>jazzfags and non-theoryfags will defend this
Jazzfags and non-theoryfags will defend this
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>he can't recover a "wrong note" into a beautiful melody while improvising
kys
define "wrong note"
Well, I know you're steering shit up. but he's correct. It's like saying there's a wrong apple. Wrong for what exactly?
Plus what this user said. There's hardly anything that you can't make right by adding context later.
That's true but another component of art is intention. If the notes you used convey the idea you wanted, well, they're the perfect notes.
For example, if you wanted to convey chaos you'd smash randoms notes rather than have a beautifully arranged melody.
pretty sure the people it matters to, expert musicians, would disagree
they didn't spend years studying scales, key relativity, transposing etc. to play bum notes
What if you hit the wrong note live?
see this post
I guess what you say mostly applies to composers.
its only a wrong note if you didnt mean to play it cause that just shows bad musicianship. otherwise its all fair game.
if it sounds good it is good
"I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' I said, 'Well then, I'll beat my head against that wall.' I quite literally began hitting things, and developed a music of percussion that involved noises." - John Cage
"We don't make mistakes, we just have happy accidents." - Bob Ross