what is the best riff ever and why is it black dog
What is the best riff ever and why is it black dog
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Lemon Song
Because Jimmy was given a lot of leeway to improvise
Not even the best Zep riff
>not la grange
GOT IT BAD GOT IT BAD GOT IT BAD
I'M HOT FOR TEACHER
yeah i bet you think
>
find a stones riff better than black dog
protip: you can't
desu I enjoy the stones about as much as zeppelin but black dog is THE riff
>Bitch
>Jumpin' Jack Flash
>Satisfaction
>Can't You Hear Me Knockin'
>Little T&A
>Miss You
thats a bassline fool
Black Dog is one of my least favorite Zep songs. Very generic blues riff. Sad.
Kashmir's better
>Bitch
kek this is mediocre by stones standards
>Jumpin' Jack Flash
contender for best riff desu
>Satisfaction
not better than jumpin jack flash
>Can't You Hear Me Knockin'
great riff but nah
>Little T&A
not even the second best riff on the album
>Miss You
no
>penetration
fucking love this track but no
>rhcp
kek
>thrill of it all
was listening to this just before, funnily. that riff about 1 min is wicked but no way better than black dog
is it true that jonesy actually came out with that riff?
yes
Cherub Rock
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Undisputed GOAT melody
this right here. no zep track has a better stronger riff. hell, no rock song does
the fuck is a riff?
>not Moonlight on Vermont
Sup Forums - Music everyone
That's not even the best dave brubeck song you fucking turd
most iconic riff though in all of jazz music.
Good Times Bad Times is my favorite Zeppelin song to play.
>not even the best riff in a song of that name
Pathetic.
are you this fucking stupid
Round midnight
John Bonham set it up
>Very generic blues riff
riff
rif/
noun
noun: riff; plural noun: riffs
1.
(in popular music and jazz) a short repeated phrase, frequently played over changing chords or harmonies or used as a background to a solo improvisation.
"a brilliant guitar riff"
It is the best rift, but the best section of the song is when the time signature shifts then the main riff is played at a different cadence starting on B instead of E.
Ten Years Gone is way better. Best Zeppelin riff right there.
The riff it was inspired by
>discounting Frusciante for no reason
triggered
Frusciante is literally the most overrated guitarist.
"no"
>all this basic bitch non-metal riffing
>ever coming even close to most metal bands
Might as well call it pop music with how repetitive and simple and boring these riffs are.
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skill maybe
but his playing and technique is unique as hell
he'd be up there if he wasn't such a mess
You can rationalize your shit taste anyway you please, buddy.
>this thread
please, they're not even similar
if you want a similar riff to oh well see 'beating around the bush' by ac/dc
you were going good until morbid angel
The point of melody/riffs are to be engaging and memorable. Look at Paranoid or Iron Man, less is more.
Metal speed shite is the complete opposite, just noise.
Cities on Flame with Rock and Roll
youre goddarm right
Some bands make it work.
They usually have other things going for them though.
that's it, i quit Sup Forums
>in popular music AND jazz
jazz btfo how will it ever recover?
Well, I posted Visions From The Darkside and Fall From Grace which both have intricate riffs without turning into wank, a variety of rhythms, a good number of variety of riffs themselves, and the sheer intensity/visceral feel that comes with riffs. Death metal tends to be harder to digest because it attacks with so much at once, but that doesn't make it bad you just gotta get used to its attack.
Nope. Don't confuse melody with riffs first of all. Melody is that next level shit you hear in jazz records or on like a Bach piece, not that basic bitch shit in popular music. Secondly, your standard for engaging and memorable is going to be totally different from someone else's so that's good for you but pointless in a topic like this where we are talking about the quality of the music itself not necessarily what it does for us personally (since what something may do for us personally isn't what it may do for anyone else.) Third of all, having a track just be based on a couple basic riffs doesn't really give that track much value in terms of listening except it being the equivalent of musical junk food. Metal riffs tend to be both cerebrally engaging due to how intricate they are, there tends to be more per track to ensure that there isn't some dumb "oh we are gonna just play two chords for the verse because our listener can't handle it" watered down pop approach that most tracks posted in this topic seem to have. Whether it does it the slower, groovy way, or the fast, intense way; metal always brings the most out of the riff idea.
Most traditional jazz stuff is just poppy riffs. Jazz doesn't become arty as fuck until certain big band jazzists and mostly bebop come into play.
funny story me and me pa was watching the clip from woodstock where Ten Years After play I'm going Home by Helicopter and he goes "who is this" I was like "uh I don't remember Ithink it's Ten Days After" he started laughing
"hahahha Ten Days After huh? The fallout didn't last very long eh?"
I know I thought it was worded in a silly way is all, as in it implied jazz wasn't popular.
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>that outro
shove your nu-male trash up your ass faggot
>no Peter Green