Name a worst movie than this.
You can't
Name a worst movie than this.
You can't
Other urls found in this thread:
...
Easy user
must not be a kinossuer
Sup Forums is a /dunkaccino/ board, always has been
WHAT'S MY NAME
I actually thought it was alright family, not great but a few decent laughs. Mocha-Chino, come on...
Neighbors 2: Sorority rises
Paul blart: mall cop 2
OP are you even trying
Jennifer's Body
I remember buying this back in like late 2013. I thought it was pretty lame with the mostly gay shit but they wouldn't accept any returns at the local dvd store (the one I bought it from) I always thought it was retarded how like you cant like return games and the guy at the ocunter was a smug NIGGER anyway. This is exactly the type of shit that happens letting minorities work with the common people they treat like shit. Nigger is lucky I didn't bust out my fucking niggerknocker and crack him over his disgusting fucking nappy head. I swear something needs to be done about all these cocky niggers trying to act high soceity. It's about time someone they time to die.
This post was written worse than jack and jills script
Gigli
Batman v Superman
Site is 18+ kiddo
Awww did I trigger you cucks? Fuck off back to your tumblr safe space. on here we tell faggots to fuck off
>niggerknocker
Protip: I can.
>we tell faggot to fuck off
So fuck off then you try hard faggot
Inb4 autistic rage
When exactly did Tyrone fuck your gf?
pleb detected
...
DUNKACHINOS
>niggerknocker
Greatest best picture winner of the 2000s.
This cannot be argued.
>niggerknocker
this
>niggerknocker
>niggerknocker
>niggerknocker
Bucky Larson: Born to be a Star
>niggerknocker
That's a comfy movie faggot
at this point the only people shitting on it are assblasted fanboys
>niggerknocker
Jeez 13 year olds are really desperate to shock people with their edgy "humor."
You win
Jack and Jill reveals that Sandler’s best comedies (Grown Ups, Bedtime Stories, I Now Pronounce You Chuck and Larry and the great Spanglish) are really love stories. He explores affection without the class and gender guilt Judd Apatow hides behind (the distraction scuttled Apatow’s grandiose Funny People). Sandler’s willingness to appear “dumb” is what makes his films so cathartic. He thrives on being unembarrassed–the key to classic comedy going back to the Greeks.
Sandler, of course, always goes back to Jewishness. He may be the least ethnically abashed Jewish film comic outside the Borscht Belt which is Jack and Jill’s natural strength. Jack’s self-consciousness about Jill is rooted in Jewish comics’ proverbial self-deprecation (that’s why the twinship premise). Jill’s large features, gaucheness, petulance and unsophisticated ways are not anti-Jewish traits but the qualities that insecure, social-climbing ethnic groups usually evade.
In Jill drag, Sandler looks like young women you see on the subway; she’s a homely archetype. (Eddie Murphy has mastered this comic pride, especially in The Klumps and Norbit.) Credit Sandler’s subtle feminine caricature–especially in dancing and athleticism–that avoids making Jill clownish like Tyler Perry’s grotesque Madea. Perry’s career is based in parodying ethnic shame then edging into pride. In Jack and Jill Sandler embraces rude, crude and earthy in ways that Tyler Perry wouldn’t dare. Or would he?
Sandler’s real dare is to defend ethnicity–not piously but through comedy that has social and political effect: When Jack’s WASP assistant (Nick Swardson) boasts that he’s almost Jewish because “I’m an atheist,” Jack looks nonplussed. Yet, Sandler isn’t. His comic introspection has a moral core. Appreciation of roots and background is what gives the film’s overlong but uproarious Al Pacino subplot its basis–it’s both crazily romantic and a professional salute. That’s because Sandler knows how our plumbing works.
Yeah... come say that to my face and ill put you out of your fucking misery in the snap of a finger
>strongest American film since Mystic River
>came out a year after Mystic River
Kek
faggot
My misery does not reside in my finger
The Cobbler
...