THE TOP 3

amen

TMR is quite flawed in how its mixed. The roughness and the overly dominant vocals make it so each individual part isn't as optimized in terms of what it offers to the overall sound.

Rock Bottom has a phenomenal second half, but the first half isn't even substandard prog, but more like pop music with a large arrangement. While I understand the dichotomy present on the album, that doesn't mean that half of it still needs to be so straightforward and mediocre in its approach.

Faust I is for sure my favorite of the three.The structures, how each part is done, the techniques, everything is extremely well done. Its unconventional mix of electronic, rock, and jazz though will probably make it tougher to get into for first time listeners.

FUCK OFF

I HATE THIS TRASH

ITS NOT FUCKING MUSIC OR ENJOYABLE

FUCK OFF

sorry u cant enjoy them jesus

>we are talking about rock, of course it's not going to adhere exactly to music theory
I don't think you understand what music theory is
Are you implying TMR or Faust is prog/jazz fusion?

TMR for fun.
Rock Bottom for feels.

Both are avant-garde rock, which parallels prog rock in many ways.

>I don't think you understand what music theory is
i'm going by the definition you type of people use, i.e. "what makes classical and jazz sound good"

obvious all musicians know music theory to a degree, if you know an instrument you know basic theory

stop trying to drive me MAD

youtube.com/watch?v=kTvKaLW5bu8

>The first half of Rock Bottom straightforward
>Has Little Red Riding Hood Hit the Road
Wewest of lads, it's the best song on the album.