I need a USB audio interface. Needs to have 4 mic inputs (for drums) and 3 instrument inputs (for stereo synth and guitar). I can't spend more than $250.
I might be willing to only get a 2-mic setup but idk if I'll be happy with that. The main thing is I'm tired of switching cables all the time and I'd prefer to just have everything plugged in permanently. I think it would greatly increase productivity if I didn't have to change cables every time I want to record guitar after recording drums.
Does anyone have any suggestions? The Tascam 16x08 seems nice and has good reviews.
Nathaniel Diaz
Looking for this
user from the last thread. Sorry, I fell asleep before you replied.
not too repetitive, but very loud. It sounds as though it was mastered at 0db with little to no headroom. I like the panning and pads in the track. The song sounds very wide, I would suggest lightening up on the bass drum's stereo width. Same goes for other percussion
not much I can say about this. the looping is well done for audacity ( i know how much of a bitch it can be)
Actually, I'm just gonna go ahead and post a way for you to contact me (not gonna post my email on here) because I'm probably not gonna be awake much longer. Just hit me up whenever. >soundcloud.com/jtxn1cb >inb4 no soundcloud links
I like everything about this except the drums and the overall loudness. For drums, check out Superior Drummer (or EZdrummer if you want something simpler).
Bretty good! The mixing needs a little work but it has good dynamics. Work on the levels a little bit, that's all I gotta say.
Also, reposting this for last thread >clyp.it/wit5ca1y >trap >childish gambino remix (kinda, the vocals are just a place holder)
Parker Butler
Hey that's pretty good user i like it
The gestion of the volume around 2:11 is really weird Particularly for the bass lick
I think the whole second part should be a bit louder, also >I liked the second part, I think the vocals are little too quiet.
While i'm only producing bleeps bloops i'm happy to hear non-electronic clyps in /prod/ desu
Thank you guys for the feedback! I mixed and recorded that in Audacity and some additional work in Reaper. I bought Reaper a few weeks after mixing so I figured why not?
>clyp.it/wit5ca1y Very good mixing, The track isn't too loud and the dynamics are where they should be amazing use of panning too.
Secret to that mixing senpai? I'm confident in my mixing in general, just can't get my head around trap. More of a strange interest in it rather than making it myself, care to share tips brother?
I feel like you could have a bit more processing on the rap vocals, like maybe excentuate some words with pitched down doubling? Also maybe a bit of distortion or bitcrushing? Give it a bit of edge?
Damn, you're a genius. Maybe add a "damn son, where'd you find this?" sample in there some where. I'll get on it.
In the meantime, I wanna hear everyone's earliest tracks. Doesn't have to be their first one, just one you made at the very beginning of your career. Here's the oldn't one of mine I could fine: >clyp.it/qhqeds40
Fuck yeah, I can do that. Give me a sec.
Henry Allen
>earliest tracks i have so much tracks in my clyp account i can't be bothered to go back this far
i have trash i made on audiotool before i really got into music production but it's shameful t b h
Cameron Mitchell
I just like seeing how far people have come. You don't have the file on your computer anymore so you can just reupload it instead of scrolling through your clyp forever?
Jayden Martinez
Lost most of my stuff with my computer ~nine month ago ago
Xavier James
scrolled forever the first things on my clyp (but not the first things i made)
Here's my literal first one (from like 5, almost 6 years ago) >clyp.it/bbrr415z I've already posted my most recent one in this thread. It's, uh, here towards the bottom.
You only started 3 months ago? Damn, you're learning fast.
Asher Price
Daily reminder
Justin Long
consider killing yourself
Nicholas Ward
...
Jaxon Sanders
Guilty /prod/ confession.
Sometimes I'll search my artist name and my most popular song on youtube just see what ridiculous videos people have used it for. (One of them is a parkour video with like 600k views lel.) I dunno why I do it.
Anyone else have /prod/ related guilty pleasures?
Ryan Allen
Daily reminder that this guy don't actually use fl
Evan Wright
I like to mix with mono on Master bus.
Ethan Morales
You're a fucking degenerate.
Joshua Cook
How come?
Connor Fisher
I just mean, like, why on earth would you do that? Is there some sort of benefit to it or are you just mentally handicapped?
Always had trouble with mixing, so I was wondering if you've got any pointers and tricks up your sleeve regarding sound and getting it consistent
soundcloud.com/mhva/noclip-turnaround I do different stuff, but have been incorporating vocals lately (which is new for me) so any tips on blending vocals would be great
Should I just scrap this or mix and master it properly?
William Walker
no sc nigger
Ayden Nguyen
How do you get that crazy distorted sound without cutting out other instruments and limiting the fuck out of your track so it doesn't clip.
Do artists embrace the clipping to get that harsh sound?
Michael Rogers
you're supposed to call me a fag, not a nigger
Camden Flores
post an example and I'll tell you however it always involved limiting and gaining the fuck out of the track
Jayden Powell
Disort what you want in mono, everything else put to stereo, this is the industry secret. Screencap this before I delete the post.
Easton Rogers
lmao that's definitely an ok tip under specific circumstances such as if you want to distort something that's on the really low end but hardly an industry secret xd
Something like this. That harsh overall mixing that sounds like it's clipping.
Juan Collins
there's not a whole lot going on at once. it's fast so it might give you the illusion that a lot is going on but it's all really fast and one comes after the other so they can distort all they want. they're just distorting their drums with a limiter on the master for the loudness.
Oliver Brooks
That would make sense. I guess I'll just mix the way I have been to get that sound.
Brayden Scott
Something I'm working on -
Instumental hip-hop sampled from Porno music + Orgasm noises
whipped up some shit in a few min on my new laptop operator core
Lincoln Lee
Put two distortion effects on master and render.
Kevin Rivera
I have a question for you /prod/ guys, so I finally caved in and learned what is sidechain compression and how to set it up. The problem though is that I have mostly seen tips to sidechain kicks and bass cause obviously they hide themselves BUT ! Is it the only worthly utilisation ? and if not how do you know what to side chain with what ? Using frequencies I guess but differents instruments / samples / vocals leads to differents frequencies and I feel like it would take a great amount of time to sidechain every parts of my drums for example with certain instruments / samples / vocals and so on... TL;DR : is it worth it to do other sidechain compression than the kick and the bass ? (is it even worth it on non continue chord bass, like a live bass ?) do you sidechain other things than the drums ?
Sidechain compression is amazing, from the classic ducking effect to sidechaining that guitar when those vocals hit it's amazing both as an effect and as a utility.