your heart gets fully ripped out by that relationship, that should help you: youtube.com/watch?v=4hHbVvTuuV4

But anyway congrats on that mate! Hope things go well for you bro!

Thank You. That 4/4 transition to the 6/8 part and back in to 4/4 is probably one of my favorite series of time signatures changes in all music, especially because of how cool the instrumental jam is.

I want to see them perform this song live so much.

Yeah I think from this moment to the end of the song is an undeniable 10/10 but maybe that user was just going for an underdog.

The drop in Tundra/Desert
>Aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaawwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwwhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh-SHIT!

>WHY DID YOU TELL ME TO COME IN THE FIRST PLACE. WHY DID YOU TELL ME TO COME IN THE FIRST PLACE. WHY DID YOU TELL ME TO COME IN THE FIRST PLACE.

Thanks dude . My heart is already getting shredded lol

thank you. this tbqh

beat me to it, bastard

>Entirety of To Here Knows When
>I
>I hit the bottom
>Hit the bottom and escaped
>Escaped
>The guitars when Don goes back inside
>When the piano and drums come in on Spectral Bride

>TWO
>HEADED BOY
>SHE IS ALL
>YOU COULD NEED

>LYING IN BEDS OF GARLIC AND ORCHIDS
>HE CLOSES AN EYE, WHICH CLOSES ANOTHER
>AND IN SLEEP HE DREAMS
>OF WATCHING AND LOOKING AND FEATHER CLOUDS DANCING
>HE CURLS UP HIS LID AND SLEEPS

>tfw listen to this band so fucking much but don't recognize these lyrics
I honestly can't figure what the singers of half the music I listen to are saying.

>and she taught me to relight, relight, and relight again.
>(clap clap)

Pure nostalgic bittersweet bliss.
I have to fight back tears every time I listen.

the strings in Reckoner

it's honestly hard to think of a top moment

>AS WE DAAAAAAAAAAAAAAAAAANCE

>the ending of Sober to Death

>mom, this is my broTHER
>WE SAID WE HATED HUMAAAAANS
>WE WANTED TO BE HUMAAAAANS

>We're too scared to do SHIT
>SHIT SHIT SHIT
>ITITITIT
>SHSHSHSHS

I want to say just the entirety of beach life-in-death but it's twelve minutes long and that ain't exactly a moment

ONLY ONLY ONLY ONLYYYYYYYYYYYYYYYYY

>CLOSE MY EYES
>FEEL YOU NOW

>REMEMBER ALL THOSE COUNTLESS NIGHTS
>WHEN I TOLD YOU I LOVED YOU
>AND TO NEVER FORGET IT
>OH JUST FORGET IT
;^)

>SHE'S NOT COMING BACK

rude :^)

Or fucking Sycamore Tree.
Never have I heard a cover that frightened me as much as this. It's a masterful rendition.

>The entire second half starting with "EVER SINCE MY STAYING I'VE BEEN HAVING BAD DREAMS, SO STOP EATING CABBAGE AND TALKING TO THAT GIRL"

opps second half of Strawberry Hill i meant

i prefer Butterfly
>yeaaaaaah
>chorus+outro

dont even need to say it 2bh

>I been riding around with my blunt on my lips the sun in my eyes and my gun on my hip
Dramamine instrumental
>Good
Yup
After Lou says he's going for the Kingdom.
>good
AAAAAAAAAAH FRANKIE SINATRA

Wait, there's more after never meant?

When the horns come in on The One With The Wirlitzer

Is heroin the comfiest song of all time?
>I wish that I'd sail the darkened seas
>On a great big clipper ship
>Going from this land here to that
>In a sailor's suit and cap
>Away from the big city
>Where a man can not be free
>Of all of the evils of this town
>And of himself, and those around

TALKING SHIT ABOUT A PRETTY SUNSET
Also that solo at the end of custom concern

right song, wrong moment
the whole intro/build up thing up until when the band drops out and its just the bass for a few second, and then it ALL COMES IN AT ONCE

>the ending of mechanical birds
When it all drops out and then that noisy guitar comes full in over the bass chords. The album should have ended right there.

>*you never give me your money piano reprise*
>I never give you my pillow
>I only send you my invitations
>And in the middle of the celebrations
>I break down

the album is so good, the Never Meant music video captures it perfectly

That whole song got me aroused is that OK?

I find it pretty obvious to say it, but:

>last minute of Starless

Always partial to

>you said honey just open your heart when I've got trouble opening the honey jar

Faust arp melody

>the fuzzy guitar break just before "I need a fix" in Happiness is a Warm Gun.

BWOWWOWWOP....BOWWOWWOWWOP.
*bass guitar sounds*

i love that intro

>I get eaten by the world
>AND WEIRD FISHES