>the harmonies on Your Prayer >when the instruments come in on Gee >the mandolin/dulcimer thing on the cantina verse of Heroes & Villains >when the strings come in at the end of Heroes & Villains >the third section of Do You Like Worms? >my only suuuuunshiiiiiine >the "doing doing"'s on Cabin Essence >the chorus of Cabin Essence >the outro of Cabin Essence >the yodeling on Wonderful >the vibraphone on Look >the main chorus of Child Is Father Of The Man >the columnated ruins falsetto on Surf's Up >the double time part on Surf's Up >when Brian says "Surf's Up" in the chorus >father of the man reprise >Paul McCartney eating celery on Vega-Tables >the xylophone and flutes on Holiday >the loud part of Wind Chimes >literally all of Fire >the intro of Love To Say Da Da >the theramin on Good Vibrations >the bridge of Good Vibrations
Eli Richardson
-First jangle after the soooo hiiiigggghhh -demons still visit me vocal shift -Jerome gets more time than Brandon/ second verse of Gorgeous -21st Century Schizoid Man -interlude -MJ GONE -Pussy in a sarcaphogaus -Nicki vocal changes throughout the verse -RZA verse -The beat on Devil in a New Dress -Rick Ross on Devil in a New Dress -Second note in Runaway -You can't blame em they ain't never seen Versace sofas -Vocoder on Runaway -One day I'm gonna marry a pornstar -Yeezy Taught Me -Lost in the World -THE CLAPS AT THE END OF WHO WILL SURVIVE IN AMERICA
Asher Hall
>the key change seven seconds into Wouldn't It Be Nice >the bridge on Wouldn't It Be Nice >I wanna cryyyyYYYYYYyyyyyYYYyyyyyYYYYYyyyyYYYYyyyy >the bike horn and vocal fade-out on You Still Believe in Me >"What matters to me is what I could be to just one giiiiiiiiiiiiiiiiiiiiiiiiiirl" >"listen, listen, listen" >the fadeout on Don't Talk >the entirety of Don't Talk >flute solo on I'm Waiting for the Day >the a capella break on Sloop John B >the ending of God Only Knows >the bass harmonica solo on I Know There's an Answer >the instrumental break on here Today >the theremin solo on I Just Wasn't Made for These Times >Sometimes I feel very sad >the coke cans on the title track >the bass flutes on the bridge of Caroline No >OH CAROLINE NOOOOOOOOOO
William Diaz
>ITS SO SAAAAAAAD TO SEEEEE A SWEEET THING DIEEEEE
Caleb Roberts
Here's my autism edition user hope you enjoy it >the lower notes on Your Prayers from Dennis and Mike >the beginning of Holidays before it fully kicks in >the slide whistle on Holidays of course >all of Psychodelic Sounds >Where'd he go? He went in the piano >BRIAN BRIAN >I'm in the piano >GET OUTTA THERE MAAAAAN >NOOOOOO NOT THE C SHARP >the tender beginning of Look and that sax and then that Good Vibrations melody reprise yes >HOME ON THE RAAAAAAAaaaaaaaaa >the first time the harmonica appears on Cabin Essence >WELL YOU'RE WELL YOU'RE WELL >WEH YOU'RE WEH >the beginning of Love To Say Dada, the "nah nah nahs" And my favorite >the jungle vibes beginning of Wind Chimes and that weird thing you hear right before it you know the one
Robert Evans
*Our Prayer My b my autism spellbinded me
Carson Sullivan
A CHILDREEEENNNNNNNNSSSS SOOOOOOOOOOOOOOOOOOOOOOOOOOOOONNNNNNNNNNNNNNNGGGGGGGGG
Leo Thomas
Wasn't much into the Boys until about five days ago when I downloaded the MQR mix of Smile
Holy SHIT
Connor Hill
Idk why but im addicted to barnyard that shits so peaceful
Andrew Howard
>beginning chords on Everything In Its Right Place >when the vocal samples cut out 3/4 of the way through EIIRP >when the drum beat changes on Kid A >horn section of The National Anthem >when Thom harmonises with the ondes martonet on How To Disappear Completely >descending high notes on Treefingers >"DINOSAURS ROAMING THE EARTH" >outro of Optimistic >ending distortion on In Limbo >when the main riff of Idioteque kicks in >"THIS ONE IS FOR THE CHILDREN" >double guitar solo on Morning Bell >wail at the end of morning bell >"I will see you in the next life..." >hidden track
Joseph King
It's okey
Gabriel Rogers
same here, its such a nice melody
Jackson Barnes
>ONE DAY I'M GOING TO GROW WINGS >A CHEMICAL REACTIOOOOOON
>SUUUUUUUUUUUUUUUCH A PRETTY HOUUUUUUSE AND SUUUUUUUUUCH A PRETTY GAAAAAAAAARDEN
>Please can you stop the noise I'm trying to get some reeeest >WHAT'S THAAAAAAAAAAAAAAAAAAaaaaaAAT >YOU DON'T REMEMBER YOU DON'T REMEMBER WHY DON'T YOU REMEMBER MY NAME? OFF WITH HIS HEAD MAN OFF WITH HIS HEAD MAN
>This is what you get >This is what you get >This is what you get when you meeeeeessss with us
>IN AN INTERSTELLAR BUUUUUUUURST >I AM BACK TO SAVE THE UUUUUUUUUUUNIIIiiiIIIIIIVEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEERSSSSEEEE
If you don't recognise the album Kill Yourself
Samuel Russell
>descending trombone melody during the chorus of here today
Tyler Hill
the last minute of Karma Police is GOAT
David Edwards
>Isolate from a hundred friends / wave them on as the childhood ends >April you're all white and naked >EVERYBODY CAME DOWN JUST TO SEE ME LEAVING >the outro to Chocolate Girl >The bird are calling for you, please don't follow >I feel so elusive in Houston / You feel so exclusive in Houston >Words slip by when I'm silent I have to let so many people down / But the bell from the ice cream man comes to save the day >Take a drive to the Jacksonville pharmacy and pretend / that a new apartment and a heart don't make me old >obligatory "RUUUUNNNN"
Juan Nelson
>just like your fucking mother >YOU MUST BE FUCKING JOKING CUNT >SPECIAL SPECIAL SPECIAL SPECIAL
Jayden White
>HERE NOW HERE NOW >OH YEAH OH YEAH THE UNIVERSAL MIIYIIYIYIYIYIIIIND >*climax of Bring The Sun* >*the end of She Loves Us!* >gra nite pines sil ver shine g >*every second of Oxygen* >KILL THE CRUEL HEAL THE BLIND CUT YOUR NAME ONTO THE SKY NATHALLLAYYAYAY >*the last two explosions on the title track*
Grayson Morris
>THERE ARE MILLIONS AND MILLIONS OF STARS >IN YOUR EYES
Juan Howard
>*the feedback screeches in RVC* >*every second of IWAPIYS* >YOU FEED ME WITH GAASOLINE I'LL BURN MY NAME IN YOUR HEAD >I SEE THEM ALL LINED UP >*every second of Surrogate 2* >*the ending dissonance on Animus* >*when RVC fades in* >YOU DESPIIIIIIISE I LOVE >*the organ on I Love You This Much* >YOU GIVE ME MONEY >*Jarboe screaming on YRP 2* >DUUUUUUUUUUUUUUUUUN (Surrogate Drone)
Dominic Jones
nah i skip after the last chorus cause its just bad
Hudson Hernandez
*harsh noise*
Kevin Harris
>IF I COULD JUST LEAVE MY BODY FOR THE NIGHT >ADOBE SLABS > ARE YOU ALSO FRIGHTEEEEEEEEEEEEENED >WHEN THE SUN GOES DOWN WE'LL GO OUT AGAIN >JUST A SEC MORE IN MY BEEEEEED >BLUUUUE EYESHADOW IT'S NOOOT EXACTLY BLUUUE THO >AM I REALLY ALL THE THINGS THAT ARE OUTSIDE OF ME ?? >LION IN A COMA LION IN A COMA WHO WANTS TO SMELL THE FINE AROMA ?? >IT'S WHAT I HOPED FOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOR >OPEN UP YA OPEN UP YA OPEN UP YA THROAT
Julian King
MQR mix has filler and some poor edits.
David Carter
>When guitars and drum enter in To The Blade >The background spoken Distant past >WHERE IS THE BLAZES, DID I PARK MY CAR? >GOTTA GET TO THE HEAVEN >The bridge section leading back into the last chorus of Get To Heaven >BUT DID YOU IMAGINE IT, IN A DIFFERENT WAY >SPRING SUN WINTER DRED, I DON'T WANT TO GET OLDER >The transition from first section of S/S/W/D into the latter half >Verses in The Wheel (Is turning now) >Horn blasts in Fortune 500 >All of Blast Doors but specifically YOU SAY YOU'RE GOING TO CHANGE, BUT DON'T HAVE ANY TIME. >OOOO BABY IT'S ALRIGHT, IT'S ALRIGHT TO FEEEL LIKE A FAT CHILD IN A PUSH CHAIR >Those electric drums in No repitles >The outro to Warm Healer
Could name more but nah
Jacob Lewis
>OOOO BABY IT'S ALRIGHT, IT'S ALRIGHT TO FEEEL LIKE A FAT CHILD IN A PUSH CHAIR this so fucking much
Joseph Sanchez
I always thought he was saying "Just a signal in my head" huhh...
Landon Moore
just a sycamore in my bed
Jeremiah Peterson
No love for Barnyard?
And on Cabin Essence I think it's BOING not "doing"
Isaiah Scott
see Dubs don't lie
Samuel Brown
Everything in "Wonderful" alone is 10/10. How the fuck they can made such an unfinished album 20/10?