Discuss

Discuss

Other urls found in this thread:

youtube.com/watch?v=tiI8pi6Z_Es
twitter.com/NSFWRedditVideo

Play CIA.

[crashes plane]

MASTERPIECE

10/10 extended cut.

pure kινο

HAHAHAHAHAHAHAHAHAHAHAHAHA

>Discuss

Why don't you kick it off OP?

The extended cut is fine and all it just has...too many scenes

>buying the extended cut and seeing the scene with the wife's bare tits and unleashing an entire adolescence worth of faps

So fucking good

And that dope holle rache performance

I love the final scene. One of the most beautiful, touching and disturbing scenes of all time. Many people do not understand the horror behind the words of Salieri: he is not only a madman, a man whose brain was slowly eaten by the termites of obsessions, the ants of neuroses: he is still aware of the differences in talent and ability that divide him and even an absolute (the absolute of absolute) majority of the human race from a handful of exceptional individuals. In the darkness of the cinema his dark litany was not only blessing the priest, himself, the poor lunatics in the madhouse; he was blessing, as he said, all the mediocrities in the world. He was forgiving all of us, all of us who can only contemplate with absolute admiration and horror the huge peaks that a few souls are able to climb (by that rare concentration of genes, talent, obsession, will-power, madness-drive to work and insatiable hunger improve), while we have to be contempt in making of small hills and mounds our imaginary Everest's. This final scene is one of the most beautiful I've ever seen; one of the most pessimistic; one of the darkest; one of the truest.
And in perfect contrast with the dark, cruel, chaotic world of the hospice, with the desolating environment that stinks with the fumes of urine, sweat and despair; in contrast with the physical contortions of the sick bodies and with the even most aggressive and ruinous mental contortions (all those poor brains being shattered by unattainable mental wolves, the invisible packs of private nightmares), in perfect contrast with the abyss, we have the music of Mozart, one of the most beautiful things ever produced in the universe, and among the music of Mozart one of the softest, most innocent, one of the most childish and touching lullabies.
This final scene is a micro masterpiece in a movie that is all made of wonders; is one of the most beautiful poems of this great book of cinematic poetry that is this film.

Rock me Amadeus!

This thread has...too many memes

Mark Hamill was Amadeus on Broadway in the early 80's. I saw it he was great!

The thing about Mozart though is that he (like many other composers of the time) stated many times that they got their inspirations for their most famous compositions directly from a divine source, so the whole point you just made becomes kinda moot

Goddammit, it never gets old.

On the screen it looked...nothing. The beginning was simple, a man powerstancing before a plane, almost comic. Just a small guy. A hired gun and masketta man, with black hoods on. And then suddenly, CIA says, "BANE?!". A single word, hanging there, unwavering. Until Mosquito man takes over with a confirming grunt. This was no scene made by pleb! This was kino i'd never seen.

>s that he (like many other composers of the time) stated many times that they got their inspirations for their most famous compositions directly from a divine source

Lots of artists say that, but it is fake: it makes the works seem more divine, it hides the efforts.

Mozart's wife even burned manuscripts (showing signs of labour, errors, corrections) after his death to make the aura of angelic-genius more palpable.

Well congratulations! You got myself mocked!

Now what's the next movement in your magnum opus?

it's historically inaccurate but it's a great film for you

mozart's requiem is GOAT. wish they could've included the kyrie, though.

crashing this plane in F minor for harpsichord and string quartet movement 2: with no survivors

It's not historically accurate but it's a 9/10 for me.

...

Mozarts depiction is not entirely inaccurate. He was known to have an absurdly crude sense of humor. He wrote a song called "lick my ass".

VOLFIE

Why does every retard need to spout "It's not historically accurate" in Amadeus threads?

It's not a documentary.

And that's about where the accuracy ends

I'm afraid I don't understand young man.
I use as many as I need to tell the story, neither more nor less.

Because in order to make its thematic point the movie really, really, REALLY took liberty with manipulating Mozart's character. He wasn't known to be a giggling bratty hippy faggot.

But I fucking love this movie so s'coo.

Things like this in letters he wrote to family was commonplace.

Yes, the whole drama between him and Saliari or however you spell it was a rumor that spread around after Mozarts death. It's not considered to be true at all. It was widely believed at the time though.

>Now I must relate to you a sad story that happened just this minute. As I am in the middle of my best writing, I hear a noise in the street. I stop writing—get up, go to the window—and—the noise is gone—I sit down again, start writing once more—I have barely written ten words when I hear the noise again—I rise—but as I rise, I can still hear something but very faint—it smells like something burning—wherever I go it stinks, when I look out the window, the smell goes away, when I turn my head back to the room, the smell comes back—finally My Mama says to me: I bet you let one go?—I don't think so, Mama. yes, yes, I'm quite certain, I put it to the test, stick my finger in my ass, then put it to my nose, and—there is the proof! Mama was right!

overhyped, but fantastic performances

hold the door

>retard
>for saying it isn't historically accurate
because it isn't you autistic mofo "everything you've heard is true" is on the poster.

Yes but there are only so many scenes that a person can analysis in the course of a night and yours simply has to many

>overhyped
BY FUCKING WHO

No, this can't be happening!

I'm the most popular composer here!

That's essentially a family guy bit
youtube.com/watch?v=tiI8pi6Z_Es

I don't think that's true

I'm not sure how it's regarded here but I really like Tom Hulce's portrayal. He was innocent, gaudy, slightly disconnected but made me believe he still could have been talented. The laugh was brilliantly performed.

Of course Abraham played his darkly brooding and covetous counterpart equally well, but I found myself absolutely transfixed my Mozart prancing around on stage. He seemed so innocent and pure in his strivings for musical perfection which made his death that much more tragic.

top 10 movies i've ever seen

Don't take it too hard you work is ingenious, its quality work, and there are simply too many scenes. Thats all just cut a few and it will be perfect.

This is absurd!

Which scenes did you have in mind?

Milos!

They take just the bare elements of historicity to use as a vessel to tell a specific story. Of course none of the depictions are true to life, it's not intended to be. It's not like Joseph II was a bumbling moron either.

>That... was Mozart
>Wolfgang Peter Shaffer's Amadeus Director's Cut (180 minutes) Mozart

Yeah, that's what I thought. Faggot.

Amadeus theatrical is perfect.

greatest tit shot of all time y/n

Real disapointment her tits looked so good in the opening parts and they sag way to much

no

was actually blown away, great rack.

love the nip-action as well